Tickle-Fiddle Gentlemen

Performance

Rawson, R. 2010. Tickle-Fiddle Gentlemen. St Peter's Methodist Church, Canterbury, Kent, UK Feb 2010

Publication process dates
Creators	Rawson, R.
Date	2010
Event	Tickle-Fiddle Gentlemen
Output status	Unpublished
Deposited	24 May 2011
Completed	Feb 2010

Permalink -

https://repository.canterbury.ac.uk/item/85w72/tickle-fiddle-gentlemen

166
total views
0
total downloads
2
views this month
0
downloads this month

Export as

Related outputs

‘As unknown to me as a Bohemian village’: a retrospective of Czech Baroque music in recordings

Rawson, R. 2023. ‘As unknown to me as a Bohemian village’: a retrospective of Czech Baroque music in recordings. Early Music. 51 (1), p. 126–134. https://doi.org/10.1093/em/caac075

‘After the Italian manner’—Finger, Pepusch and the first concertos in England

Rawson, R. 2020. ‘After the Italian manner’—Finger, Pepusch and the first concertos in England. in: Cunningham, H. and White, B. (ed.) Musical Exchanges Between Britain and the Continent, c.1500-1800: Essays in Honour of Peter Holden Woodbridge Boydell and Brewer. pp. 108–136

"For the sake of fullness of music in the choir”—performance practice and the double bass at the Kroměříž Court

Rawson, R. 2018. "For the sake of fullness of music in the choir”—performance practice and the double bass at the Kroměříž Court. Historical Performance. 1 (1), pp. 119-147. https://doi.org/10.2979/histperf.1.1.06

'Harmonia Anglicana, or why finger failed in 'The Prize Musick'

Rawson, R. 2014. 'Harmonia Anglicana, or why finger failed in 'The Prize Musick'. in: Lowerre, K. (ed.) The Lively Arts of The London stage, 1675–1725 Farnham Ashgate. pp. 27-46

Concertos ‘upon the stage’ in Early Hanoverian London: the instrumental counterpart to opera seria

Rawson, R. 2017. Concertos ‘upon the stage’ in Early Hanoverian London: the instrumental counterpart to opera seria. in: DeSimone, A.C. and Gardner, M. (ed.) Music and the Benefit Performance in Eighteenth Century Britain Cambridge Cambridge University Press.

1700–1749

Rawson, R. and Paxman, J. 2014. 1700–1749. in: Paxman, J. (ed.) Classical Music 1600–2000: A Chronology London Omnibus Press.

Sublime et merveilleux dans les pastorales de Noël tchèques des xviie et xviiie siècles

Rawson, R. 2015. Sublime et merveilleux dans les pastorales de Noël tchèques des xviie et xviiie siècles. in: Hache, S. and Favier, T. (ed.) Á la croisé des art: Sublime et musique religieuse en Europe (XVII–XVIII siècles) Paris Classiques Garnier.

Johann Christoph Pepusch, Venus and Adonis (masque in two acts), 1715, Ramée 1502, 2016

Rawson, R., Outhere Music and Ramée 2016. Johann Christoph Pepusch, Venus and Adonis (masque in two acts), 1715, Ramée 1502, 2016.

The context and content of Czech-language liturgical music in the 17th century: some questions

Rawson, R. 2008. The context and content of Czech-language liturgical music in the 17th century: some questions.

Patterns of provincial piety in Bohemia: the domestication of liturgy and its effect on music

Rawson, R. 2008. Patterns of provincial piety in Bohemia: the domestication of liturgy and its effect on music.

The Ingenious Mr Finger

Rawson, R. 2009. The Ingenious Mr Finger.

Musical contexts and the Habsburg Rehabilitation of Czech Saints

Rawson, R. 2009. Musical contexts and the Habsburg Rehabilitation of Czech Saints.

Notational issues and the evocation of the ''Barbaric Beauty'' of Moravian folk music in the Seventeenth Century

Rawson, R. 2009. Notational issues and the evocation of the ''Barbaric Beauty'' of Moravian folk music in the Seventeenth Century.

Concert life in London in the early 18th century

Rawson, R. 2009. Concert life in London in the early 18th century. London, UK May 2009

German moon, Czech fire: a meeting point of national perceptions in eighteenth-century music

Rawson, R. 2010. German moon, Czech fire: a meeting point of national perceptions in eighteenth-century music.

Stylo bohemo: Czechness in music c. 1600-1750

Rawson, R. 2010. Stylo bohemo: Czechness in music c. 1600-1750.

Das Lied von der Erde - a song cycle or a symphony?

Rawson, R. 2010. Das Lied von der Erde - a song cycle or a symphony?

The Italian-style concerto in the Czech lands in the early eighteenth century: some overlooked sources and implications for musical style and performance

Rawson, R. 2010. The Italian-style concerto in the Czech lands in the early eighteenth century: some overlooked sources and implications for musical style and performance.