School of Music and Performing Arts
| Type | School |
|---|---|
| Faculty | Faculty of Arts, Humanities and Education |
| Programme Director | Professor Robert Rawson |
Latest research outputs
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Solo recorder music of the 1990s: analytical approaches to the repertoire and its performance
Bennetts, K. 2016. Solo recorder music of the 1990s: analytical approaches to the repertoire and its performance. PhD Thesis Canterbury Christ Church University Faculty of Arts And HumanitiesPhD Thesis
Sound and space: music for organ and electronics
Redhead, L. 2017. Sound and space: music for organ and electronics. sfz Music and Cambridge Scholars Press.Artefact
Stanislavsky in Nigeria: convergences and counterpoints in actor training and practice
Igweonu, K. 2017. Stanislavsky in Nigeria: convergences and counterpoints in actor training and practice. in: Pitches, J. and Aquilina, S. (ed.) Stanislavsky in the World: The System and its Transformations Across Continents London Bloomsbury Methuen. pp. 277-289Book chapter
Strange homelands: encountering the migrant on the contemporary Greek stage
Fragkou, M. 2018. Strange homelands: encountering the migrant on the contemporary Greek stage. Modern Drama. 61 (3). https://doi.org/10.3138/md.s0919.3Journal article
Stravinsky’s opera in a postmodern age: an intermedial semiotic reading
McKay, N. 2018. Stravinsky’s opera in a postmodern age: an intermedial semiotic reading. in: Maeder, C. and Reybrouck, M. (ed.) Making Sense of Music: Studies in Musical Semiotics Leuven Leuven University Press. pp. 387-402Book chapter
Students as producers and active partners in enhancing equality and diversity: ‘culturosity’ at Canterbury Christ Church University
Lech, K., Hoople, L., Abiker, K., Mitchell, M. and Mooney, P. 2017. Students as producers and active partners in enhancing equality and diversity: ‘culturosity’ at Canterbury Christ Church University. Journal of Educational Innovation, Partnership and Change. 3 (2). https://doi.org/10.21100/jeipc.v3i2.533Journal article
Sublime et merveilleux dans les pastorales de Noël tchèques des xviie et xviiie siècles
Rawson, R. 2015. Sublime et merveilleux dans les pastorales de Noël tchèques des xviie et xviiie siècles. in: Hache, S. and Favier, T. (ed.) Á la croisé des art: Sublime et musique religieuse en Europe (XVII–XVIII siècles) Paris Classiques Garnier.Book chapter
Supporting analytical tables for: patterns, processes and performance in Chris Newman’s the reason why I am unable to live in my own country as a Composer is a political one (1983-4)
Redhead, L. 2017. Supporting analytical tables for: patterns, processes and performance in Chris Newman’s the reason why I am unable to live in my own country as a Composer is a political one (1983-4).Dataset
The Annual Balls of the Pensionsgesellschaft bildender Künstler, 1792–1832
Buurman, E. 2018. The Annual Balls of the Pensionsgesellschaft bildender Künstler, 1792–1832. in: Lodes, B., Reisinger, E. and Wilson, J. (ed.) Beethoven und andere Hofmusiker seiner Generation. Bericht über den internationalen musikwissenschaftlichen Kongress Bonn, 3 bis. 6. Dezember 2015 Bonn Beethoven-Haus. pp. 221-235Book chapter
The avant garde as exform
Redhead, L. 2018. The avant garde as exform. Tempo. 72 (286), pp. 7-16. https://doi.org/10.1017/S0040298218000311Journal article
The beautiful and the political
Redhead, L. 2015. The beautiful and the political. Contemporary Music Review. 34 (2), pp. 247-255. https://doi.org/10.1080/07494467.2015.1094222Journal article
The Canterbury Catch Club print – a performance of class
Price, C. 2017. The Canterbury Catch Club print – a performance of class. Music in Art. XLII (1-2).Journal article
The Canterbury Catch Club: a performance of class
Price, C. 2016. The Canterbury Catch Club: a performance of class.Conference paper
The English catch and glee – from drunken debauchery to civic respectability
Price, C. 2016. The English catch and glee – from drunken debauchery to civic respectability.Lecture
The fall: part I (2014)
Salem, S. 2014. The fall: part I (2014).Composition
The Film Sextet: a performance malfunction and the wrong audience
Ghikas, P. 2015. The Film Sextet: a performance malfunction and the wrong audience.Speech
The gestural body in performance: a practice-based study of the perceptions of physicality and meaning through the invisibly disabled body
Pietroni-Spenst, M. 2019. The gestural body in performance: a practice-based study of the perceptions of physicality and meaning through the invisibly disabled body. PhD Thesis Canterbury Christ Church University Faculty of Arts and HumanitiesPhD Thesis
The influence of Wolfgang Ebner's Ferdinand variations on Bach, Beethoven and others
Cooper, B. and Buurman, E. 2012. The influence of Wolfgang Ebner's Ferdinand variations on Bach, Beethoven and others. The Musical Times. 153 (1921), pp. 17-28.Journal article
The Routledge Companion to Puppetry and Material Performance edited by Dassia N. Posner, Claudia Orenstein and John Bell
Bidgood, J. 2016. The Routledge Companion to Puppetry and Material Performance edited by Dassia N. Posner, Claudia Orenstein and John Bell. Contemporary Theatre Review. 26 (3), pp. 378-379. https://doi.org/10.1080/10486801.2016.1187515Journal article
The Serpentine River is coming upstairs: rediscovering the music of the Canterbury Catch Club
Price, C. 2014. The Serpentine River is coming upstairs: rediscovering the music of the Canterbury Catch Club.Digital or visual media
The Serpentine River is Coming Upstairs: rediscovering the music of the Canterbury Catch Club
Price, C. 2014. The Serpentine River is Coming Upstairs: rediscovering the music of the Canterbury Catch Club.Lecture
The Stanford legacy
Outram, M., Rolton, J. and Nimbus Records 2016. The Stanford legacy.Digital or visual media
The vanishing stave?: considering the value of traditional notation skills in undergraduate popular music performance degrees
Dean, J. 2019. The vanishing stave?: considering the value of traditional notation skills in undergraduate popular music performance degrees. in: Moir, Z., Powell, B. and Dylan Smith, G. (ed.) The Bloomsbury Handbook of Popular Music Education Bloomsbury. pp. 73-80Book chapter
The Viennese forerunners of the “Diabelli Project”
Buurman, E. 2014. The Viennese forerunners of the “Diabelli Project”. Arietta. 8, pp. 21-28.Journal article
Too late, too far (2014)
Salem, S. 2014. Too late, too far (2014).Composition
Transcription of Delius cello sonata for viola
Outram, M. 2009. Transcription of Delius cello sonata for viola. Hertingfordbury, UK Oct 2009Performance
Transcription of Delius cello sonata for viola
Outram, M. 2009. Transcription of Delius cello sonata for viola. Kings Langley, UK Oct 2009Performance
Transcription of Delius cello sonata for viola
Outram, M. 2009. Transcription of Delius cello sonata for viola. Hitchin, UK Aug 2009Performance
Transcription of Delius cello sonata for viola
Outram, M. 2009. Transcription of Delius cello sonata for viola. Cambridge, UK May 2009Performance
Unreal-time improv - Open Cycle collaborations
Ghikas, P. 2016. Unreal-time improv - Open Cycle collaborations.Composition
Unreal-time improv: composing an instrument that builds a performance
Ghikas, P. 2015. Unreal-time improv: composing an instrument that builds a performance.Speech
Unsung singers: the musicians of Canterbury 1770-1865
Price, C. 2015. Unsung singers: the musicians of Canterbury 1770-1865.Conference paper
What music, what politics? How corporate work and academia made me improvise more.
Ghikas, P. 2015. What music, what politics? How corporate work and academia made me improvise more. Conference: Compositional Aesthetics and the Political. Department of Music, Goldsmiths, University of London 21 Feb 2015Conference item
WhatPriceMusic - a longitudinal research
Self, P. 2015. WhatPriceMusic - a longitudinal research. Innovation in Music. Anglia Ruskin University, Cambridge 07 - 09 Jun 2015Conference item
Zakes Mda
Igweonu, K. 2015. Zakes Mda. in: Middeke, M., Homman, G. and Schnierer, P. (ed.) The Methuen Drama Guide to Contemporary South African Theatre London Bloomsbury Methuen Drama. pp. 177-193Book chapter
‘I owe it to my group members... who critically commented on my conducting’ – Cooperative learning in choral conducting education
Varvarigou, M. 2016. ‘I owe it to my group members... who critically commented on my conducting’ – Cooperative learning in choral conducting education. International Journal of Music Education. 34 (1), pp. 116-130. https://doi.org/10.1177/0255761414535564Journal article
‘Play it by ear’ – teachers’ responses to ear-playing tasks during one to one instrumental lessons
Varvarigou, M. 2014. ‘Play it by ear’ – teachers’ responses to ear-playing tasks during one to one instrumental lessons. Music Education Research. 16 (4), pp. 471-484. https://doi.org/10.1080/14613808.2013.878326Journal article
‘The tree has four or five leaves’: Talawa, Britishness and the first all-Black production of Waiting for Godot in Britain
Igweonu, K. 2016. ‘The tree has four or five leaves’: Talawa, Britishness and the first all-Black production of Waiting for Godot in Britain. in: Tucker, D. and McTighe, T. (ed.) Staging Beckett in Great Britain London Bloomsbury Methuen Drama. pp. 141-151Book chapter
‘“Feeling feminism”: politics of mischief in contemporary women’s theatre’
Fragkou, M. 2021. ‘“Feeling feminism”: politics of mischief in contemporary women’s theatre’. in: Aragay, M., Middeke, M. and Delgado-Garcia, C. (ed.) Speaking of Affect(s) in Twenty-First Century Theatre Palgrave.Book chapter
“Pictorially speaking, so ludicrous": George IV on the dance floor
Price, C. 2018. “Pictorially speaking, so ludicrous": George IV on the dance floor. Music in Art: International Journal for Music Iconography. XLIII (1-2), pp. 49-66.Journal article
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