P. G. Wodehouse

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Oulton, C. P. G. Wodehouse.
AuthorsOulton, C.
KeywordsP. G. Wodehouse; Kent
Official URLhttps://www.kent-maps.online/19c/19c-wodehouse-biography
Related URLhttps://www.kent-maps.online/
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Deposited20 Feb 2023
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‘If she must see, to see in silence’: Catching up with the Victorians in The Caravaners and The Enchanted April
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Destabilising Dickens: Kent Maps Online
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Middlemass, Mary Jane [Jean]
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”[T]he reader will probably not object to accompany me”: walking with Dickens and the late Victorian guide
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Folkestone Free Library: Beginnings
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Folkestone Free Library
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Sir Arthur Conan Doyle (1859-1930)
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Dover in the 19th century
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‘”The lights and the shadows of clouds”: going through the glass with Dickens.’
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Literary and film pilgrimage
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"...all flirtations and curates": selling the seaside to railway readers
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Kent Maps Online: Beyond Dickens
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Israel Zangwill (21 January 1864 - 1 August 1926)
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R. Austin Freeman
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Angela Burdett-Coutts, 1814-1906
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John Brent (1808-1882)
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The Great Storm of 1987
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Floods in Canterbury, 1909
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Thomas Frost
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Henry Gardiner Adams
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Down from London? Looking for literary trouble at the British seaside
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Pamela Wynne (Winifred Mary Scott, née Watson) 1879-1959
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Gladys Waterer (1885-1971)
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Margaret Emily Shore (1819-1839)
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Jerome K. Jerome (1859-1927)
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George Grossmith (1847-1912)
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Sarah Grand 1854-1943
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2 Nuckell’s Place, Victoria Parade, Broadstairs
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Leather Bottle, The Street, Cobham, Gravesend
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John Ferguson
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Dickens and Dover
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Dickens's Swiss Chalet
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Staplehurst Railway disaster 1865
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Dickens and Deal
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F. C. Burnand (1836-1917)
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Seaside resorts
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Folkestone Free Library
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The Ship and Lobster
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Restoration House (Satis House)
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The Guildhall, Rochester
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Dickens and the Goodwin Sands
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Gad's Hill, Higham
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Fort House (Bleak House)
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Dickens and Folkestone
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Eastgate House, Rochester
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Cooling
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Dickens and Chatham
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Dickens and Canterbury
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Dickens and Broadstairs
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Charles Dickens
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Seaside resorts
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Margate in the nineteenth century
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Ramsgate in the nineteenth century
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Folkestone in the nineteenth century
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David Copperfield: a curated walk
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Great Expectations: a curated walk
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Elizabeth von Arnim. Pseudonym of Mary Beauchamp (1866-1941)
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Broadstairs in the nineteenth century
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Kent maps online: Lose yourself for free
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Railway fiction or seaside sensation? Journeys to the sea in Lady Audley’s Secret and No Name.
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Kent Maps
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Introduction
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British women’s writing from Brontë to Bloomsbury, 1840-1940. Volume 2: 1860s and 1870s
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1. First of the feathers: soldiers and suffragettes 2. Flight and refuge - Folkestone welcomes all
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Secret writing in Margate Caves
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Mary Cholmondeley
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‘”And yet these things were done by educated and kindly men”: negotiating change in Mary Cholmondeley’s 'The Romance of His Life’
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‘”The ideal was not there”: making peace with Dickensian Kent’
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‘I was in the condition of mind to be shocked at nothing’: losing the plot in Wuthering Heights
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Volume introduction
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British women’s writing from Brontë to Bloomsbury, 1840-1940 Volume 1: 1840s and 1850s
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“licking the chops of memory”: plotting the social sins of Jekyll and Hyde’
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‘Smothered under rose-leaves’: violent sensation and the location of the feminine in Eliza Lynn Linton’s sowing the wind'
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‘Reading, ephemera and the seaside library’
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'From “Boy” to “Britain”: popular fiction and the Folkestone Free Library 1881-1902'
Oulton, C. 2017. 'From “Boy” to “Britain”: popular fiction and the Folkestone Free Library 1881-1902'.
Femininity and deviance in Mary Cholmondeley’s The Lowest Rung
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British seaside fiction
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Jerome K. Jerome, sexual panic and degeneration at the fin de siècle
Oulton, C. 2017. Jerome K. Jerome, sexual panic and degeneration at the fin de siècle. Structo. 17.
‘Making literature ridiculous’: Jerome K. Jerome and the new humour
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“see if I don’t you poor old book”: Repositioning the reader in Mary Cholmondeley’s diaries
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Dickens and the myth of the reader
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Accidental fruit
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Shams and shadows: meta-fiction and the upper class woman writer
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“He pronounced it gurl“: Mary Cholmondeley, class and gender at the fin de siècle’
Oulton, C. 2016. “He pronounced it gurl“: Mary Cholmondeley, class and gender at the fin de siècle’.
‘”Literary Champagne”: or the fiction of seaside reading’
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‘”Coquetting amid incredible landscapes”: Women on the river and the railway’ 1862-1922
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”If only there would pass away the horror of those hands!” Cholmondeley, Jerome and the woman’s touch in the fin de siècle city
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Mary Cholmondeley
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“he’d let me turn the house into a theatre”: rewriting the domestic in the sensational world of East Lynne
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”A coverless book without a title-page”: Heritage and the modern in the Dickens centenary year
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Sensations of loss: Eliza Lynn Linton’s Sowing the Wind
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”I write this with my hands in a basin of water”: Dickens, letters and readers
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Introduction
Oulton, C. 2012. Introduction. in: Three Men in a Boat: To Say Nothing of the Dog Victorian Secrets.
Introduction
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Dickens, letters and readers
Oulton, C. 2015. Dickens, letters and readers.
Letterpress re-imagined: printing at Sissinghurst
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‘Victorian Women at the Seaside’ travelling exhibition
Oulton, C. and Hunt, A. 2014. ‘Victorian Women at the Seaside’ travelling exhibition.
‘“No magic dwelling-place in magic story”: time, memory and the enchanted children of Dombey and Son’.
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"I suppose we insensibly invented the rest": Adelaide Procter and the legend of the female poet
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Ouida and Victorian popular culture
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‘”It is a pity but what bad men could be turned inside out sometimes”: Victorian Scandal on the Kent Coast‘
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‘Missed Vocation? The Failed Writer in Late Victorian Women’s Fiction.’
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"Your own feelings will enable you to imagine”: sustaining the Dickensian reader
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"An immense quantity of clever and thoughtful rubbish"?: Twentieth century Victorians and the problem of history
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"An exacting public": Jerome K. Jerome and the new humour
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Cruel cities in 'Geoffrey’s Wife’ and 'The Fawn Gloves'
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“Andromeda is having a rather bad time of it just now”: stories of sacrifice in Caird’s The Wing of Azrael.
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‘Shall memory be the only thing to die?' Fictions of childhood in Dickens and Jerome K. Jerome
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'lest I, too should remain chained here': Jerome K. Jerome’s London
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Women writers of the fin de siècle
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Victorian rebel: the many faces of Mary Braddon
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Jerome K. Jerome
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Weeds: a story in seven chapters
Jerome, J. and Oulton, C. Oulton, C. (ed.) 2012. Weeds: a story in seven chapters. Brighton Victorian Secrets.
Introduction to 'Mary Cholmondeley reconsidered'
Oulton, C. and Schatz, S. 2009. Introduction to 'Mary Cholmondeley reconsidered'. in: Oulton, C. and Schatz, S. (ed.) Mary Cholmondeley Reconsidered London Pickering & Chatto.
‘She would write… in invisible ink.’ An introduction
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'I am not by nature domestic': Mary Cholmondeley and the politics of home
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'A rendezvous for literary London'. Jerome K. Jerome on the Strand
Oulton, C. 2012. 'A rendezvous for literary London'. Jerome K. Jerome on the Strand.
'I had perpetrated a book': reading Victorian women writers in the 21st Century
Oulton, C. 2011. 'I had perpetrated a book': reading Victorian women writers in the 21st Century.
‘going on before me, an innocent romantic boy’: David Copperfield’s Canterbury tale
Oulton, C. 2011. ‘going on before me, an innocent romantic boy’: David Copperfield’s Canterbury tale.
'Evil thought is a dangerous pet.' Jerome K. Jerome and the dark side of passion
Oulton, C. 2012. 'Evil thought is a dangerous pet.' Jerome K. Jerome and the dark side of passion.
'A misunderstood generation': Victorians and the Twentieth Century peepshow
Oulton, C. 2012. 'A misunderstood generation': Victorians and the Twentieth Century peepshow.
'Let him remember it in that room, years to come!’: myths of childhood and memory in Dombey and Son and The Haunted Man
Oulton, C. 2012. 'Let him remember it in that room, years to come!’: myths of childhood and memory in Dombey and Son and The Haunted Man.
‘now to the home of which you are the sunbeam': telling stories in The Wing of Azrael
Oulton, C. 2011. ‘now to the home of which you are the sunbeam': telling stories in The Wing of Azrael.
‘you had an idea that we were rather frivolous': Jerome K. Jerome’s editorial strategies
Oulton, C. 2011. ‘you had an idea that we were rather frivolous': Jerome K. Jerome’s editorial strategies.
'a pot of ink that she would come to hate the smell of': banishing the beast in Jerome K. Jerome’s New Woman journalists
Oulton, C. 2011. 'a pot of ink that she would come to hate the smell of': banishing the beast in Jerome K. Jerome’s New Woman journalists. Critical Survey. 23 (2), pp. 41-55. https://doi.org/10.3167/cs.2011.230204
Writing women of the fin de siècle: authors of change
Gavin, A. and Oulton, C. Gavin, A. and Oulton, C. (ed.) 2011. Writing women of the fin de siècle: authors of change. Basingstoke Palgrave Macmillan.
Romantic friendship in Victorian literature
Oulton, C. 2007. Romantic friendship in Victorian literature. Ashgate.
Below the fairy city: a life of Jerome K. Jerome
Oulton, C. 2012. Below the fairy city: a life of Jerome K. Jerome. Brighton Victorian Secrets.
Mary Cholmondeley website
Oulton, C. and Canterbury Christ Church University web team 2013. Mary Cholmondeley website. Canterbury Christ Church University.
A child, a death and the making of the fairy tale woman
Oulton, C. 2011. A child, a death and the making of the fairy tale woman. Langley, Canada BeWrite Books.
'Trained to perfection in the lax morals and prurient literature of my day': the metafictional New Woman and her readers
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“ain’t goin’ to have any beastly Erickin'”: the problem of male friendship in Stalky & Co
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'The Good Angel of Our Lives': subversive religion in The Woman in White
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A vindication of religion: Wilkie Collins, Dickens and The Frozen Deep
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Wilkie Collins: an interpretation of Christian belief
Oulton, C. 1998. Wilkie Collins: an interpretation of Christian belief. Wilkie Collins Society Journal. 1, pp. 29-43.
Literature and religion in mid-Victorian England: from Dickens to Eliot
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‘ain’t goin’ to have any beastly Erickin’: the problem of male friendship in Stalky & Co
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''But why write them down[?]'': Mary Cholmondeley's diaries and the violation of the female artist
Oulton, C. 2009. ''But why write them down[?]'': Mary Cholmondeley's diaries and the violation of the female artist.
''Murderous impulse'': Children as victims of violance in Mary Cholmondeley's major fiction
Oulton, C. 2009. ''Murderous impulse'': Children as victims of violance in Mary Cholmondeley's major fiction.
'Which he never meant to be published on any account': the hidden archive in David Copperfield and Paul Kelver
Oulton, C. 2010. 'Which he never meant to be published on any account': the hidden archive in David Copperfield and Paul Kelver.
'I am not by nature domestic': Mary Cholmondeley and the politics of home
Oulton, C. 2010. 'I am not by nature domestic': Mary Cholmondeley and the politics of home.
'My undisciplined heart': romantic friendship in David Copperfield
Oulton, C. 2004. 'My undisciplined heart': romantic friendship in David Copperfield. Dickens Quarterly. 21 (3), pp. 157-169.
''Never be divided again'': Armadale and the threat to romantic friendship
Oulton, C. 2005. ''Never be divided again'': Armadale and the threat to romantic friendship. Wilkie Collins Society Journal. 7, pp. 31-40.
Let the flowers go: a life of Mary Cholmondeley
Oulton, C. 2009. Let the flowers go: a life of Mary Cholmondeley. London Pickering & Chatto.
Child sacrifice and the crisis of gender in Mary Cholmondeley's major fiction
Oulton, C. 2010. Child sacrifice and the crisis of gender in Mary Cholmondeley's major fiction. English Literature in Transition, 1880-1920. 53 (2), pp. 204-218. https://doi.org/10.2487/elt.53.2(2010)0059
''The shadow which I call pain'': Mary Cholmondeley and the dilemma of bodily weakness
Oulton, C. 2009. ''The shadow which I call pain'': Mary Cholmondeley and the dilemma of bodily weakness. Life Writing. 6 (3), pp. 303-312. https://doi.org/10.1080/14484520903082926
“What a comrade she would make”: the limits of romantic friendship in Jude the Obscure
Oulton, C. 2007. “What a comrade she would make”: the limits of romantic friendship in Jude the Obscure. Thomas Hardy Journal. 23, pp. 117-125.
Left past the moon
Oulton, C. 2001. Left past the moon. NPF Publications.
''The bad women are better than the good ones'': the new woman and sexual fall in Cholmondeley's short fiction
Oulton, C. 2009. ''The bad women are better than the good ones'': the new woman and sexual fall in Cholmondeley's short fiction. in: Oulton, C. and Schatz, S. (ed.) Mary Cholmondeley Reconsidered London, UK Pickering & Chatto.