Books in all the right places: Reading culture and the Victorians

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Oulton, C. Books in all the right places: Reading culture and the Victorians. Princeton University Press.
AuthorsOulton, C.
KeywordsVictorians; Books; Reading; Culture
PublisherPrinceton University Press
Output statusIn press
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Deposited11 Mar 2024
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Dickens and the myth of the reader
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Accidental fruit
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Shams and shadows: meta-fiction and the upper class woman writer
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“He pronounced it gurl“: Mary Cholmondeley, class and gender at the fin de siècle’
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‘”Coquetting amid incredible landscapes”: Women on the river and the railway’ 1862-1922
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Mary Cholmondeley
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Sensations of loss: Eliza Lynn Linton’s Sowing the Wind
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”I write this with my hands in a basin of water”: Dickens, letters and readers
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Introduction
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Introduction
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Dickens, letters and readers
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Letterpress re-imagined: printing at Sissinghurst
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‘Victorian Women at the Seaside’ travelling exhibition
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‘“No magic dwelling-place in magic story”: time, memory and the enchanted children of Dombey and Son’.
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"I suppose we insensibly invented the rest": Adelaide Procter and the legend of the female poet
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‘”It is a pity but what bad men could be turned inside out sometimes”: Victorian Scandal on the Kent Coast‘
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‘Missed Vocation? The Failed Writer in Late Victorian Women’s Fiction.’
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"Your own feelings will enable you to imagine”: sustaining the Dickensian reader
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"An immense quantity of clever and thoughtful rubbish"?: Twentieth century Victorians and the problem of history
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"An exacting public": Jerome K. Jerome and the new humour
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Cruel cities in 'Geoffrey’s Wife’ and 'The Fawn Gloves'
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“Andromeda is having a rather bad time of it just now”: stories of sacrifice in Caird’s The Wing of Azrael.
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‘Shall memory be the only thing to die?' Fictions of childhood in Dickens and Jerome K. Jerome
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'lest I, too should remain chained here': Jerome K. Jerome’s London
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Women writers of the fin de siècle
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Victorian rebel: the many faces of Mary Braddon
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Jerome K. Jerome
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Weeds: a story in seven chapters
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Introduction to 'Mary Cholmondeley reconsidered'
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‘She would write… in invisible ink.’ An introduction
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'I am not by nature domestic': Mary Cholmondeley and the politics of home
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'A rendezvous for literary London'. Jerome K. Jerome on the Strand
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'I had perpetrated a book': reading Victorian women writers in the 21st Century
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‘going on before me, an innocent romantic boy’: David Copperfield’s Canterbury tale
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'Evil thought is a dangerous pet.' Jerome K. Jerome and the dark side of passion
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'A misunderstood generation': Victorians and the Twentieth Century peepshow
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'Let him remember it in that room, years to come!’: myths of childhood and memory in Dombey and Son and The Haunted Man
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‘now to the home of which you are the sunbeam': telling stories in The Wing of Azrael
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‘you had an idea that we were rather frivolous': Jerome K. Jerome’s editorial strategies
Oulton, C. 2011. ‘you had an idea that we were rather frivolous': Jerome K. Jerome’s editorial strategies.
'a pot of ink that she would come to hate the smell of': banishing the beast in Jerome K. Jerome’s New Woman journalists
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Writing women of the fin de siècle: authors of change
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Romantic friendship in Victorian literature
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Below the fairy city: a life of Jerome K. Jerome
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A child, a death and the making of the fairy tale woman
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Wilkie Collins: an interpretation of Christian belief
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''But why write them down[?]'': Mary Cholmondeley's diaries and the violation of the female artist
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Oulton, C. 2009. ''Murderous impulse'': Children as victims of violance in Mary Cholmondeley's major fiction.
'Which he never meant to be published on any account': the hidden archive in David Copperfield and Paul Kelver
Oulton, C. 2010. 'Which he never meant to be published on any account': the hidden archive in David Copperfield and Paul Kelver.
'I am not by nature domestic': Mary Cholmondeley and the politics of home
Oulton, C. 2010. 'I am not by nature domestic': Mary Cholmondeley and the politics of home.
'My undisciplined heart': romantic friendship in David Copperfield
Oulton, C. 2004. 'My undisciplined heart': romantic friendship in David Copperfield. Dickens Quarterly. 21 (3), pp. 157-169.
''Never be divided again'': Armadale and the threat to romantic friendship
Oulton, C. 2005. ''Never be divided again'': Armadale and the threat to romantic friendship. Wilkie Collins Society Journal. 7, pp. 31-40.
Let the flowers go: a life of Mary Cholmondeley
Oulton, C. 2009. Let the flowers go: a life of Mary Cholmondeley. London Pickering & Chatto.
Child sacrifice and the crisis of gender in Mary Cholmondeley's major fiction
Oulton, C. 2010. Child sacrifice and the crisis of gender in Mary Cholmondeley's major fiction. English Literature in Transition, 1880-1920. 53 (2), pp. 204-218. https://doi.org/10.2487/elt.53.2(2010)0059
''The shadow which I call pain'': Mary Cholmondeley and the dilemma of bodily weakness
Oulton, C. 2009. ''The shadow which I call pain'': Mary Cholmondeley and the dilemma of bodily weakness. Life Writing. 6 (3), pp. 303-312. https://doi.org/10.1080/14484520903082926
“What a comrade she would make”: the limits of romantic friendship in Jude the Obscure
Oulton, C. 2007. “What a comrade she would make”: the limits of romantic friendship in Jude the Obscure. Thomas Hardy Journal. 23, pp. 117-125.
Left past the moon
Oulton, C. 2001. Left past the moon. NPF Publications.
''The bad women are better than the good ones'': the new woman and sexual fall in Cholmondeley's short fiction
Oulton, C. 2009. ''The bad women are better than the good ones'': the new woman and sexual fall in Cholmondeley's short fiction. in: Oulton, C. and Schatz, S. (ed.) Mary Cholmondeley Reconsidered London, UK Pickering & Chatto.