Destabilising Dickens: Kent Maps Online

Book chapter


Oulton, C. Destabilising Dickens: Kent Maps Online. in: Bell, Emily, Orford, Pete and Wood, Claire (ed.) Digital Dickens White Rose Press.
AuthorsOulton, C.
EditorsBell, Emily, Orford, Pete and Wood, Claire
Abstract

https://kent-maps.online/ is a collaboration between a team at Canterbury Christ Church University and JSTOR Labs. Envisaged as both a showcase and a research tool, the site is designed to be at once scholarly and accessible. It encourages genuine interaction by inviting users to ‘find your own answers to questions you haven’t thought of yet’.

This ethos drives the growing network of links across the site. While the site does include an index and a search tool, the non-linear approach encourages creative reading by enabling users to move easily between short pieces of text without the entries feeling disjointed; there is also the option to view related material at various points. The Juncture platform designed by JSTOR Labs is used to create more inclusive ways of reading: maps and images can be set against each entry to pinpoint precise locations or illustrate key pieces of text.

The flagship article ‘Mobile Landscapes: Finding Kent Dickensian’ is a response to late-Victorian tour guides, flagging up Dickensian topography and juxtaposing the county’s most famous author with a range of less well-known figures, often through their shared association with a particular town. This strategy drives traffic to less obvious areas of the site, but also enables creative teaching strategies such as treasure hunts and writing prompts. The article follows the lead of earlier guides to ‘Dickens Land’ in destabilising the focus on Dickens himself: by positioning the reader as distractable and digressive, the multiple links introduce new contexts in which the author can be read.

KeywordsCharles Dickens; Kent; Digital humanities
Book titleDigital Dickens
PublisherWhite Rose Press
Output statusIn press
Publication process dates
Deposited27 Nov 2024
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https://repository.canterbury.ac.uk/item/99qq0/destabilising-dickens-kent-maps-online

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Oulton, C. 2010. 'Which he never meant to be published on any account': the hidden archive in David Copperfield and Paul Kelver.
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Oulton, C. 2010. 'I am not by nature domestic': Mary Cholmondeley and the politics of home.
'My undisciplined heart': romantic friendship in David Copperfield
Oulton, C. 2004. 'My undisciplined heart': romantic friendship in David Copperfield. Dickens Quarterly. 21 (3), pp. 157-169.
''Never be divided again'': Armadale and the threat to romantic friendship
Oulton, C. 2005. ''Never be divided again'': Armadale and the threat to romantic friendship. Wilkie Collins Society Journal. 7, pp. 31-40.
Let the flowers go: a life of Mary Cholmondeley
Oulton, C. 2009. Let the flowers go: a life of Mary Cholmondeley. London Pickering & Chatto.
Child sacrifice and the crisis of gender in Mary Cholmondeley's major fiction
Oulton, C. 2010. Child sacrifice and the crisis of gender in Mary Cholmondeley's major fiction. English Literature in Transition, 1880-1920. 53 (2), pp. 204-218. https://doi.org/10.2487/elt.53.2(2010)0059
''The shadow which I call pain'': Mary Cholmondeley and the dilemma of bodily weakness
Oulton, C. 2009. ''The shadow which I call pain'': Mary Cholmondeley and the dilemma of bodily weakness. Life Writing. 6 (3), pp. 303-312. https://doi.org/10.1080/14484520903082926
“What a comrade she would make”: the limits of romantic friendship in Jude the Obscure
Oulton, C. 2007. “What a comrade she would make”: the limits of romantic friendship in Jude the Obscure. Thomas Hardy Journal. 23, pp. 117-125.
Left past the moon
Oulton, C. 2001. Left past the moon. NPF Publications.
''The bad women are better than the good ones'': the new woman and sexual fall in Cholmondeley's short fiction
Oulton, C. 2009. ''The bad women are better than the good ones'': the new woman and sexual fall in Cholmondeley's short fiction. in: Oulton, C. and Schatz, S. (ed.) Mary Cholmondeley Reconsidered London, UK Pickering & Chatto.