Professor Robert Rawson
| Name | Professor Robert Rawson |
|---|---|
| Job title | Professor of Musicology and Historically Informed Performance |
| Research institute | School of Creative Arts and Industries |
Research outputs
‘As unknown to me as a Bohemian village’: a retrospective of Czech Baroque music in recordings
Rawson, R. 2023. ‘As unknown to me as a Bohemian village’: a retrospective of Czech Baroque music in recordings. Early Music. 51 (1), p. 126–134. https://doi.org/10.1093/em/caac075‘After the Italian manner’—Finger, Pepusch and the first concertos in England
Rawson, R. 2020. ‘After the Italian manner’—Finger, Pepusch and the first concertos in England. in: Cunningham, H. and White, B. (ed.) Musical Exchanges Between Britain and the Continent, c.1500-1800: Essays in Honour of Peter Holden Woodbridge Boydell and Brewer. pp. 108–136Concertos ‘upon the stage’ in Early Hanoverian London: the instrumental counterpart to opera seria
Rawson, R. 2017. Concertos ‘upon the stage’ in Early Hanoverian London: the instrumental counterpart to opera seria. in: DeSimone, A.C. and Gardner, M. (ed.) Music and the Benefit Performance in Eighteenth Century Britain Cambridge Cambridge University Press."For the sake of fullness of music in the choir”—performance practice and the double bass at the Kroměříž Court
Rawson, R. 2018. "For the sake of fullness of music in the choir”—performance practice and the double bass at the Kroměříž Court. Historical Performance. 1 (1), pp. 119-147. https://doi.org/10.2979/histperf.1.1.06Johann Christoph Pepusch, Venus and Adonis (masque in two acts), 1715, Ramée 1502, 2016
Rawson, R., Outhere Music and Ramée 2016. Johann Christoph Pepusch, Venus and Adonis (masque in two acts), 1715, Ramée 1502, 2016.Sublime et merveilleux dans les pastorales de Noël tchèques des xviie et xviiie siècles
Rawson, R. 2015. Sublime et merveilleux dans les pastorales de Noël tchèques des xviie et xviiie siècles. in: Hache, S. and Favier, T. (ed.) Á la croisé des art: Sublime et musique religieuse en Europe (XVII–XVIII siècles) Paris Classiques Garnier.1700–1749
Rawson, R. and Paxman, J. 2014. 1700–1749. in: Paxman, J. (ed.) Classical Music 1600–2000: A Chronology London Omnibus Press.'Harmonia Anglicana, or why finger failed in 'The Prize Musick'
Rawson, R. 2014. 'Harmonia Anglicana, or why finger failed in 'The Prize Musick'. in: Lowerre, K. (ed.) The Lively Arts of The London stage, 1675–1725 Farnham Ashgate. pp. 27-46The context and content of Czech-language liturgical music in the 17th century: some questions
Rawson, R. 2008. The context and content of Czech-language liturgical music in the 17th century: some questions.Patterns of provincial piety in Bohemia: the domestication of liturgy and its effect on music
Rawson, R. 2008. Patterns of provincial piety in Bohemia: the domestication of liturgy and its effect on music.The Ingenious Mr Finger
Rawson, R. 2009. The Ingenious Mr Finger.Musical contexts and the Habsburg Rehabilitation of Czech Saints
Rawson, R. 2009. Musical contexts and the Habsburg Rehabilitation of Czech Saints.Notational issues and the evocation of the ''Barbaric Beauty'' of Moravian folk music in the Seventeenth Century
Rawson, R. 2009. Notational issues and the evocation of the ''Barbaric Beauty'' of Moravian folk music in the Seventeenth Century.Clangor tubarum: A response to Peter Downey
Rawson, R. 2007. Clangor tubarum: A response to Peter Downey. Early Music. 35 (1), p. 165. https://doi.org/10.1093/em/cal105Poglietti's Ricercare: open-score keyboard music and the implications for ensemble performance
Rawson, R. 2007. Poglietti's Ricercare: open-score keyboard music and the implications for ensemble performance. Early Music Performer. 20, pp. 10-15.Gottfried Finger's Christmas pastorellas
Rawson, R. 2005. Gottfried Finger's Christmas pastorellas. Early Music. 33 (4), pp. 591-606. https://doi.org/10.1093/em/cah151The Italian-style concerto in the Czech lands in the early eighteenth century: some overlooked sources and implications for musical style and performance
Rawson, R. 2010. The Italian-style concerto in the Czech lands in the early eighteenth century: some overlooked sources and implications for musical style and performance.German moon, Czech fire: a meeting point of national perceptions in eighteenth-century music
Rawson, R. 2010. German moon, Czech fire: a meeting point of national perceptions in eighteenth-century music.Das Lied von der Erde - a song cycle or a symphony?
Rawson, R. 2010. Das Lied von der Erde - a song cycle or a symphony?Stylo bohemo: Czechness in music c. 1600-1750
Rawson, R. 2010. Stylo bohemo: Czechness in music c. 1600-1750.Biennial conference on baroque music
Rawson, R. 2010. Biennial conference on baroque music. St Thomas' Church, Belfast, UK Jun 2010Interludes
Rawson, R. 2010. Interludes. Stavanger, Norway Mar 2010Buxtehude's Membra Jesu Nostri
Rawson, R. and Barokk, P. 2010. Buxtehude's Membra Jesu Nostri. Oslo, Norway Mar 2010Tickle-Fiddle Gentlemen
Rawson, R. 2010. Tickle-Fiddle Gentlemen. St Peter's Methodist Church, Canterbury, Kent, UK Feb 2010Concert life in London in the early 18th century
Rawson, R. 2009. Concert life in London in the early 18th century. London, UK May 2009The complete music for Solo Viola da Gamba by Gottfried Finger
Rawson, R. and Wagner, P. 2009. The complete music for Solo Viola da Gamba by Gottfried Finger. Teddington, UK Fretwork.414
total views of outputs382
total downloads of outputs61
views of outputs this month3
downloads of outputs this month