Women writers of the fin de siècle

Conference item

Gavin, A. and Oulton, C. 2010. Women writers of the fin de siècle. Women Writers of the Fin de Siècle International Conference. Institute of English Studies, University of London 28 - 29 Jun 2010
AuthorsGavin, A. and Oulton, C.
Year2010
ConferenceWomen Writers of the Fin de Siècle International Conference
FunderInstitute of English Studies, University of London
Publication process dates
Deposited12 Oct 2012
CompletedJun 2010
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Conference organised by C. Oulton and A. Gavin.

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https://repository.canterbury.ac.uk/item/86q71/women-writers-of-the-fin-de-si-cle

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Israel Zangwill (21 January 1864 - 1 August 1926)
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R. Austin Freeman
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John Brent (1808-1882)
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Down from London: Seaside Reading in the Railway Age
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Pamela Wynne (Winifred Mary Scott, née Watson) 1879-1959
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Gladys Waterer (1885-1971)
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Margaret Emily Shore (1819-1839)
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Jerome K. Jerome (1859-1927)
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George Grossmith (1847-1912)
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Sarah Grand 1854-1943
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2 Nuckell’s Place, Victoria Parade, Broadstairs
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Dickens and Dover
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Dickens's Swiss Chalet
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Staplehurst Railway disaster 1865
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Dickens and Deal
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F. C. Burnand (1836-1917)
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Mary Braddon
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‘Fat persons bathing whose appearance was most disgusting’: Entertaining Thanet in the Age of Steam
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Folkestone Free Library
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The Ship and Lobster
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Restoration House (Satis House)
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The Guildhall, Rochester
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Gad's Hill, Higham
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Fort House (Bleak House)
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Eastgate House, Rochester
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Cooling
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Dickens and Chatham
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Charles Dickens
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Seaside resorts
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Margate in the nineteenth century
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Ramsgate in the nineteenth century
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Folkestone in the nineteenth century
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David Copperfield: a curated walk
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Great Expectations: a curated walk
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Elizabeth von Arnim. Pseudonym of Mary Beauchamp (1866-1941)
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Broadstairs in the nineteenth century
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Kent maps online: Lose yourself for free
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Kent Maps
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Introduction
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Secret writing in Margate Caves
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Mary Cholmondeley
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‘”And yet these things were done by educated and kindly men”: negotiating change in Mary Cholmondeley’s 'The Romance of His Life’
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‘”The ideal was not there”: making peace with Dickensian Kent’
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‘I was in the condition of mind to be shocked at nothing’: losing the plot in Wuthering Heights
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Volume introduction
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“licking the chops of memory”: plotting the social sins of Jekyll and Hyde’
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‘Smothered under rose-leaves’: violent sensation and the location of the feminine in Eliza Lynn Linton’s sowing the wind'
Oulton, C. 2018. ‘Smothered under rose-leaves’: violent sensation and the location of the feminine in Eliza Lynn Linton’s sowing the wind'. in: Gavin, A. and Oulton, C. (ed.) British Women’s Writing from Brontë to Bloomsbury, 1840-1940 Volume 2: 1860s and 1870s Springer.
D.H. Lawrence, transport and cultural transition: 'A great sense of journeying.'
Gavin, A. 2017. D.H. Lawrence, transport and cultural transition: 'A great sense of journeying.'. Basingstoke Palgrave Macmillan.
‘Reading, ephemera and the seaside library’
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'From “Boy” to “Britain”: popular fiction and the Folkestone Free Library 1881-1902'
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Femininity and deviance in Mary Cholmondeley’s The Lowest Rung
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British seaside fiction
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Jerome K. Jerome, sexual panic and degeneration at the fin de siècle
Oulton, C. 2017. Jerome K. Jerome, sexual panic and degeneration at the fin de siècle. Structo. 17.
‘Making literature ridiculous’: Jerome K. Jerome and the new humour
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“see if I don’t you poor old book”: Repositioning the reader in Mary Cholmondeley’s diaries
Oulton, C. 2015. “see if I don’t you poor old book”: Repositioning the reader in Mary Cholmondeley’s diaries. in: DeBoer-Langworthy, C. (ed.) Lifewriting Annual: Biographical and Autobiographical Studies Brooklyn, New York AMS Press, Inc.
Dickens and the myth of the reader
Oulton, C. 2016. Dickens and the myth of the reader. Routledge.
Accidental fruit
Oulton, C. 2016. Accidental fruit. Worple Press.
Shams and shadows: meta-fiction and the upper class woman writer
Oulton, C. 2016. Shams and shadows: meta-fiction and the upper class woman writer.
“He pronounced it gurl“: Mary Cholmondeley, class and gender at the fin de siècle’
Oulton, C. 2016. “He pronounced it gurl“: Mary Cholmondeley, class and gender at the fin de siècle’.
‘”Literary Champagne”: or the fiction of seaside reading’
Oulton, C. 2016. ‘”Literary Champagne”: or the fiction of seaside reading’.
‘”Coquetting amid incredible landscapes”: Women on the river and the railway’ 1862-1922
Oulton, C. 2016. ‘”Coquetting amid incredible landscapes”: Women on the river and the railway’ 1862-1922. BRANCH.
”If only there would pass away the horror of those hands!” Cholmondeley, Jerome and the woman’s touch in the fin de siècle city
Oulton, C. 2015. ”If only there would pass away the horror of those hands!” Cholmondeley, Jerome and the woman’s touch in the fin de siècle city. Australasian Journal of Victorian Studies.
Mary Cholmondeley
Oulton, C. 2015. Mary Cholmondeley. in: Felluga, D. (ed.) Blackwell Encyclopedia of Victorian Literature Wiley-Blackwell.
“he’d let me turn the house into a theatre”: rewriting the domestic in the sensational world of East Lynne
Oulton, C. 2016. “he’d let me turn the house into a theatre”: rewriting the domestic in the sensational world of East Lynne. Wilkie Collins Journal. 13.
”A coverless book without a title-page”: Heritage and the modern in the Dickens centenary year
Oulton, C. 2015. ”A coverless book without a title-page”: Heritage and the modern in the Dickens centenary year.
Sensations of loss: Eliza Lynn Linton’s Sowing the Wind
Oulton, C. 2015. Sensations of loss: Eliza Lynn Linton’s Sowing the Wind.
”I write this with my hands in a basin of water”: Dickens, letters and readers
Oulton, C. 2016. ”I write this with my hands in a basin of water”: Dickens, letters and readers. The Dickensian. 112 (2), pp. 105-113.
Introduction
Oulton, C. 2012. Introduction. in: Three Men in a Boat: To Say Nothing of the Dog Victorian Secrets.
Introduction
Oulton, C. 2014. Introduction. in: Three Men on the Bummel Victorian Secrets.
Dickens, letters and readers
Oulton, C. 2015. Dickens, letters and readers.
Letterpress re-imagined: printing at Sissinghurst
Oulton, C. and Adams, V. 2014. Letterpress re-imagined: printing at Sissinghurst. International Centre for Victorian Women Writers.
‘Victorian Women at the Seaside’ travelling exhibition
Oulton, C. and Hunt, A. 2014. ‘Victorian Women at the Seaside’ travelling exhibition.
‘“No magic dwelling-place in magic story”: time, memory and the enchanted children of Dombey and Son’.
Oulton, C. 2015. ‘“No magic dwelling-place in magic story”: time, memory and the enchanted children of Dombey and Son’. in: Merchant, P. and Waters, C. (ed.) Dickens and the Imagined Child Ashgate. pp. 43-56
"I suppose we insensibly invented the rest": Adelaide Procter and the legend of the female poet
Oulton, C. 2014. "I suppose we insensibly invented the rest": Adelaide Procter and the legend of the female poet.
Ouida and Victorian popular culture
Oulton, C. 2014. Ouida and Victorian popular culture. SHARP News. 23 (3), p. 9.
‘”It is a pity but what bad men could be turned inside out sometimes”: Victorian Scandal on the Kent Coast‘
Oulton, C. 2014. ‘”It is a pity but what bad men could be turned inside out sometimes”: Victorian Scandal on the Kent Coast‘.
‘Missed Vocation? The Failed Writer in Late Victorian Women’s Fiction.’
Oulton, C. 2014. ‘Missed Vocation? The Failed Writer in Late Victorian Women’s Fiction.’.
"Your own feelings will enable you to imagine”: sustaining the Dickensian reader
Oulton, C. 2014. "Your own feelings will enable you to imagine”: sustaining the Dickensian reader.
"An immense quantity of clever and thoughtful rubbish"?: Twentieth century Victorians and the problem of history
Oulton, C. 2013. "An immense quantity of clever and thoughtful rubbish"?: Twentieth century Victorians and the problem of history. Life Writing. https://doi.org/10.1080/14484528.2013.819483
"An exacting public": Jerome K. Jerome and the new humour
Oulton, C. 2013. "An exacting public": Jerome K. Jerome and the new humour.
Cruel cities in 'Geoffrey’s Wife’ and 'The Fawn Gloves'
Oulton, C. 2013. Cruel cities in 'Geoffrey’s Wife’ and 'The Fawn Gloves'.
‘From the enchanted garden to the steps of my father’s house’: the dissentient child in early twentieth-century British fiction.
Gavin, A. 2012. ‘From the enchanted garden to the steps of my father’s house’: the dissentient child in early twentieth-century British fiction. in: Gavin, A. (ed.) The Child in British Literature: Literary Constructions of Childhood, Medieval to Contemporary Basingstoke Palgrave Macmillan. pp. 182-195
“Andromeda is having a rather bad time of it just now”: stories of sacrifice in Caird’s The Wing of Azrael.
Oulton, C. 2013. “Andromeda is having a rather bad time of it just now”: stories of sacrifice in Caird’s The Wing of Azrael. Nineteenth Century Gender Studies. 9 (1).
"A Great Sense of Journeying": transport and cultural transition in the novels of D. H. Lawrence: a thesis overview
Gavin, A. 2012. "A Great Sense of Journeying": transport and cultural transition in the novels of D. H. Lawrence: a thesis overview. United Academics Journal of Social Sciences. Mar/Ap.
'So many disguises': questions of identity in Robert Cormier's After the First Death and Heroes
Gavin, A. 2012. 'So many disguises': questions of identity in Robert Cormier's After the First Death and Heroes. in: Gavin, A. (ed.) Robert Cormier Basingstoke Palgrave Macmillan. pp. 32-47
‘Shall memory be the only thing to die?' Fictions of childhood in Dickens and Jerome K. Jerome
Oulton, C. 2012. ‘Shall memory be the only thing to die?' Fictions of childhood in Dickens and Jerome K. Jerome. Dickens Studies Annual: Essays on Victorian Fiction. 43, pp. 111-124.
'lest I, too should remain chained here': Jerome K. Jerome’s London
Oulton, C. 2012. 'lest I, too should remain chained here': Jerome K. Jerome’s London.
Mary Sewell
Gavin, A. and Twycross-Martin, H. 1999. Mary Sewell. in: Shattock, J. (ed.) The Cambridge Bibliography of English Literature Cambridge, UK Cambridge University Press.
Sewell, Mary (1797-1884)
Gavin, A. 2004. Sewell, Mary (1797-1884). in: Matthews, H. and Harrison, B. (ed.) Oxford Dictionary of National Biography: In Association with the British Academy. From the Earliest Times to the Year 2000 Oxford Oxford University Press.
Sewell, Anna (1820-1878)
Gavin, A. 2004. Sewell, Anna (1820-1878). in: Matthew, H. and Harrison, B. (ed.) Oxford Dictionary of National Biography: In Association with the British Academy. From the Earliest Times to the Year 2000 Oxford Oxford University Press.
Myth and faith in fictions of childhood and adolescence
Gavin, A. 2008. Myth and faith in fictions of childhood and adolescence. in: Gavin, A., Merchant, P. and Bray, S. (ed.) Re-Embroidering the Robe: Faith, Myth and Literary Creation Since 1850 Newcastle Cambridge Scholars Publishing. pp. 1-5
'C. L. Pirkis (not “Miss”)’: public women, private lives, and the experiences of Loveday Brooke, Lady Detective
Gavin, A. 2012. 'C. L. Pirkis (not “Miss”)’: public women, private lives, and the experiences of Loveday Brooke, Lady Detective. in: Gavin, A. and Oulton, C. (ed.) Writing Women of the Fin de Siècle: Authors of Change Basingstoke Palgrave Macmillan. pp. 137-150
Unadulterated childhood: the child in Edwardian fiction
Gavin, A. 2012. Unadulterated childhood: the child in Edwardian fiction. in: Gavin, A. (ed.) The Child in British Literature: Literary Constructions of Childhood Medieval to Contemporary Basingstoke Palgrave Macmillan. pp. 165-181
The child in British literature: an introduction
Gavin, A. 2012. The child in British literature: an introduction. in: Gavin, A. (ed.) The Child in British Literature: Literary Constructions of Childhood Medieval to Contemporary Basingstoke Palgrave Macmillan. pp. 1-18
Introduction
Gavin, A. 2012. Introduction. in: Gavin, A. (ed.) Robert Cormier Basingstoke Palgrave Macmillan. pp. 1-15
Marginalization and colonization: literary criticism of D. H. Lawrence’s short stories
Gavin, A. 2000. Marginalization and colonization: literary criticism of D. H. Lawrence’s short stories. Etudes Lawrenciennes. 23, pp. 135-45.
Dark horse: a life of Anna Sewell
Gavin, A. 2004. Dark horse: a life of Anna Sewell. Stroud Sutton Publishing.
Victorian rebel: the many faces of Mary Braddon
Gavin, A. and Oulton, C. 2012. Victorian rebel: the many faces of Mary Braddon. Victorian Rebel: the Many Faces of Mary Braddon. Canterbury Christ Church University 16 - 22 Jul 2012
Jerome K. Jerome
Oulton, C. 2012. Jerome K. Jerome.
Weeds: a story in seven chapters
Jerome, J. and Oulton, C. Oulton, C. (ed.) 2012. Weeds: a story in seven chapters. Brighton Victorian Secrets.
Introduction to 'Mary Cholmondeley reconsidered'
Oulton, C. and Schatz, S. 2009. Introduction to 'Mary Cholmondeley reconsidered'. in: Oulton, C. and Schatz, S. (ed.) Mary Cholmondeley Reconsidered London Pickering & Chatto.
‘She would write… in invisible ink.’ An introduction
Oulton, C. 2011. ‘She would write… in invisible ink.’ An introduction. in: Gavin, A. and Oulton, C. (ed.) Writing Women of the Fin de Siècle: Authors of Change Palgrave Macmillan. pp. 1-14
'I am not by nature domestic': Mary Cholmondeley and the politics of home
Oulton, C. 2011. 'I am not by nature domestic': Mary Cholmondeley and the politics of home. in: Gavin, A. and Oulton, C. (ed.) Writing Women of the Fin de Siècle: Authors of Change Palgrave Macmillan. pp. 85-97
'A rendezvous for literary London'. Jerome K. Jerome on the Strand
Oulton, C. 2012. 'A rendezvous for literary London'. Jerome K. Jerome on the Strand.
'I had perpetrated a book': reading Victorian women writers in the 21st Century
Oulton, C. 2011. 'I had perpetrated a book': reading Victorian women writers in the 21st Century.
‘going on before me, an innocent romantic boy’: David Copperfield’s Canterbury tale
Oulton, C. 2011. ‘going on before me, an innocent romantic boy’: David Copperfield’s Canterbury tale.
'Evil thought is a dangerous pet.' Jerome K. Jerome and the dark side of passion
Oulton, C. 2012. 'Evil thought is a dangerous pet.' Jerome K. Jerome and the dark side of passion.
'A misunderstood generation': Victorians and the Twentieth Century peepshow
Oulton, C. 2012. 'A misunderstood generation': Victorians and the Twentieth Century peepshow.
'Let him remember it in that room, years to come!’: myths of childhood and memory in Dombey and Son and The Haunted Man
Oulton, C. 2012. 'Let him remember it in that room, years to come!’: myths of childhood and memory in Dombey and Son and The Haunted Man.
‘now to the home of which you are the sunbeam': telling stories in The Wing of Azrael
Oulton, C. 2011. ‘now to the home of which you are the sunbeam': telling stories in The Wing of Azrael.
‘you had an idea that we were rather frivolous': Jerome K. Jerome’s editorial strategies
Oulton, C. 2011. ‘you had an idea that we were rather frivolous': Jerome K. Jerome’s editorial strategies.
'a pot of ink that she would come to hate the smell of': banishing the beast in Jerome K. Jerome’s New Woman journalists
Oulton, C. 2011. 'a pot of ink that she would come to hate the smell of': banishing the beast in Jerome K. Jerome’s New Woman journalists. Critical Survey. 23 (2), pp. 41-55. https://doi.org/10.3167/cs.2011.230204
Writing women of the fin de siècle: authors of change
Gavin, A. and Oulton, C. Gavin, A. and Oulton, C. (ed.) 2011. Writing women of the fin de siècle: authors of change. Basingstoke Palgrave Macmillan.
Romantic friendship in Victorian literature
Oulton, C. 2007. Romantic friendship in Victorian literature. Ashgate.
Below the fairy city: a life of Jerome K. Jerome
Oulton, C. 2012. Below the fairy city: a life of Jerome K. Jerome. Brighton Victorian Secrets.
Mary Cholmondeley website
Oulton, C. and Canterbury Christ Church University web team 2013. Mary Cholmondeley website. Canterbury Christ Church University.
A child, a death and the making of the fairy tale woman
Oulton, C. 2011. A child, a death and the making of the fairy tale woman. Langley, Canada BeWrite Books.
'Trained to perfection in the lax morals and prurient literature of my day': the metafictional New Woman and her readers
Oulton, C. 2011. 'Trained to perfection in the lax morals and prurient literature of my day': the metafictional New Woman and her readers. The Latchkey. 2 (2).
“ain’t goin’ to have any beastly Erickin'”: the problem of male friendship in Stalky & Co
Oulton, C. 2008. “ain’t goin’ to have any beastly Erickin'”: the problem of male friendship in Stalky & Co. The Kipling Journal. 82, pp. 56-61.
'The Good Angel of Our Lives': subversive religion in The Woman in White
Oulton, C. 2001. 'The Good Angel of Our Lives': subversive religion in The Woman in White. Dickens Studies Annual: Essays on Victorian Fiction. 30, pp. 309-320.
A vindication of religion: Wilkie Collins, Dickens and The Frozen Deep
Oulton, C. 2001. A vindication of religion: Wilkie Collins, Dickens and The Frozen Deep. The Dickensian. 97 (2), pp. 154-158.
Wilkie Collins: an interpretation of Christian belief
Oulton, C. 1998. Wilkie Collins: an interpretation of Christian belief. Wilkie Collins Society Journal. 1, pp. 29-43.
Literature and religion in mid-Victorian England: from Dickens to Eliot
Oulton, C. 2003. Literature and religion in mid-Victorian England: from Dickens to Eliot. Basingstoke Palgrave Macmillan.
I could not complain, nor make known my wants
Gavin, A. 2000. I could not complain, nor make known my wants.
Straight from the horse’s mouth: first person narrative in Anna Sewell’s Black Beauty
Gavin, A. 2000. Straight from the horse’s mouth: first person narrative in Anna Sewell’s Black Beauty.
Victorian women writing: the Black Beauty circle
Gavin, A. 2008. Victorian women writing: the Black Beauty circle.
‘ain’t goin’ to have any beastly Erickin’: the problem of male friendship in Stalky & Co
Oulton, C. 2007. ‘ain’t goin’ to have any beastly Erickin’: the problem of male friendship in Stalky & Co.
Legal wrongdoer or social transgressor? Judging the Victorian female criminal
Gavin, A. 2007. Legal wrongdoer or social transgressor? Judging the Victorian female criminal.
Supernatural realism and secular faith in Margaret Mahy's young adult fiction
Gavin, A. 2007. Supernatural realism and secular faith in Margaret Mahy's young adult fiction.
'Neither borne nor lost': Kipling's 'They' and the Edwardian cult of childhood
Gavin, A. 2007. 'Neither borne nor lost': Kipling's 'They' and the Edwardian cult of childhood.
''But why write them down[?]'': Mary Cholmondeley's diaries and the violation of the female artist
Oulton, C. 2009. ''But why write them down[?]'': Mary Cholmondeley's diaries and the violation of the female artist.
''Murderous impulse'': Children as victims of violance in Mary Cholmondeley's major fiction
Oulton, C. 2009. ''Murderous impulse'': Children as victims of violance in Mary Cholmondeley's major fiction.
Unadulterated childhood and the Edwardian bestseller: Henry de Vere Stacpoole's ''The Blue Lagoon''
Gavin, A. 2009. Unadulterated childhood and the Edwardian bestseller: Henry de Vere Stacpoole's ''The Blue Lagoon''.
Reality writing: The historical equine context of Black Beauty
Gavin, A. 2009. Reality writing: The historical equine context of Black Beauty.
Boston, Chicago, or an Equine Grail?: Early American editions of Black Beauty and the Quest for a pre-1890 publication
Gavin, A. 2009. Boston, Chicago, or an Equine Grail?: Early American editions of Black Beauty and the Quest for a pre-1890 publication.
Dark horses: The lives of Anna Sewell and Black Beauty
Gavin, A. 2009. Dark horses: The lives of Anna Sewell and Black Beauty.
Miriam's mirror: reflections on the labelling of Miriam Leivers
Gavin, A. 1992. Miriam's mirror: reflections on the labelling of Miriam Leivers. The D. H. Lawrence Review. 24 (1), pp. 27-41.
Language among the amazons: conjuring and creativity in Cranford
Gavin, A. 1994. Language among the amazons: conjuring and creativity in Cranford. Dickens Studies Annual. 23, pp. 205-225.
The autobiography of a horse?: Reading Anna Sewell's Black Beauty as autobiography
Gavin, A. 1999. The autobiography of a horse?: Reading Anna Sewell's Black Beauty as autobiography. in: Hewitt, M. (ed.) Representing Victorian Lives Leeds Trinity and All Saints, Leeds Centre for Victorian Studies. pp. 51-62
Transport and technological mobility D.H. Lawrence's ''The White Peacock''
Gavin, A. 2005. Transport and technological mobility D.H. Lawrence's ''The White Peacock''.
''I used to think seein' and hearin' was the only regulation aids to ascertainin' facts'': The relationship between technology and the supernatural in Kipling's ''Traffics and Discoveries''
Gavin, A. 2007. ''I used to think seein' and hearin' was the only regulation aids to ascertainin' facts'': The relationship between technology and the supernatural in Kipling's ''Traffics and Discoveries''.
'Seen and not heard': The dissentient child in early Twentieth Century British fiction
Gavin, A. 2009. 'Seen and not heard': The dissentient child in early Twentieth Century British fiction.
The child in its time
Gavin, A. and Gavin, A. 2009. The child in its time.
Separated lives and discordant homes: the otherness of childhood in D.H. Lawrence's Edwardian fiction
Gavin, A. 2008. Separated lives and discordant homes: the otherness of childhood in D.H. Lawrence's Edwardian fiction. in: Gavin, A. and Gavin, A. (ed.) Childhood in Edwardian Fiction: Worlds Enough and Time Basingstoke, UK Palgrave Macmillan. pp. 103-124
Anna Sewell: a consideration
Gavin, A. 1997. Anna Sewell: a consideration. Studii de Limbi Si Literaturi Moderne.
'Which he never meant to be published on any account': the hidden archive in David Copperfield and Paul Kelver
Oulton, C. 2010. 'Which he never meant to be published on any account': the hidden archive in David Copperfield and Paul Kelver.
'I am not by nature domestic': Mary Cholmondeley and the politics of home
Oulton, C. 2010. 'I am not by nature domestic': Mary Cholmondeley and the politics of home.
"That remarkable and eminently disagreeable fiction": Caroline Clive's Paul Ferroll
Gavin, A. 2010. "That remarkable and eminently disagreeable fiction": Caroline Clive's Paul Ferroll.
Women's crime writing at the fin de siècle: C. L. Pirkis's 'The experiences of Loveday Brooke, lady detective'
Gavin, A. 2010. Women's crime writing at the fin de siècle: C. L. Pirkis's 'The experiences of Loveday Brooke, lady detective'.
Feminist crime fiction and female sleuths
Gavin, A. 2010. Feminist crime fiction and female sleuths. in: Rzepka, C. and Horsley, L. (ed.) A Companion to Crime Fiction Wiley. pp. 258-269
Living in a world of make-believe: fantasy, female identity, and modern short stories by women in the British tradition
Gavin, A. 2003. Living in a world of make-believe: fantasy, female identity, and modern short stories by women in the British tradition. in: Iftekharrudin, F., Boyden, J., Longo, J. and Rohrberger, M. (ed.) Postmodern Approaches to the Short Story Westport, Connecticut Praeger.
The past reimagined: history and literary creation in British children’s novels after World War Two
Gavin, A. 2003. The past reimagined: history and literary creation in British children’s novels after World War Two. in: Lawson Lucas, A. (ed.) The Presence of the Past in Children’s Literature Westport, Connecticut Praeger.
Enigma's variation: the puzzling mysteries of Avi, Ellen Raskin, Diana Wynne Jones, and Chris Van Allsburg
Gavin, A. 2001. Enigma's variation: the puzzling mysteries of Avi, Ellen Raskin, Diana Wynne Jones, and Chris Van Allsburg. in: Gavin, A. and Routledge, C. (ed.) Mystery in Children's Literature from the Rational to the Supernatural Basingstoke Palgrave Macmillan. pp. 210-218
Apparition and apprehension: supernatural mystery and emergent womanhood in Jane Eyre, Wuthering Heights and novels by Margaret Mahy
Gavin, A. 2001. Apparition and apprehension: supernatural mystery and emergent womanhood in Jane Eyre, Wuthering Heights and novels by Margaret Mahy. in: Gavin, A. and Routledge, C. (ed.) Mystery in Children's Literature from the Rational to the Supernatural Basingstoke Palgrave Macmillan. pp. 131-148
Mystery in children's literature from the rational to the supernatural: an introduction
Gavin, A. and Routledge, C. 2001. Mystery in children's literature from the rational to the supernatural: an introduction. in: Gavin, A. and Routledge, C. (ed.) Mystery in Children's Literature from the Rational to the Supernatural Basingstoke Palgrave Macmillan. pp. 1-13
'My undisciplined heart': romantic friendship in David Copperfield
Oulton, C. 2004. 'My undisciplined heart': romantic friendship in David Copperfield. Dickens Quarterly. 21 (3), pp. 157-169.
''Never be divided again'': Armadale and the threat to romantic friendship
Oulton, C. 2005. ''Never be divided again'': Armadale and the threat to romantic friendship. Wilkie Collins Society Journal. 7, pp. 31-40.
Black Beauty: pacifist novel?
Gavin, A. 2004. Black Beauty: pacifist novel? The Journal of Children's Literature Studies. 1 (2), pp. 1-13.
Let the flowers go: a life of Mary Cholmondeley
Oulton, C. 2009. Let the flowers go: a life of Mary Cholmondeley. London Pickering & Chatto.
The clew of her story: female myth-making in Margaret Mahy’s The Tricksters
Gavin, A. 2008. The clew of her story: female myth-making in Margaret Mahy’s The Tricksters. in: Bray, S., Gavin, A. and Merchant, P. (ed.) Re-Embroidering the Robe: Faith, Myth and Literary Creation since 1850 Newcastle Cambridge Scholars Publishing. pp. 48-62
Worlds enough and time: the cult of childhood in Edwardian fiction
Gavin, A. and Gavin, A. 2008. Worlds enough and time: the cult of childhood in Edwardian fiction. in: Gavin, A. and Gavin, A. (ed.) Childhood in Edwardian Fiction: Worlds Enough and Time Basingstoke, Hampshire Palgrave Macmillan. pp. 1-22
Intangible children: longing, loss and the Edwardian dream child in J.M. Barrie's 'The Little White Bird' and Rudyard Kipling's ''They''
Gavin, A. 2008. Intangible children: longing, loss and the Edwardian dream child in J.M. Barrie's 'The Little White Bird' and Rudyard Kipling's ''They''. in: Gavin, A. and Gavin, A. (ed.) Childhood in Edwardian Fiction: Worlds Enough and Time Basingstoke, Hampshire Palgrave Macmillan. pp. 53-74
Child sacrifice and the crisis of gender in Mary Cholmondeley's major fiction
Oulton, C. 2010. Child sacrifice and the crisis of gender in Mary Cholmondeley's major fiction. English Literature in Transition, 1880-1920. 53 (2), pp. 204-218. https://doi.org/10.2487/elt.53.2(2010)0059
''The shadow which I call pain'': Mary Cholmondeley and the dilemma of bodily weakness
Oulton, C. 2009. ''The shadow which I call pain'': Mary Cholmondeley and the dilemma of bodily weakness. Life Writing. 6 (3), pp. 303-312. https://doi.org/10.1080/14484520903082926
Deepen[ing] the power and horror of the original: Caroline Clive’s Paul Ferroll as descendant of Jane Eyre
Gavin, A. 2009. Deepen[ing] the power and horror of the original: Caroline Clive’s Paul Ferroll as descendant of Jane Eyre. Revue LISA / LISA e-Journal: Littératures, Histoire des Idées, Images, Sociétés du Monde Anglophone. 7 (4), pp. 64-86.
“What a comrade she would make”: the limits of romantic friendship in Jude the Obscure
Oulton, C. 2007. “What a comrade she would make”: the limits of romantic friendship in Jude the Obscure. Thomas Hardy Journal. 23, pp. 117-125.
Left past the moon
Oulton, C. 2001. Left past the moon. NPF Publications.
''The bad women are better than the good ones'': the new woman and sexual fall in Cholmondeley's short fiction
Oulton, C. 2009. ''The bad women are better than the good ones'': the new woman and sexual fall in Cholmondeley's short fiction. in: Oulton, C. and Schatz, S. (ed.) Mary Cholmondeley Reconsidered London, UK Pickering & Chatto.
Childhood in Edwardian fiction: worlds enough and time
Gavin, A. Gavin, A. (ed.) 2008. Childhood in Edwardian fiction: worlds enough and time. Basingstoke, Hampshire Palgrave Macmillan.
Painting it black: art, crime and resolution in Carol Swain's graphic short story 'Come Down Town'
Gavin, A. 2007. Painting it black: art, crime and resolution in Carol Swain's graphic short story 'Come Down Town'. in: Ibáñez, J., Fernández, J. and Bretones, C. (ed.) Contemporary Debates on the Short Story Oxford Peter Lang. pp. 185-206
Spirits of the age: ghosts in the Victorian novel
Gavin, A. 1998. Spirits of the age: ghosts in the Victorian novel. in: Routledge, C., Mills, B. and Palmer, A. (ed.) Critical Mass: Papers from the English Graduate Colloquium 1996-97 Canterbury Canterbury Christ Church University College.