School of Music and Performing Arts


Latest research outputs

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Chris Price & the Canterbury Catch Club: 3 short films
Price, C. 2016. Chris Price & the Canterbury Catch Club: 3 short films.

Digital or visual media

Unsung singers: the musicians of Canterbury 1770-1865
Price, C. 2015. Unsung singers: the musicians of Canterbury 1770-1865.

Conference paper

The Serpentine River is coming upstairs: rediscovering the music of the Canterbury Catch Club
Price, C. 2014. The Serpentine River is coming upstairs: rediscovering the music of the Canterbury Catch Club.

Digital or visual media

The Serpentine River is Coming Upstairs: rediscovering the music of the Canterbury Catch Club
Price, C. 2014. The Serpentine River is Coming Upstairs: rediscovering the music of the Canterbury Catch Club.

Lecture

As Thomas Was Cudgell’d One Day By His Wife: rediscovering the music of the Canterbury Catch Club
Price, C. 2014. As Thomas Was Cudgell’d One Day By His Wife: rediscovering the music of the Canterbury Catch Club.

Conference paper

Nerve scales, a musical and multimedia performance
Long, T. and Kakinoko, M. 2012. Nerve scales, a musical and multimedia performance. Canterbury, Kent 06 Nov 2014

Performance

Night visit
Ghikas, P. 2012. Night visit.

Composition

Unreal-time improv - Open Cycle collaborations
Ghikas, P. 2016. Unreal-time improv - Open Cycle collaborations.

Composition

Migro Records
Ghikas, P. 2010. Migro Records. UK Migro Records.

Other

"Not of heroic build": the literate glee
Price, C. 2015. "Not of heroic build": the literate glee.

Conference paper

"The folly of the farce is done": death and grief in convivial song
Price, C. 2015. "The folly of the farce is done": death and grief in convivial song.

Conference paper

‘The tree has four or five leaves’: Talawa, Britishness and the first all-Black production of Waiting for Godot in Britain
Igweonu, K. 2016. ‘The tree has four or five leaves’: Talawa, Britishness and the first all-Black production of Waiting for Godot in Britain. in: Tucker, D. and McTighe, T. (ed.) Staging Beckett in Great Britain London Bloomsbury Methuen Drama. pp. 141-151

Book chapter

Dialogising Stravinsky: a topic theory and gestural interpretation
McKay, N. 2014. Dialogising Stravinsky: a topic theory and gestural interpretation. in: Igor Stravinsky: Sounds and Gestures of Modernism Brepols Publisher.

Book chapter

Review: Maureen A. Carr, After the Rite: Stravinsky’s Path to Neoclassicism (1914–1925) (Oxford and New York: Oxford University Press, 2014). xxiv + 328 pp. $58/£37.49. ISBN 978-0-19-974293-6 (hb).
McKay, N. 2016. Review: Maureen A. Carr, After the Rite: Stravinsky’s Path to Neoclassicism (1914–1925) (Oxford and New York: Oxford University Press, 2014). xxiv + 328 pp. $58/£37.49. ISBN 978-0-19-974293-6 (hb). Music Analysis. 35 (1), pp. 119-126. https://doi.org/10.1111/musa.12065

Journal article

Review: Danuta Mirka (ed.), The Oxford Handbook of Topic Theory
McKay, N. 2016. Review: Danuta Mirka (ed.), The Oxford Handbook of Topic Theory. Eighteenth-Century Music. 13 (1), pp. 110-113. https://doi.org/10.1017/S1478570615000470

Journal article

Introversive and extroversive processes: rethinking Stravinsky's music as dialogue between formalist and expressive paradigms
McKay, N. 2016. Introversive and extroversive processes: rethinking Stravinsky's music as dialogue between formalist and expressive paradigms. in: Hawes, V. and Redhead, L. (ed.) Music and/as Process Cambridge Scholars Publishing. pp. 10-33

Book chapter

Pain, rain, and rhyme: the role of rhythm in Stefanie Preissner’s work
Lech, K. 2015. Pain, rain, and rhyme: the role of rhythm in Stefanie Preissner’s work. in: Radical Contemporary Theatre Practices by Women in Ireland Dublin Carysfort Press. pp. 151-166

Book chapter

Bubble revolution: performing translation
Lech, K. 2016. Bubble revolution: performing translation. Edinburgh 04 - 28 Aug 2016

Performance

Plays one
Igweonu, K. 2016. Plays one. Ibadan Kraft Books.

Book

Promoting collaborative playful experimentation through group playing by ear in higher education
Varvarigou, M. 2017. Promoting collaborative playful experimentation through group playing by ear in higher education. Research Studies in Music Education. 39 (2), pp. 161-176. https://doi.org/10.1177/1321103X17704000

Journal article

Concertos ‘upon the stage’ in Early Hanoverian London: the instrumental counterpart to opera seria
Rawson, R. 2017. Concertos ‘upon the stage’ in Early Hanoverian London: the instrumental counterpart to opera seria. in: DeSimone, A.C. and Gardner, M. (ed.) Music and the Benefit Performance in Eighteenth Century Britain Cambridge Cambridge University Press.

Book chapter

Performing temporal processes
Redhead, L., Zaldua, A., Stone, S. and Gisby, S. 2017. Performing temporal processes. New Sound. 50.

Journal article

Difficult encounter: Polish theatre on the Irish stage between 2004 and 2015
Lech, K. 2015. Difficult encounter: Polish theatre on the Irish stage between 2004 and 2015. Litteraria Pragensia. 25 (50), pp. 32-46.

Journal article

Memory, Communism, and foreign words in Julia Holewińska’s Foreign Bodies: balancing foreignization and domesticating strategies in a production by Polish Theatre Ireland
Lech, K. 2014. Memory, Communism, and foreign words in Julia Holewińska’s Foreign Bodies: balancing foreignization and domesticating strategies in a production by Polish Theatre Ireland. Translation Ireland. 19 (2), pp. 37-48.

Journal article

Puppets, dogs, and vegetarian angels: ecocriticism in Jakub Krofta’s Polish productions
Lech, K. 2015. Puppets, dogs, and vegetarian angels: ecocriticism in Jakub Krofta’s Polish productions. Theatralia. 18 (2), pp. 277-302. https://doi.org/10.5817/TY2015-2-7

Journal article

The Stanford legacy
Outram, M., Rolton, J. and Nimbus Records 2016. The Stanford legacy.

Digital or visual media

Here and now - Pathway Records Festival
Dean, J. 2016. Here and now - Pathway Records Festival. Dwell Bar, Canterbury Christ Church University 09 - 10 Mar 2016

Performance

Here and now - premier
Dean, J. 2015. Here and now - premier.

Performance

Pat Metheny's finger routes: the role of muscle memory in guitar improvisations - research seminar at Surrey University
Dean, J. 2016. Pat Metheny's finger routes: the role of muscle memory in guitar improvisations - research seminar at Surrey University.

Lecture

Here and now
Dean, J. 2015. Here and now.

Composition

Pat Metheny's Finger Routes: the role of muscle memory in guitar Improvisation
Dean, J. 2014. Pat Metheny's Finger Routes: the role of muscle memory in guitar Improvisation. Jazz Perspectives. 8 (1), pp. 45-71. https://doi.org/10.1080/17494060.2014.960070

Journal article

1700–1749
Rawson, R. and Paxman, J. 2014. 1700–1749. in: Paxman, J. (ed.) Classical Music 1600–2000: A Chronology London Omnibus Press.

Book chapter

Schooling the dancer: the evolution of an identity as a ballet dancer
Pickard, A. 2012. Schooling the dancer: the evolution of an identity as a ballet dancer. Research in Dance Education. 13 (1), pp. 25-46. https://doi.org/10.1080/14647893.2011.651119

Journal article

Metatheatre and the importance of Estrella in Calderón’s 'La vida es sueño' and its contemporary productions
Lech, K. 2014. Metatheatre and the importance of Estrella in Calderón’s 'La vida es sueño' and its contemporary productions. Bulletin of the Comediantes. 66 (2), pp. 175-193. https://doi.org/10.1353/boc.2014.0036

Journal article

Reflection: complete music for viola and piano by Frank Bridge and Benjamin Britten
Outram, M., Rolton, J. and Nimbus Records 2014. Reflection: complete music for viola and piano by Frank Bridge and Benjamin Britten.

Digital or visual media

As Thomas was cudgell'd one day by his wife and other stories: music from the Canterbury Catch Club
Price, C. Price, C. (ed.) 2015. As Thomas was cudgell'd one day by his wife and other stories: music from the Canterbury Catch Club. Canterbury Christ Church University.

Book

WhatPriceMusic - a longitudinal research
Self, P. 2015. WhatPriceMusic - a longitudinal research. Innovation in Music. Anglia Ruskin University, Cambridge 07 - 09 Jun 2015

Conference item

Etched
Hurst, A. and Vivas, J. 2014. Etched. Canterbury Christ Church University Anselm Studio 2 06 May 2014

Show or exhibition

On slow violence
Hurst, A. 2016. On slow violence. University of Kent Jarman Studio 2 18 - 19 Mar 2016

Show or exhibition

"New music‟ as patriarchal category
Redhead, L. 2015. "New music‟ as patriarchal category. in: Haworth, C. and Colton, L. (ed.) Gender, Age and Musical Creativity Farnham Ashgate. pp. 171-184

Book chapter

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