Secret writing in Margate Caves

Conference or workshop item

Overall, S. and Oulton, C. 2019. Secret writing in Margate Caves.
AuthorsOverall, S. and Oulton, C.
Description

Public talk and writing workshop. Part of Being Human Festival of the Humanities, 23rd November 2019.

Year2019
ConferenceBeing Human Festival
Official URLhttps://beinghumanfestival.org/event/secret-writing-in-margate-caves/
Publication process dates
Deposited16 Dec 2019
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https://repository.canterbury.ac.uk/item/8q1v5/secret-writing-in-margate-caves

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Um Pintor na Corte
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The realm of shells
Overall, S. 2006. The realm of shells. London Fourth Estate.
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A likeness
Overall, S. 2004. A likeness. London Fourth Estate.
”If only there would pass away the horror of those hands!” Cholmondeley, Jerome and the woman’s touch in the fin de siècle city
Oulton, C. 2015. ”If only there would pass away the horror of those hands!” Cholmondeley, Jerome and the woman’s touch in the fin de siècle city. Australasian Journal of Victorian Studies.
Mary Cholmondeley
Oulton, C. 2015. Mary Cholmondeley. in: Felluga, D. (ed.) Blackwell Encyclopedia of Victorian Literature Wiley-Blackwell.
“he’d let me turn the house into a theatre”: rewriting the domestic in the sensational world of East Lynne
Oulton, C. 2016. “he’d let me turn the house into a theatre”: rewriting the domestic in the sensational world of East Lynne. Wilkie Collins Journal. 13.
”A coverless book without a title-page”: Heritage and the modern in the Dickens centenary year
Oulton, C. 2015. ”A coverless book without a title-page”: Heritage and the modern in the Dickens centenary year.
Sensations of loss: Eliza Lynn Linton’s Sowing the Wind
Oulton, C. 2015. Sensations of loss: Eliza Lynn Linton’s Sowing the Wind.
”I write this with my hands in a basin of water”: Dickens, letters and readers
Oulton, C. 2016. ”I write this with my hands in a basin of water”: Dickens, letters and readers. The Dickensian. 112 (2), pp. 105-113.
Introduction
Oulton, C. 2012. Introduction. in: Three Men in a Boat: To Say Nothing of the Dog Victorian Secrets.
Introduction
Oulton, C. 2014. Introduction. in: Three Men on the Bummel Victorian Secrets.
Dickens, letters and readers
Oulton, C. 2015. Dickens, letters and readers.
Letterpress re-imagined: printing at Sissinghurst
Oulton, C. and Adams, V. 2014. Letterpress re-imagined: printing at Sissinghurst. International Centre for Victorian Women Writers.
‘Victorian Women at the Seaside’ travelling exhibition
Oulton, C. and Hunt, A. 2014. ‘Victorian Women at the Seaside’ travelling exhibition.
‘“No magic dwelling-place in magic story”: time, memory and the enchanted children of Dombey and Son’.
Oulton, C. 2015. ‘“No magic dwelling-place in magic story”: time, memory and the enchanted children of Dombey and Son’. in: Merchant, P. and Waters, C. (ed.) Dickens and the Imagined Child Ashgate. pp. 43-56
"I suppose we insensibly invented the rest": Adelaide Procter and the legend of the female poet
Oulton, C. 2014. "I suppose we insensibly invented the rest": Adelaide Procter and the legend of the female poet.
Ouida and Victorian popular culture
Oulton, C. 2014. Ouida and Victorian popular culture. SHARP News. 23 (3), p. 9.
‘”It is a pity but what bad men could be turned inside out sometimes”: Victorian Scandal on the Kent Coast‘
Oulton, C. 2014. ‘”It is a pity but what bad men could be turned inside out sometimes”: Victorian Scandal on the Kent Coast‘.
‘Missed Vocation? The Failed Writer in Late Victorian Women’s Fiction.’
Oulton, C. 2014. ‘Missed Vocation? The Failed Writer in Late Victorian Women’s Fiction.’.
"Your own feelings will enable you to imagine”: sustaining the Dickensian reader
Oulton, C. 2014. "Your own feelings will enable you to imagine”: sustaining the Dickensian reader.
"An immense quantity of clever and thoughtful rubbish"?: Twentieth century Victorians and the problem of history
Oulton, C. 2013. "An immense quantity of clever and thoughtful rubbish"?: Twentieth century Victorians and the problem of history. Life Writing. https://doi.org/10.1080/14484528.2013.819483
"An exacting public": Jerome K. Jerome and the new humour
Oulton, C. 2013. "An exacting public": Jerome K. Jerome and the new humour.
Cruel cities in 'Geoffrey’s Wife’ and 'The Fawn Gloves'
Oulton, C. 2013. Cruel cities in 'Geoffrey’s Wife’ and 'The Fawn Gloves'.
“Andromeda is having a rather bad time of it just now”: stories of sacrifice in Caird’s The Wing of Azrael.
Oulton, C. 2013. “Andromeda is having a rather bad time of it just now”: stories of sacrifice in Caird’s The Wing of Azrael. Nineteenth Century Gender Studies. 9 (1).
‘Shall memory be the only thing to die?' Fictions of childhood in Dickens and Jerome K. Jerome
Oulton, C. 2012. ‘Shall memory be the only thing to die?' Fictions of childhood in Dickens and Jerome K. Jerome. Dickens Studies Annual: Essays on Victorian Fiction. 43, pp. 111-124.
'lest I, too should remain chained here': Jerome K. Jerome’s London
Oulton, C. 2012. 'lest I, too should remain chained here': Jerome K. Jerome’s London.
Women writers of the fin de siècle
Gavin, A. and Oulton, C. 2010. Women writers of the fin de siècle. Women Writers of the Fin de Siècle International Conference. Institute of English Studies, University of London 28 - 29 Jun 2010
Victorian rebel: the many faces of Mary Braddon
Gavin, A. and Oulton, C. 2012. Victorian rebel: the many faces of Mary Braddon. Victorian Rebel: the Many Faces of Mary Braddon. Canterbury Christ Church University 16 - 22 Jul 2012
Jerome K. Jerome
Oulton, C. 2012. Jerome K. Jerome.
Weeds: a story in seven chapters
Jerome, J. and Oulton, C. Oulton, C. (ed.) 2012. Weeds: a story in seven chapters. Brighton Victorian Secrets.
Introduction to 'Mary Cholmondeley reconsidered'
Oulton, C. and Schatz, S. 2009. Introduction to 'Mary Cholmondeley reconsidered'. in: Oulton, C. and Schatz, S. (ed.) Mary Cholmondeley Reconsidered London Pickering & Chatto.
‘She would write… in invisible ink.’ An introduction
Oulton, C. 2011. ‘She would write… in invisible ink.’ An introduction. in: Gavin, A. and Oulton, C. (ed.) Writing Women of the Fin de Siècle: Authors of Change Palgrave Macmillan. pp. 1-14
'I am not by nature domestic': Mary Cholmondeley and the politics of home
Oulton, C. 2011. 'I am not by nature domestic': Mary Cholmondeley and the politics of home. in: Gavin, A. and Oulton, C. (ed.) Writing Women of the Fin de Siècle: Authors of Change Palgrave Macmillan. pp. 85-97
'A rendezvous for literary London'. Jerome K. Jerome on the Strand
Oulton, C. 2012. 'A rendezvous for literary London'. Jerome K. Jerome on the Strand.
'I had perpetrated a book': reading Victorian women writers in the 21st Century
Oulton, C. 2011. 'I had perpetrated a book': reading Victorian women writers in the 21st Century.
‘going on before me, an innocent romantic boy’: David Copperfield’s Canterbury tale
Oulton, C. 2011. ‘going on before me, an innocent romantic boy’: David Copperfield’s Canterbury tale.
'Evil thought is a dangerous pet.' Jerome K. Jerome and the dark side of passion
Oulton, C. 2012. 'Evil thought is a dangerous pet.' Jerome K. Jerome and the dark side of passion.
'A misunderstood generation': Victorians and the Twentieth Century peepshow
Oulton, C. 2012. 'A misunderstood generation': Victorians and the Twentieth Century peepshow.
'Let him remember it in that room, years to come!’: myths of childhood and memory in Dombey and Son and The Haunted Man
Oulton, C. 2012. 'Let him remember it in that room, years to come!’: myths of childhood and memory in Dombey and Son and The Haunted Man.
‘now to the home of which you are the sunbeam': telling stories in The Wing of Azrael
Oulton, C. 2011. ‘now to the home of which you are the sunbeam': telling stories in The Wing of Azrael.
‘you had an idea that we were rather frivolous': Jerome K. Jerome’s editorial strategies
Oulton, C. 2011. ‘you had an idea that we were rather frivolous': Jerome K. Jerome’s editorial strategies.
'a pot of ink that she would come to hate the smell of': banishing the beast in Jerome K. Jerome’s New Woman journalists
Oulton, C. 2011. 'a pot of ink that she would come to hate the smell of': banishing the beast in Jerome K. Jerome’s New Woman journalists. Critical Survey. 23 (2), pp. 41-55. https://doi.org/10.3167/cs.2011.230204
Writing women of the fin de siècle: authors of change
Gavin, A. and Oulton, C. Gavin, A. and Oulton, C. (ed.) 2011. Writing women of the fin de siècle: authors of change. Basingstoke Palgrave Macmillan.
Romantic friendship in Victorian literature
Oulton, C. 2007. Romantic friendship in Victorian literature. Ashgate.
Below the fairy city: a life of Jerome K. Jerome
Oulton, C. 2012. Below the fairy city: a life of Jerome K. Jerome. Brighton Victorian Secrets.
Mary Cholmondeley website
Oulton, C. and Canterbury Christ Church University web team 2013. Mary Cholmondeley website. Canterbury Christ Church University.
A child, a death and the making of the fairy tale woman
Oulton, C. 2011. A child, a death and the making of the fairy tale woman. Langley, Canada BeWrite Books.
'Trained to perfection in the lax morals and prurient literature of my day': the metafictional New Woman and her readers
Oulton, C. 2011. 'Trained to perfection in the lax morals and prurient literature of my day': the metafictional New Woman and her readers. The Latchkey. 2 (2).
“ain’t goin’ to have any beastly Erickin'”: the problem of male friendship in Stalky & Co
Oulton, C. 2008. “ain’t goin’ to have any beastly Erickin'”: the problem of male friendship in Stalky & Co. The Kipling Journal. 82, pp. 56-61.
'The Good Angel of Our Lives': subversive religion in The Woman in White
Oulton, C. 2001. 'The Good Angel of Our Lives': subversive religion in The Woman in White. Dickens Studies Annual: Essays on Victorian Fiction. 30, pp. 309-320.
A vindication of religion: Wilkie Collins, Dickens and The Frozen Deep
Oulton, C. 2001. A vindication of religion: Wilkie Collins, Dickens and The Frozen Deep. The Dickensian. 97 (2), pp. 154-158.
Wilkie Collins: an interpretation of Christian belief
Oulton, C. 1998. Wilkie Collins: an interpretation of Christian belief. Wilkie Collins Society Journal. 1, pp. 29-43.
Literature and religion in mid-Victorian England: from Dickens to Eliot
Oulton, C. 2003. Literature and religion in mid-Victorian England: from Dickens to Eliot. Basingstoke Palgrave Macmillan.
‘ain’t goin’ to have any beastly Erickin’: the problem of male friendship in Stalky & Co
Oulton, C. 2007. ‘ain’t goin’ to have any beastly Erickin’: the problem of male friendship in Stalky & Co.
''But why write them down[?]'': Mary Cholmondeley's diaries and the violation of the female artist
Oulton, C. 2009. ''But why write them down[?]'': Mary Cholmondeley's diaries and the violation of the female artist.
''Murderous impulse'': Children as victims of violance in Mary Cholmondeley's major fiction
Oulton, C. 2009. ''Murderous impulse'': Children as victims of violance in Mary Cholmondeley's major fiction.
'Which he never meant to be published on any account': the hidden archive in David Copperfield and Paul Kelver
Oulton, C. 2010. 'Which he never meant to be published on any account': the hidden archive in David Copperfield and Paul Kelver.
'I am not by nature domestic': Mary Cholmondeley and the politics of home
Oulton, C. 2010. 'I am not by nature domestic': Mary Cholmondeley and the politics of home.
'My undisciplined heart': romantic friendship in David Copperfield
Oulton, C. 2004. 'My undisciplined heart': romantic friendship in David Copperfield. Dickens Quarterly. 21 (3), pp. 157-169.
''Never be divided again'': Armadale and the threat to romantic friendship
Oulton, C. 2005. ''Never be divided again'': Armadale and the threat to romantic friendship. Wilkie Collins Society Journal. 7, pp. 31-40.
Let the flowers go: a life of Mary Cholmondeley
Oulton, C. 2009. Let the flowers go: a life of Mary Cholmondeley. London Pickering & Chatto.
Child sacrifice and the crisis of gender in Mary Cholmondeley's major fiction
Oulton, C. 2010. Child sacrifice and the crisis of gender in Mary Cholmondeley's major fiction. English Literature in Transition, 1880-1920. 53 (2), pp. 204-218. https://doi.org/10.2487/elt.53.2(2010)0059
''The shadow which I call pain'': Mary Cholmondeley and the dilemma of bodily weakness
Oulton, C. 2009. ''The shadow which I call pain'': Mary Cholmondeley and the dilemma of bodily weakness. Life Writing. 6 (3), pp. 303-312. https://doi.org/10.1080/14484520903082926
“What a comrade she would make”: the limits of romantic friendship in Jude the Obscure
Oulton, C. 2007. “What a comrade she would make”: the limits of romantic friendship in Jude the Obscure. Thomas Hardy Journal. 23, pp. 117-125.
Left past the moon
Oulton, C. 2001. Left past the moon. NPF Publications.
''The bad women are better than the good ones'': the new woman and sexual fall in Cholmondeley's short fiction
Oulton, C. 2009. ''The bad women are better than the good ones'': the new woman and sexual fall in Cholmondeley's short fiction. in: Oulton, C. and Schatz, S. (ed.) Mary Cholmondeley Reconsidered London, UK Pickering & Chatto.