School of Music and Performing Arts
| Type | School |
|---|---|
| Faculty | Faculty of Arts, Humanities and Education |
| Programme Director | Professor Robert Rawson |
Latest research outputs
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ijereja and entoptic landscape: music as an iterative process
Redhead, L. 2017. ijereja and entoptic landscape: music as an iterative process. pan y rosas discos, Material Press (Berlin).Other
Intergenerational music-making – a vehicle for active ageing for children and older people
Varvarigou, M., Hallam, S., Creech, A. and McQueen, H. 2015. Intergenerational music-making – a vehicle for active ageing for children and older people. in: Clift, S. and Camic, P. (ed.) Oxford Textbook of Creative Arts, Health and Wellbeing Oxford Oxford University Press. pp. 259-267Book chapter
Intervention: what is it like to be an improviser?
Heyde, N., Redgate, C., Redgate, R. and Wright, M. 2018. Intervention: what is it like to be an improviser? in: Clarke, E. and Doffman, M. (ed.) Distributed Creativity: Collaboration and Improvisation in Contemporary Music Oxford University Press.Book chapter
Introversive and extroversive processes: rethinking Stravinsky's music as dialogue between formalist and expressive paradigms
McKay, N. 2016. Introversive and extroversive processes: rethinking Stravinsky's music as dialogue between formalist and expressive paradigms. in: Hawes, V. and Redhead, L. (ed.) Music and/as Process Cambridge Scholars Publishing. pp. 10-33Book chapter
Johann Christoph Pepusch, Venus and Adonis (masque in two acts), 1715, Ramée 1502, 2016
Rawson, R., Outhere Music and Ramée 2016. Johann Christoph Pepusch, Venus and Adonis (masque in two acts), 1715, Ramée 1502, 2016.Digital or visual media
Max Reger's variations and fugue on an original theme op.73: issues of musical structure, performance practice and interpretation
Keventsidou, E. 2016. Max Reger's variations and fugue on an original theme op.73: issues of musical structure, performance practice and interpretation. PhD Thesis Canterbury Christ Church University Faculty of Arts And HumanitiesPhD Thesis
Memory, Communism, and foreign words in Julia Holewińska’s Foreign Bodies: balancing foreignization and domesticating strategies in a production by Polish Theatre Ireland
Lech, K. 2014. Memory, Communism, and foreign words in Julia Holewińska’s Foreign Bodies: balancing foreignization and domesticating strategies in a production by Polish Theatre Ireland. Translation Ireland. 19 (2), pp. 37-48.Journal article
Metatheatre and the importance of Estrella in Calderón’s 'La vida es sueño' and its contemporary productions
Lech, K. 2014. Metatheatre and the importance of Estrella in Calderón’s 'La vida es sueño' and its contemporary productions. Bulletin of the Comediantes. 66 (2), pp. 175-193. https://doi.org/10.1353/boc.2014.0036Journal article
Microtonality and the recorder 1961-2013: repertoire, tone colour, and performance
Bowman, P. 2014. Microtonality and the recorder 1961-2013: repertoire, tone colour, and performance. PhD Thesis Canterbury Christ Church University School of Music and Performing ArtsPhD Thesis
Migro Records
Ghikas, P. 2010. Migro Records. UK Migro Records.Other
Museum pieces? sixteenth-century sacred polyphony and the modern English tradition of A Cappella performance
Allinson, D. 2017. Museum pieces? sixteenth-century sacred polyphony and the modern English tradition of A Cappella performance. Early Music Performer. 41, pp. 3-9.Journal article
Musical ‘learning styles’ and ‘learning strategies’ in the instrumental lesson: the Ear Playing Project (EPP)
Varvarigou, M. and Green, L. 2015. Musical ‘learning styles’ and ‘learning strategies’ in the instrumental lesson: the Ear Playing Project (EPP). Psychology of Music. 43 (5), pp. 705-722. https://doi.org/10.1177/0305735614535460Journal article
National identity, race, and gender in Hair: the American tribal love-rock musical
Fowles, C. 2015. National identity, race, and gender in Hair: the American tribal love-rock musical. Masters Thesis Canterbury Christ Church University Music and Performing ArtsMasters Thesis
Negotiating Ambiguity: Dynamic Structure in Schoenberg Songs
Hawes, V. 2015. Negotiating Ambiguity: Dynamic Structure in Schoenberg Songs.Conference poster
Nerve scales, a musical and multimedia performance
Long, T. and Kakinoko, M. 2012. Nerve scales, a musical and multimedia performance. Canterbury, Kent 06 Nov 2014Performance
Network
Van Hove, I., Hall, L. and National Theatre 2018. Network. National Theatre, LondonPerformance
New evidence in an old argument: Beethoven's metronome mark for the Trio of the Ninth Symphony
Buurman, E. 2011. New evidence in an old argument: Beethoven's metronome mark for the Trio of the Ninth Symphony. The Musical Times. 152 (1917), pp. 15-30.Journal article
Night visit
Ghikas, P. 2012. Night visit.Composition
Notation as process: interpreting open scores and the ‘journey form’
Redhead, L. 2016. Notation as process: interpreting open scores and the ‘journey form’. in: Redhead, L. and Hawes, V. (ed.) Music and/as Process Newcastle Cambridge Scholars Publishing. pp. 116-133Book chapter
Of mathematics, marrow-bones and marriage: eighteenth-century convivial song
Price, C. 2020. Of mathematics, marrow-bones and marriage: eighteenth-century convivial song. in: The Edinburgh Companion to Literature and Music Edinburgh University Press.Book chapter
On slow violence
Hurst, A. 2016. On slow violence. University of Kent Jarman Studio 2 18 - 19 Mar 2016Show or exhibition
One-man band
Stillman, R. 2013. One-man band. UK Robert Stillman.Other
Oscillate
Compost and Height Stillman, R. (ed.) 2017. Oscillate. UK Compost and Height.Book
Où en est la théorie des topiques aujourd’hui
McKay, N. 2018. Où en est la théorie des topiques aujourd’hui. in: Grabocz, M. (ed.) Narratologie musicale. Topiques, théories et stratégies analytiques Editions des Archives Contemporaines.Book chapter
Pain, rain, and rhyme: the role of rhythm in Stefanie Preissner’s work
Lech, K. 2015. Pain, rain, and rhyme: the role of rhythm in Stefanie Preissner’s work. in: Radical Contemporary Theatre Practices by Women in Ireland Dublin Carysfort Press. pp. 151-166Book chapter
Pat Metheny's Finger Routes: the role of muscle memory in guitar Improvisation
Dean, J. 2014. Pat Metheny's Finger Routes: the role of muscle memory in guitar Improvisation. Jazz Perspectives. 8 (1), pp. 45-71. https://doi.org/10.1080/17494060.2014.960070Journal article
Pat Metheny's finger routes: the role of muscle memory in guitar improvisations - research seminar at Surrey University
Dean, J. 2016. Pat Metheny's finger routes: the role of muscle memory in guitar improvisations - research seminar at Surrey University.Lecture
Pattern, form and silence in “Amalgamations”, an extended duration work
Stone, S. 2019. Pattern, form and silence in “Amalgamations”, an extended duration work. New Sound: International Journal of Music. 53 (1), pp. 149-170.Journal article
Paula the polar bear puppetry
Frost, J., Turner Contemporary and Greenpeace 2018. Paula the polar bear puppetry. Turner Contemporary 26 Jul - 26 Aug 2018Performance
Performing temporal processes
Redhead, L., Zaldua, A., Stone, S. and Gisby, S. 2017. Performing temporal processes. New Sound. 50.Journal article
Plays one
Igweonu, K. 2016. Plays one. Ibadan Kraft Books.Book
Promoting collaborative playful experimentation through group playing by ear in higher education
Varvarigou, M. 2017. Promoting collaborative playful experimentation through group playing by ear in higher education. Research Studies in Music Education. 39 (2), pp. 161-176. https://doi.org/10.1177/1321103X17704000Journal article
Puppetry and object manipulation workshop
Frost, J., Looping the Loop Festival and Theatre Network Thanet 2018. Puppetry and object manipulation workshop. FLEX Workshop Series. Archive, Ramsgate 30 Aug 2018Conference item
Puppets, dogs, and vegetarian angels: ecocriticism in Jakub Krofta’s Polish productions
Lech, K. 2015. Puppets, dogs, and vegetarian angels: ecocriticism in Jakub Krofta’s Polish productions. Theatralia. 18 (2), pp. 277-302. https://doi.org/10.5817/TY2015-2-7Journal article
Quotation and psychogeographic experience as repetition in the music of Bernhard Lang and Chico Mello
Redhead, L. 2014. Quotation and psychogeographic experience as repetition in the music of Bernhard Lang and Chico Mello. Contemporary Music Review. 33 (4), pp. 148-166. https://doi.org/10.1080/07494467.2014.959274Journal article
Reflection: complete music for viola and piano by Frank Bridge and Benjamin Britten
Outram, M., Rolton, J. and Nimbus Records 2014. Reflection: complete music for viola and piano by Frank Bridge and Benjamin Britten.Digital or visual media
Review: Danuta Mirka (ed.), The Oxford Handbook of Topic Theory
McKay, N. 2016. Review: Danuta Mirka (ed.), The Oxford Handbook of Topic Theory. Eighteenth-Century Music. 13 (1), pp. 110-113. https://doi.org/10.1017/S1478570615000470Journal article
Review: Maureen A. Carr, After the Rite: Stravinsky’s Path to Neoclassicism (1914–1925) (Oxford and New York: Oxford University Press, 2014). xxiv + 328 pp. $58/£37.49. ISBN 978-0-19-974293-6 (hb).
McKay, N. 2016. Review: Maureen A. Carr, After the Rite: Stravinsky’s Path to Neoclassicism (1914–1925) (Oxford and New York: Oxford University Press, 2014). xxiv + 328 pp. $58/£37.49. ISBN 978-0-19-974293-6 (hb). Music Analysis. 35 (1), pp. 119-126. https://doi.org/10.1111/musa.12065Journal article
Schooling the dancer: the evolution of an identity as a ballet dancer
Pickard, A. 2012. Schooling the dancer: the evolution of an identity as a ballet dancer. Research in Dance Education. 13 (1), pp. 25-46. https://doi.org/10.1080/14647893.2011.651119Journal article
SINGLE COMBAT (2015)
Redgate, R. and Wright, M. 2015. SINGLE COMBAT (2015). Migro Records.Composition
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