Professor Robert Rawson


NameProfessor Robert Rawson
Job titleProfessor of Musicology and Historically Informed Performance

Research outputs

Concertos ‘upon the stage’ in Early Hanoverian London: the instrumental counterpart to opera seria

Rawson, R. 2017. Concertos ‘upon the stage’ in Early Hanoverian London: the instrumental counterpart to opera seria. in: DeSimone, A.C. and Gardner, M. (ed.) Music and the Benefit Performance in Eighteenth Century Britain Cambridge Cambridge University Press.

"For the sake of fullness of music in the choir”—performance practice and the double bass at the Kroměříž Court

Rawson, R. 2018. "For the sake of fullness of music in the choir”—performance practice and the double bass at the Kroměříž Court. Historical Performance. 1 (1), pp. 119-147. https://doi.org/10.2979/histperf.1.1.06

Johann Christoph Pepusch, Venus and Adonis (masque in two acts), 1715, Ramée 1502, 2016

Rawson, R., Outhere Music and Ramée 2016. Johann Christoph Pepusch, Venus and Adonis (masque in two acts), 1715, Ramée 1502, 2016.
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