Mary Braddon

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Oulton, C. 2021. Mary Braddon.
CreatorsOulton, C.
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Entry on Mary Braddon for Kent Maps Online.

KeywordsMary Braddon; Victorian women writers; Victorian writers
Date2021
Web address (URL)https://kent-maps.online/19c/19c-braddon-biography/
Related URLhttps://kent-maps.online/
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Deposited11 Aug 2022
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https://repository.canterbury.ac.uk/item/91zy2/mary-braddon

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Margaret Emily Shore (1819-1839)
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George Grossmith (1847-1912)
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Eastgate House, Rochester
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Cooling
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Dickens and Canterbury
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Dickens and Broadstairs
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Charles Dickens
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Seaside resorts
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Margate in the nineteenth century
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Ramsgate in the nineteenth century
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Folkestone in the nineteenth century
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David Copperfield: a curated walk
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Great Expectations: a curated walk
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Introduction
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Mary Cholmondeley
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‘I was in the condition of mind to be shocked at nothing’: losing the plot in Wuthering Heights
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“licking the chops of memory”: plotting the social sins of Jekyll and Hyde’
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‘Smothered under rose-leaves’: violent sensation and the location of the feminine in Eliza Lynn Linton’s sowing the wind'
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‘Reading, ephemera and the seaside library’
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'From “Boy” to “Britain”: popular fiction and the Folkestone Free Library 1881-1902'
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Femininity and deviance in Mary Cholmondeley’s The Lowest Rung
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Jerome K. Jerome, sexual panic and degeneration at the fin de siècle
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“see if I don’t you poor old book”: Repositioning the reader in Mary Cholmondeley’s diaries
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Accidental fruit
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Shams and shadows: meta-fiction and the upper class woman writer
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“He pronounced it gurl“: Mary Cholmondeley, class and gender at the fin de siècle’
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‘”Literary Champagne”: or the fiction of seaside reading’
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‘”Coquetting amid incredible landscapes”: Women on the river and the railway’ 1862-1922
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”If only there would pass away the horror of those hands!” Cholmondeley, Jerome and the woman’s touch in the fin de siècle city
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Mary Cholmondeley
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“he’d let me turn the house into a theatre”: rewriting the domestic in the sensational world of East Lynne
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”A coverless book without a title-page”: Heritage and the modern in the Dickens centenary year
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Sensations of loss: Eliza Lynn Linton’s Sowing the Wind
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”I write this with my hands in a basin of water”: Dickens, letters and readers
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Introduction
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Introduction
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Dickens, letters and readers
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Letterpress re-imagined: printing at Sissinghurst
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‘Victorian Women at the Seaside’ travelling exhibition
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‘“No magic dwelling-place in magic story”: time, memory and the enchanted children of Dombey and Son’.
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"I suppose we insensibly invented the rest": Adelaide Procter and the legend of the female poet
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Ouida and Victorian popular culture
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‘”It is a pity but what bad men could be turned inside out sometimes”: Victorian Scandal on the Kent Coast‘
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‘Missed Vocation? The Failed Writer in Late Victorian Women’s Fiction.’
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"Your own feelings will enable you to imagine”: sustaining the Dickensian reader
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"An immense quantity of clever and thoughtful rubbish"?: Twentieth century Victorians and the problem of history
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"An exacting public": Jerome K. Jerome and the new humour
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Cruel cities in 'Geoffrey’s Wife’ and 'The Fawn Gloves'
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“Andromeda is having a rather bad time of it just now”: stories of sacrifice in Caird’s The Wing of Azrael.
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‘Shall memory be the only thing to die?' Fictions of childhood in Dickens and Jerome K. Jerome
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'lest I, too should remain chained here': Jerome K. Jerome’s London
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Women writers of the fin de siècle
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Victorian rebel: the many faces of Mary Braddon
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Jerome K. Jerome
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Weeds: a story in seven chapters
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Introduction to 'Mary Cholmondeley reconsidered'
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‘She would write… in invisible ink.’ An introduction
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'I am not by nature domestic': Mary Cholmondeley and the politics of home
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'A rendezvous for literary London'. Jerome K. Jerome on the Strand
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'I had perpetrated a book': reading Victorian women writers in the 21st Century
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‘going on before me, an innocent romantic boy’: David Copperfield’s Canterbury tale
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'Evil thought is a dangerous pet.' Jerome K. Jerome and the dark side of passion
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'A misunderstood generation': Victorians and the Twentieth Century peepshow
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'Let him remember it in that room, years to come!’: myths of childhood and memory in Dombey and Son and The Haunted Man
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‘now to the home of which you are the sunbeam': telling stories in The Wing of Azrael
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‘you had an idea that we were rather frivolous': Jerome K. Jerome’s editorial strategies
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'a pot of ink that she would come to hate the smell of': banishing the beast in Jerome K. Jerome’s New Woman journalists
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Writing women of the fin de siècle: authors of change
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Romantic friendship in Victorian literature
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Below the fairy city: a life of Jerome K. Jerome
Oulton, C. 2012. Below the fairy city: a life of Jerome K. Jerome. Brighton Victorian Secrets.
Mary Cholmondeley website
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A child, a death and the making of the fairy tale woman
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'Trained to perfection in the lax morals and prurient literature of my day': the metafictional New Woman and her readers
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“ain’t goin’ to have any beastly Erickin'”: the problem of male friendship in Stalky & Co
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'The Good Angel of Our Lives': subversive religion in The Woman in White
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A vindication of religion: Wilkie Collins, Dickens and The Frozen Deep
Oulton, C. 2001. A vindication of religion: Wilkie Collins, Dickens and The Frozen Deep. The Dickensian. 97 (2), pp. 154-158.
Wilkie Collins: an interpretation of Christian belief
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Literature and religion in mid-Victorian England: from Dickens to Eliot
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‘ain’t goin’ to have any beastly Erickin’: the problem of male friendship in Stalky & Co
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''But why write them down[?]'': Mary Cholmondeley's diaries and the violation of the female artist
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''Murderous impulse'': Children as victims of violance in Mary Cholmondeley's major fiction
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'Which he never meant to be published on any account': the hidden archive in David Copperfield and Paul Kelver
Oulton, C. 2010. 'Which he never meant to be published on any account': the hidden archive in David Copperfield and Paul Kelver.
'I am not by nature domestic': Mary Cholmondeley and the politics of home
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'My undisciplined heart': romantic friendship in David Copperfield
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''Never be divided again'': Armadale and the threat to romantic friendship
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Let the flowers go: a life of Mary Cholmondeley
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Child sacrifice and the crisis of gender in Mary Cholmondeley's major fiction
Oulton, C. 2010. Child sacrifice and the crisis of gender in Mary Cholmondeley's major fiction. English Literature in Transition, 1880-1920. 53 (2), pp. 204-218. https://doi.org/10.2487/elt.53.2(2010)0059
''The shadow which I call pain'': Mary Cholmondeley and the dilemma of bodily weakness
Oulton, C. 2009. ''The shadow which I call pain'': Mary Cholmondeley and the dilemma of bodily weakness. Life Writing. 6 (3), pp. 303-312. https://doi.org/10.1080/14484520903082926
“What a comrade she would make”: the limits of romantic friendship in Jude the Obscure
Oulton, C. 2007. “What a comrade she would make”: the limits of romantic friendship in Jude the Obscure. Thomas Hardy Journal. 23, pp. 117-125.
Left past the moon
Oulton, C. 2001. Left past the moon. NPF Publications.
''The bad women are better than the good ones'': the new woman and sexual fall in Cholmondeley's short fiction
Oulton, C. 2009. ''The bad women are better than the good ones'': the new woman and sexual fall in Cholmondeley's short fiction. in: Oulton, C. and Schatz, S. (ed.) Mary Cholmondeley Reconsidered London, UK Pickering & Chatto.