'I am not by nature domestic': Mary Cholmondeley and the politics of home

Book chapter

Oulton, C. 2011. 'I am not by nature domestic': Mary Cholmondeley and the politics of home. in: Gavin, A. and Oulton, C. (ed.) Writing Women of the Fin de Siècle: Authors of Change Palgrave Macmillan. pp. 85-97
AuthorsOulton, C.
EditorsGavin, A. and Oulton, C.
Page range85-97
Year2011
Book titleWriting Women of the Fin de Siècle: Authors of Change
PublisherPalgrave Macmillan
Output statusPublished
ISBN9780230343429
Publication dates
PrintNov 2011
Publication process dates
Deposited10 Oct 2012
EventDickens Fellowship Annual Conference
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Oulton, C. 2009. ''But why write them down[?]'': Mary Cholmondeley's diaries and the violation of the female artist.
''Murderous impulse'': Children as victims of violance in Mary Cholmondeley's major fiction
Oulton, C. 2009. ''Murderous impulse'': Children as victims of violance in Mary Cholmondeley's major fiction.
'Which he never meant to be published on any account': the hidden archive in David Copperfield and Paul Kelver
Oulton, C. 2010. 'Which he never meant to be published on any account': the hidden archive in David Copperfield and Paul Kelver.
'I am not by nature domestic': Mary Cholmondeley and the politics of home
Oulton, C. 2010. 'I am not by nature domestic': Mary Cholmondeley and the politics of home.
'My undisciplined heart': romantic friendship in David Copperfield
Oulton, C. 2004. 'My undisciplined heart': romantic friendship in David Copperfield. Dickens Quarterly. 21 (3), pp. 157-169.
''Never be divided again'': Armadale and the threat to romantic friendship
Oulton, C. 2005. ''Never be divided again'': Armadale and the threat to romantic friendship. Wilkie Collins Society Journal. 7, pp. 31-40.
Let the flowers go: a life of Mary Cholmondeley
Oulton, C. 2009. Let the flowers go: a life of Mary Cholmondeley. London Pickering & Chatto.
Child sacrifice and the crisis of gender in Mary Cholmondeley's major fiction
Oulton, C. 2010. Child sacrifice and the crisis of gender in Mary Cholmondeley's major fiction. English Literature in Transition, 1880-1920. 53 (2), pp. 204-218. https://doi.org/10.2487/elt.53.2(2010)0059
''The shadow which I call pain'': Mary Cholmondeley and the dilemma of bodily weakness
Oulton, C. 2009. ''The shadow which I call pain'': Mary Cholmondeley and the dilemma of bodily weakness. Life Writing. 6 (3), pp. 303-312. https://doi.org/10.1080/14484520903082926
“What a comrade she would make”: the limits of romantic friendship in Jude the Obscure
Oulton, C. 2007. “What a comrade she would make”: the limits of romantic friendship in Jude the Obscure. Thomas Hardy Journal. 23, pp. 117-125.
Left past the moon
Oulton, C. 2001. Left past the moon. NPF Publications.
''The bad women are better than the good ones'': the new woman and sexual fall in Cholmondeley's short fiction
Oulton, C. 2009. ''The bad women are better than the good ones'': the new woman and sexual fall in Cholmondeley's short fiction. in: Oulton, C. and Schatz, S. (ed.) Mary Cholmondeley Reconsidered London, UK Pickering & Chatto.