Professor Robert Rawson
| Name | Professor Robert Rawson |
|---|---|
| Job title | Professor of Musicology and Historically Informed Performance |
| Research institute | School of Creative Arts and Industries |
Research outputs
‘After the Italian manner’—Finger, Pepusch and the first concertos in England
Rawson, R. 2020. ‘After the Italian manner’—Finger, Pepusch and the first concertos in England. in: Cunningham, H. and White, B. (ed.) Musical Exchanges Between Britain and the Continent, c.1500-1800: Essays in Honour of Peter Holden Woodbridge Boydell and Brewer. pp. 108–136Concertos ‘upon the stage’ in Early Hanoverian London: the instrumental counterpart to opera seria
Rawson, R. 2017. Concertos ‘upon the stage’ in Early Hanoverian London: the instrumental counterpart to opera seria. in: DeSimone, A.C. and Gardner, M. (ed.) Music and the Benefit Performance in Eighteenth Century Britain Cambridge Cambridge University Press."For the sake of fullness of music in the choir”—performance practice and the double bass at the Kroměříž Court
Rawson, R. 2018. "For the sake of fullness of music in the choir”—performance practice and the double bass at the Kroměříž Court. Historical Performance. 1 (1), pp. 119-147. https://doi.org/10.2979/histperf.1.1.06Johann Christoph Pepusch, Venus and Adonis (masque in two acts), 1715, Ramée 1502, 2016
Rawson, R., Outhere Music and Ramée 2016. Johann Christoph Pepusch, Venus and Adonis (masque in two acts), 1715, Ramée 1502, 2016.217
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