Henry Gardiner Adams

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Oulton, C. 2022. Henry Gardiner Adams.
CreatorsOulton, C.
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Entry on Henry Gardiner Adams for Kent Maps Online.

KeywordsHenry Gardiner Adams; Victorian writers; Victorian poets; Kent
Date2022
Web address (URL)https://kent-maps.online/19c/19c-gardiner-adams-biography/
Related URLhttps://kent-maps.online/
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Deposited11 Aug 2022
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https://repository.canterbury.ac.uk/item/91zy5/henry-gardiner-adams

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Julian Symons’s (Neo-)Victorian criminals: “She might be a she-devil, but she looked more like an angel”
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Incidental murder: Mary Cholmondeley’s sensational humour
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Call that reading? Creative approaches to literary studies and literary heritage
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Telling stories by the sea: Digital heritage and the Kent resorts
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Sarah Grand
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‘If she must see, to see in silence’: Catching up with the Victorians in The Caravaners and The Enchanted April
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Destabilising Dickens: Kent Maps Online
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Books in all the right places: Reading culture and the Victorians
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Response to: It Must Be Love ❤️: A Journey into Transformation, Feminine Wisdom, and the Unveiling of Love’s True Nature
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‘Who wrote this script?' Pickwick in Stepney
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Kent Maps Online
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‘”You can’t marry your grandmother”: face and place in Lady Adelaide’s oath.’
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Catching up with the Victorians in The Caravaners and The Enchanted April
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Coarse, vulgar and happy? Writing Dickens on sea
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Lord Northcliffe
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P. G. Wodehouse
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Found in the library
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FFL villanelle
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Seaside sestina: A Folkestone romance
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Lindow, Ella Amalia [pseud. Gabrielle Wodnil, Ella Wodnil]
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Middlemass, Mary Jane [Jean]
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‘”A fragment flung on life’s retreating sea’: writing Dickens into the local’.
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”[T]he reader will probably not object to accompany me”: walking with Dickens and the late Victorian guide
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Folkestone Free Library: Beginnings
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Folkestone Free Library
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Sir Arthur Conan Doyle (1859-1930)
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Dover in the 19th century
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‘”The lights and the shadows of clouds”: going through the glass with Dickens.’
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Literary and film pilgrimage
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"...all flirtations and curates": selling the seaside to railway readers
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Kent Maps Online: Beyond Dickens
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Israel Zangwill (21 January 1864 - 1 August 1926)
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R. Austin Freeman
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Angela Burdett-Coutts, 1814-1906
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John Brent (1808-1882)
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The Great Storm of 1987
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Floods in Canterbury, 1909
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Thomas Frost
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Down from London? Looking for literary trouble at the British seaside
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‘”Why were you silent when I spoke tonight?”: coming to terms in Tennyson’s “Sea Dreams” and Swinburne’s A Midsummer Holiday and Other Poems.’
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New Woman 'Who's Who': Mary Cholmondeley.
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Down from London: Seaside Reading in the Railway Age
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Pamela Wynne (Winifred Mary Scott, née Watson) 1879-1959
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Gladys Waterer (1885-1971)
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Margaret Emily Shore (1819-1839)
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Jerome K. Jerome (1859-1927)
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George Grossmith (1847-1912)
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Sarah Grand 1854-1943
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2 Nuckell’s Place, Victoria Parade, Broadstairs
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Leather Bottle, The Street, Cobham, Gravesend
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John Ferguson
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Dickens and Dover
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Dickens's Swiss Chalet
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Staplehurst Railway disaster 1865
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Dickens and Deal
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F. C. Burnand (1836-1917)
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Mary Braddon
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Robert Barr
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Hop picking and the literary imagination
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Mary Braddon
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‘Fat persons bathing whose appearance was most disgusting’: Entertaining Thanet in the Age of Steam
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Mobile landscapes: finding Kent Dickensian in David Copperfield and Great Expectations
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Seaside resorts
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Folkestone Free Library
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The Ship and Lobster
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Restoration House (Satis House)
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The Guildhall, Rochester
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Dickens and the Goodwin Sands
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Gad's Hill, Higham
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Fort House (Bleak House)
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Dickens and Folkestone
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Eastgate House, Rochester
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Cooling
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Dickens and Chatham
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Dickens and Canterbury
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Dickens and Broadstairs
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Charles Dickens
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Seaside resorts
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Margate in the nineteenth century
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Ramsgate in the nineteenth century
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Folkestone in the nineteenth century
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David Copperfield: a curated walk
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Great Expectations: a curated walk
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Elizabeth von Arnim. Pseudonym of Mary Beauchamp (1866-1941)
Oulton, C. 2020. Elizabeth von Arnim. Pseudonym of Mary Beauchamp (1866-1941).
Broadstairs in the nineteenth century
Oulton, C. 2020. Broadstairs in the nineteenth century.
Kent maps online: Lose yourself for free
Oulton, C. 2020. Kent maps online: Lose yourself for free. JSTOR Labs.
Railway fiction or seaside sensation? Journeys to the sea in Lady Audley’s Secret and No Name.
Oulton, C. 2020. Railway fiction or seaside sensation? Journeys to the sea in Lady Audley’s Secret and No Name. Studies in the Novel. 53 (3).
Kent Maps
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Introduction
Oulton, C. 2020. Introduction. in: Oulton, C. and Gavin, A. (ed.) British Women’s Writing from Brontë to Bloomsbury, 1840-1940 Volume 2: 1860s and 1870s Springer.
British women’s writing from Brontë to Bloomsbury, 1840-1940. Volume 2: 1860s and 1870s
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1. First of the feathers: soldiers and suffragettes 2. Flight and refuge - Folkestone welcomes all
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Secret writing in Margate Caves
Overall, S. and Oulton, C. 2019. Secret writing in Margate Caves.
Mary Cholmondeley
Oulton, C. 2019. Mary Cholmondeley. in: Scholl, L. (ed.) The Palgrave Encyclopedia of Victorian Women’s Writing Palgrave.
‘”And yet these things were done by educated and kindly men”: negotiating change in Mary Cholmondeley’s 'The Romance of His Life’
Oulton, C. 2018. ‘”And yet these things were done by educated and kindly men”: negotiating change in Mary Cholmondeley’s 'The Romance of His Life’.
‘”The ideal was not there”: making peace with Dickensian Kent’
Oulton, C. 2018. ‘”The ideal was not there”: making peace with Dickensian Kent’.
‘I was in the condition of mind to be shocked at nothing’: losing the plot in Wuthering Heights
Oulton, C. 2018. ‘I was in the condition of mind to be shocked at nothing’: losing the plot in Wuthering Heights. in: de la L. Oulton, C. (ed.) British Women’s Writing from Brontë to Bloomsbury, 1840-1940 Volume 1: 1840s and 1850s Palgrave Macmillan.
Volume introduction
Oulton, C. 2018. Volume introduction. in: British Women’s Writing from Brontë to Bloomsbury, 1840-1940 Volume 1: 1840s and 1850s Palgrave.
British women’s writing from Brontë to Bloomsbury, 1840-1940 Volume 1: 1840s and 1850s
Oulton, C. Gavin, A. and de la L. Oulton, C. (ed.) 2018. British women’s writing from Brontë to Bloomsbury, 1840-1940 Volume 1: 1840s and 1850s. Palgrave Macmillan.
“licking the chops of memory”: plotting the social sins of Jekyll and Hyde’
Oulton, C. 2018. “licking the chops of memory”: plotting the social sins of Jekyll and Hyde’. Humanities. 7 (2). https://doi.org/10.3390/h7020031
‘Smothered under rose-leaves’: violent sensation and the location of the feminine in Eliza Lynn Linton’s sowing the wind'
Oulton, C. 2018. ‘Smothered under rose-leaves’: violent sensation and the location of the feminine in Eliza Lynn Linton’s sowing the wind'. in: Gavin, A. and Oulton, C. (ed.) British Women’s Writing from Brontë to Bloomsbury, 1840-1940 Volume 2: 1860s and 1870s Springer.
‘Reading, ephemera and the seaside library’
Oulton, C. 2017. ‘Reading, ephemera and the seaside library’.
'From “Boy” to “Britain”: popular fiction and the Folkestone Free Library 1881-1902'
Oulton, C. 2017. 'From “Boy” to “Britain”: popular fiction and the Folkestone Free Library 1881-1902'.
Femininity and deviance in Mary Cholmondeley’s The Lowest Rung
Oulton, C. 2017. Femininity and deviance in Mary Cholmondeley’s The Lowest Rung.
British seaside fiction
Oulton, C. 2017. British seaside fiction. Literary Encyclopedia. 1.2.1. (05).
Jerome K. Jerome, sexual panic and degeneration at the fin de siècle
Oulton, C. 2017. Jerome K. Jerome, sexual panic and degeneration at the fin de siècle. Structo. 17.
‘Making literature ridiculous’: Jerome K. Jerome and the new humour
Oulton, C. 2017. ‘Making literature ridiculous’: Jerome K. Jerome and the new humour. Dickens Studies Annual: Essays on Victorian Fiction. 48, pp. 273-284.
“see if I don’t you poor old book”: Repositioning the reader in Mary Cholmondeley’s diaries
Oulton, C. 2015. “see if I don’t you poor old book”: Repositioning the reader in Mary Cholmondeley’s diaries. in: DeBoer-Langworthy, C. (ed.) Lifewriting Annual: Biographical and Autobiographical Studies Brooklyn, New York AMS Press, Inc.
Dickens and the myth of the reader
Oulton, C. 2016. Dickens and the myth of the reader. Routledge.
Accidental fruit
Oulton, C. 2016. Accidental fruit. Worple Press.
Shams and shadows: meta-fiction and the upper class woman writer
Oulton, C. 2016. Shams and shadows: meta-fiction and the upper class woman writer.
“He pronounced it gurl“: Mary Cholmondeley, class and gender at the fin de siècle’
Oulton, C. 2016. “He pronounced it gurl“: Mary Cholmondeley, class and gender at the fin de siècle’.
‘”Literary Champagne”: or the fiction of seaside reading’
Oulton, C. 2016. ‘”Literary Champagne”: or the fiction of seaside reading’.
‘”Coquetting amid incredible landscapes”: Women on the river and the railway’ 1862-1922
Oulton, C. 2016. ‘”Coquetting amid incredible landscapes”: Women on the river and the railway’ 1862-1922. BRANCH.
”If only there would pass away the horror of those hands!” Cholmondeley, Jerome and the woman’s touch in the fin de siècle city
Oulton, C. 2015. ”If only there would pass away the horror of those hands!” Cholmondeley, Jerome and the woman’s touch in the fin de siècle city. Australasian Journal of Victorian Studies.
Mary Cholmondeley
Oulton, C. 2015. Mary Cholmondeley. in: Felluga, D. (ed.) Blackwell Encyclopedia of Victorian Literature Wiley-Blackwell.
“he’d let me turn the house into a theatre”: rewriting the domestic in the sensational world of East Lynne
Oulton, C. 2016. “he’d let me turn the house into a theatre”: rewriting the domestic in the sensational world of East Lynne. Wilkie Collins Journal. 13.
”A coverless book without a title-page”: Heritage and the modern in the Dickens centenary year
Oulton, C. 2015. ”A coverless book without a title-page”: Heritage and the modern in the Dickens centenary year.
Sensations of loss: Eliza Lynn Linton’s Sowing the Wind
Oulton, C. 2015. Sensations of loss: Eliza Lynn Linton’s Sowing the Wind.
”I write this with my hands in a basin of water”: Dickens, letters and readers
Oulton, C. 2016. ”I write this with my hands in a basin of water”: Dickens, letters and readers. The Dickensian. 112 (2), pp. 105-113.
Introduction
Oulton, C. 2012. Introduction. in: Three Men in a Boat: To Say Nothing of the Dog Victorian Secrets.
Introduction
Oulton, C. 2014. Introduction. in: Three Men on the Bummel Victorian Secrets.
Dickens, letters and readers
Oulton, C. 2015. Dickens, letters and readers.
Letterpress re-imagined: printing at Sissinghurst
Oulton, C. and Adams, V. 2014. Letterpress re-imagined: printing at Sissinghurst. International Centre for Victorian Women Writers.
‘Victorian Women at the Seaside’ travelling exhibition
Oulton, C. and Hunt, A. 2014. ‘Victorian Women at the Seaside’ travelling exhibition.
‘“No magic dwelling-place in magic story”: time, memory and the enchanted children of Dombey and Son’.
Oulton, C. 2015. ‘“No magic dwelling-place in magic story”: time, memory and the enchanted children of Dombey and Son’. in: Merchant, P. and Waters, C. (ed.) Dickens and the Imagined Child Ashgate. pp. 43-56
"I suppose we insensibly invented the rest": Adelaide Procter and the legend of the female poet
Oulton, C. 2014. "I suppose we insensibly invented the rest": Adelaide Procter and the legend of the female poet.
Ouida and Victorian popular culture
Oulton, C. 2014. Ouida and Victorian popular culture. SHARP News. 23 (3), p. 9.
‘”It is a pity but what bad men could be turned inside out sometimes”: Victorian Scandal on the Kent Coast‘
Oulton, C. 2014. ‘”It is a pity but what bad men could be turned inside out sometimes”: Victorian Scandal on the Kent Coast‘.
‘Missed Vocation? The Failed Writer in Late Victorian Women’s Fiction.’
Oulton, C. 2014. ‘Missed Vocation? The Failed Writer in Late Victorian Women’s Fiction.’.
"Your own feelings will enable you to imagine”: sustaining the Dickensian reader
Oulton, C. 2014. "Your own feelings will enable you to imagine”: sustaining the Dickensian reader.
"An immense quantity of clever and thoughtful rubbish"?: Twentieth century Victorians and the problem of history
Oulton, C. 2013. "An immense quantity of clever and thoughtful rubbish"?: Twentieth century Victorians and the problem of history. Life Writing. https://doi.org/10.1080/14484528.2013.819483
"An exacting public": Jerome K. Jerome and the new humour
Oulton, C. 2013. "An exacting public": Jerome K. Jerome and the new humour.
Cruel cities in 'Geoffrey’s Wife’ and 'The Fawn Gloves'
Oulton, C. 2013. Cruel cities in 'Geoffrey’s Wife’ and 'The Fawn Gloves'.
“Andromeda is having a rather bad time of it just now”: stories of sacrifice in Caird’s The Wing of Azrael.
Oulton, C. 2013. “Andromeda is having a rather bad time of it just now”: stories of sacrifice in Caird’s The Wing of Azrael. Nineteenth Century Gender Studies. 9 (1).
‘Shall memory be the only thing to die?' Fictions of childhood in Dickens and Jerome K. Jerome
Oulton, C. 2012. ‘Shall memory be the only thing to die?' Fictions of childhood in Dickens and Jerome K. Jerome. Dickens Studies Annual: Essays on Victorian Fiction. 43, pp. 111-124.
'lest I, too should remain chained here': Jerome K. Jerome’s London
Oulton, C. 2012. 'lest I, too should remain chained here': Jerome K. Jerome’s London.
Women writers of the fin de siècle
Gavin, A. and Oulton, C. 2010. Women writers of the fin de siècle. Women Writers of the Fin de Siècle International Conference. Institute of English Studies, University of London 28 - 29 Jun 2010
Victorian rebel: the many faces of Mary Braddon
Gavin, A. and Oulton, C. 2012. Victorian rebel: the many faces of Mary Braddon. Victorian Rebel: the Many Faces of Mary Braddon. Canterbury Christ Church University 16 - 22 Jul 2012
Jerome K. Jerome
Oulton, C. 2012. Jerome K. Jerome.
Weeds: a story in seven chapters
Jerome, J. and Oulton, C. Oulton, C. (ed.) 2012. Weeds: a story in seven chapters. Brighton Victorian Secrets.
Introduction to 'Mary Cholmondeley reconsidered'
Oulton, C. and Schatz, S. 2009. Introduction to 'Mary Cholmondeley reconsidered'. in: Oulton, C. and Schatz, S. (ed.) Mary Cholmondeley Reconsidered London Pickering & Chatto.
‘She would write… in invisible ink.’ An introduction
Oulton, C. 2011. ‘She would write… in invisible ink.’ An introduction. in: Gavin, A. and Oulton, C. (ed.) Writing Women of the Fin de Siècle: Authors of Change Palgrave Macmillan. pp. 1-14
'I am not by nature domestic': Mary Cholmondeley and the politics of home
Oulton, C. 2011. 'I am not by nature domestic': Mary Cholmondeley and the politics of home. in: Gavin, A. and Oulton, C. (ed.) Writing Women of the Fin de Siècle: Authors of Change Palgrave Macmillan. pp. 85-97
'A rendezvous for literary London'. Jerome K. Jerome on the Strand
Oulton, C. 2012. 'A rendezvous for literary London'. Jerome K. Jerome on the Strand.
'I had perpetrated a book': reading Victorian women writers in the 21st Century
Oulton, C. 2011. 'I had perpetrated a book': reading Victorian women writers in the 21st Century.
‘going on before me, an innocent romantic boy’: David Copperfield’s Canterbury tale
Oulton, C. 2011. ‘going on before me, an innocent romantic boy’: David Copperfield’s Canterbury tale.
'Evil thought is a dangerous pet.' Jerome K. Jerome and the dark side of passion
Oulton, C. 2012. 'Evil thought is a dangerous pet.' Jerome K. Jerome and the dark side of passion.
'A misunderstood generation': Victorians and the Twentieth Century peepshow
Oulton, C. 2012. 'A misunderstood generation': Victorians and the Twentieth Century peepshow.
'Let him remember it in that room, years to come!’: myths of childhood and memory in Dombey and Son and The Haunted Man
Oulton, C. 2012. 'Let him remember it in that room, years to come!’: myths of childhood and memory in Dombey and Son and The Haunted Man.
‘now to the home of which you are the sunbeam': telling stories in The Wing of Azrael
Oulton, C. 2011. ‘now to the home of which you are the sunbeam': telling stories in The Wing of Azrael.
‘you had an idea that we were rather frivolous': Jerome K. Jerome’s editorial strategies
Oulton, C. 2011. ‘you had an idea that we were rather frivolous': Jerome K. Jerome’s editorial strategies.
'a pot of ink that she would come to hate the smell of': banishing the beast in Jerome K. Jerome’s New Woman journalists
Oulton, C. 2011. 'a pot of ink that she would come to hate the smell of': banishing the beast in Jerome K. Jerome’s New Woman journalists. Critical Survey. 23 (2), pp. 41-55. https://doi.org/10.3167/cs.2011.230204
Writing women of the fin de siècle: authors of change
Gavin, A. and Oulton, C. Gavin, A. and Oulton, C. (ed.) 2011. Writing women of the fin de siècle: authors of change. Basingstoke Palgrave Macmillan.
Romantic friendship in Victorian literature
Oulton, C. 2007. Romantic friendship in Victorian literature. Ashgate.
Below the fairy city: a life of Jerome K. Jerome
Oulton, C. 2012. Below the fairy city: a life of Jerome K. Jerome. Brighton Victorian Secrets.
Mary Cholmondeley website
Oulton, C. and Canterbury Christ Church University web team 2013. Mary Cholmondeley website. Canterbury Christ Church University.
A child, a death and the making of the fairy tale woman
Oulton, C. 2011. A child, a death and the making of the fairy tale woman. Langley, Canada BeWrite Books.
'Trained to perfection in the lax morals and prurient literature of my day': the metafictional New Woman and her readers
Oulton, C. 2011. 'Trained to perfection in the lax morals and prurient literature of my day': the metafictional New Woman and her readers. The Latchkey. 2 (2).
“ain’t goin’ to have any beastly Erickin'”: the problem of male friendship in Stalky & Co
Oulton, C. 2008. “ain’t goin’ to have any beastly Erickin'”: the problem of male friendship in Stalky & Co. The Kipling Journal. 82, pp. 56-61.
'The Good Angel of Our Lives': subversive religion in The Woman in White
Oulton, C. 2001. 'The Good Angel of Our Lives': subversive religion in The Woman in White. Dickens Studies Annual: Essays on Victorian Fiction. 30, pp. 309-320.
A vindication of religion: Wilkie Collins, Dickens and The Frozen Deep
Oulton, C. 2001. A vindication of religion: Wilkie Collins, Dickens and The Frozen Deep. The Dickensian. 97 (2), pp. 154-158.
Wilkie Collins: an interpretation of Christian belief
Oulton, C. 1998. Wilkie Collins: an interpretation of Christian belief. Wilkie Collins Society Journal. 1, pp. 29-43.
Literature and religion in mid-Victorian England: from Dickens to Eliot
Oulton, C. 2003. Literature and religion in mid-Victorian England: from Dickens to Eliot. Basingstoke Palgrave Macmillan.
‘ain’t goin’ to have any beastly Erickin’: the problem of male friendship in Stalky & Co
Oulton, C. 2007. ‘ain’t goin’ to have any beastly Erickin’: the problem of male friendship in Stalky & Co.
''But why write them down[?]'': Mary Cholmondeley's diaries and the violation of the female artist
Oulton, C. 2009. ''But why write them down[?]'': Mary Cholmondeley's diaries and the violation of the female artist.
''Murderous impulse'': Children as victims of violance in Mary Cholmondeley's major fiction
Oulton, C. 2009. ''Murderous impulse'': Children as victims of violance in Mary Cholmondeley's major fiction.
'Which he never meant to be published on any account': the hidden archive in David Copperfield and Paul Kelver
Oulton, C. 2010. 'Which he never meant to be published on any account': the hidden archive in David Copperfield and Paul Kelver.
'I am not by nature domestic': Mary Cholmondeley and the politics of home
Oulton, C. 2010. 'I am not by nature domestic': Mary Cholmondeley and the politics of home.
'My undisciplined heart': romantic friendship in David Copperfield
Oulton, C. 2004. 'My undisciplined heart': romantic friendship in David Copperfield. Dickens Quarterly. 21 (3), pp. 157-169.
''Never be divided again'': Armadale and the threat to romantic friendship
Oulton, C. 2005. ''Never be divided again'': Armadale and the threat to romantic friendship. Wilkie Collins Society Journal. 7, pp. 31-40.
Let the flowers go: a life of Mary Cholmondeley
Oulton, C. 2009. Let the flowers go: a life of Mary Cholmondeley. London Pickering & Chatto.
Child sacrifice and the crisis of gender in Mary Cholmondeley's major fiction
Oulton, C. 2010. Child sacrifice and the crisis of gender in Mary Cholmondeley's major fiction. English Literature in Transition, 1880-1920. 53 (2), pp. 204-218. https://doi.org/10.2487/elt.53.2(2010)0059
''The shadow which I call pain'': Mary Cholmondeley and the dilemma of bodily weakness
Oulton, C. 2009. ''The shadow which I call pain'': Mary Cholmondeley and the dilemma of bodily weakness. Life Writing. 6 (3), pp. 303-312. https://doi.org/10.1080/14484520903082926
“What a comrade she would make”: the limits of romantic friendship in Jude the Obscure
Oulton, C. 2007. “What a comrade she would make”: the limits of romantic friendship in Jude the Obscure. Thomas Hardy Journal. 23, pp. 117-125.
Left past the moon
Oulton, C. 2001. Left past the moon. NPF Publications.
''The bad women are better than the good ones'': the new woman and sexual fall in Cholmondeley's short fiction
Oulton, C. 2009. ''The bad women are better than the good ones'': the new woman and sexual fall in Cholmondeley's short fiction. in: Oulton, C. and Schatz, S. (ed.) Mary Cholmondeley Reconsidered London, UK Pickering & Chatto.