Gottfried Finger's Christmas pastorellas

Journal article

Rawson, R. 2005. Gottfried Finger's Christmas pastorellas. Early Music. 33 (4), pp. 591-606. https://doi.org/10.1093/em/cah151
AuthorsRawson, R.
Year2005
JournalEarly Music
Journal citation33 (4), pp. 591-606
ISSN1741-7260
Digital Object Identifier (DOI)https://doi.org/10.1093/em/cah151
Publication process dates
Deposited23 Nov 2010
Output statusPublished
Permalink -

https://repository.canterbury.ac.uk/item/84q2y/gottfried-finger-s-christmas-pastorellas

  • 130
    total views
  • 0
    total downloads
  • 5
    views this month
  • 0
    downloads this month

Export as

Related outputs

‘As unknown to me as a Bohemian village’: a retrospective of Czech Baroque music in recordings
Rawson, R. 2023. ‘As unknown to me as a Bohemian village’: a retrospective of Czech Baroque music in recordings. Early Music. 51 (1), p. 126–134. https://doi.org/10.1093/em/caac075
‘After the Italian manner’—Finger, Pepusch and the first concertos in England
Rawson, R. 2020. ‘After the Italian manner’—Finger, Pepusch and the first concertos in England. in: Cunningham, H. and White, B. (ed.) Musical Exchanges Between Britain and the Continent, c.1500-1800: Essays in Honour of Peter Holden Woodbridge Boydell and Brewer. pp. 108–136
"For the sake of fullness of music in the choir”—performance practice and the double bass at the Kroměříž Court
Rawson, R. 2018. "For the sake of fullness of music in the choir”—performance practice and the double bass at the Kroměříž Court. Historical Performance. 1 (1), pp. 119-147. https://doi.org/10.2979/histperf.1.1.06
'Harmonia Anglicana, or why finger failed in 'The Prize Musick'
Rawson, R. 2014. 'Harmonia Anglicana, or why finger failed in 'The Prize Musick'. in: Lowerre, K. (ed.) The Lively Arts of The London stage, 1675–1725 Farnham Ashgate. pp. 27-46
Concertos ‘upon the stage’ in Early Hanoverian London: the instrumental counterpart to opera seria
Rawson, R. 2017. Concertos ‘upon the stage’ in Early Hanoverian London: the instrumental counterpart to opera seria. in: DeSimone, A.C. and Gardner, M. (ed.) Music and the Benefit Performance in Eighteenth Century Britain Cambridge Cambridge University Press.
1700–1749
Rawson, R. and Paxman, J. 2014. 1700–1749. in: Paxman, J. (ed.) Classical Music 1600–2000: A Chronology London Omnibus Press.
Sublime et merveilleux dans les pastorales de Noël tchèques des xviie et xviiie siècles
Rawson, R. 2015. Sublime et merveilleux dans les pastorales de Noël tchèques des xviie et xviiie siècles. in: Hache, S. and Favier, T. (ed.) Á la croisé des art: Sublime et musique religieuse en Europe (XVII–XVIII siècles) Paris Classiques Garnier.
Johann Christoph Pepusch, Venus and Adonis (masque in two acts), 1715, Ramée 1502, 2016
Rawson, R., Outhere Music and Ramée 2016. Johann Christoph Pepusch, Venus and Adonis (masque in two acts), 1715, Ramée 1502, 2016.
The context and content of Czech-language liturgical music in the 17th century: some questions
Rawson, R. 2008. The context and content of Czech-language liturgical music in the 17th century: some questions.
Patterns of provincial piety in Bohemia: the domestication of liturgy and its effect on music
Rawson, R. 2008. Patterns of provincial piety in Bohemia: the domestication of liturgy and its effect on music.
The Ingenious Mr Finger
Rawson, R. 2009. The Ingenious Mr Finger.
Musical contexts and the Habsburg Rehabilitation of Czech Saints
Rawson, R. 2009. Musical contexts and the Habsburg Rehabilitation of Czech Saints.
Notational issues and the evocation of the ''Barbaric Beauty'' of Moravian folk music in the Seventeenth Century
Rawson, R. 2009. Notational issues and the evocation of the ''Barbaric Beauty'' of Moravian folk music in the Seventeenth Century.
Concert life in London in the early 18th century
Rawson, R. 2009. Concert life in London in the early 18th century. London, UK May 2009
German moon, Czech fire: a meeting point of national perceptions in eighteenth-century music
Rawson, R. 2010. German moon, Czech fire: a meeting point of national perceptions in eighteenth-century music.
Stylo bohemo: Czechness in music c. 1600-1750
Rawson, R. 2010. Stylo bohemo: Czechness in music c. 1600-1750.
Das Lied von der Erde - a song cycle or a symphony?
Rawson, R. 2010. Das Lied von der Erde - a song cycle or a symphony?
The Italian-style concerto in the Czech lands in the early eighteenth century: some overlooked sources and implications for musical style and performance
Rawson, R. 2010. The Italian-style concerto in the Czech lands in the early eighteenth century: some overlooked sources and implications for musical style and performance.
Biennial conference on baroque music
Rawson, R. 2010. Biennial conference on baroque music. St Thomas' Church, Belfast, UK Jun 2010
Interludes
Rawson, R. 2010. Interludes. Stavanger, Norway Mar 2010
Buxtehude's Membra Jesu Nostri
Rawson, R. and Barokk, P. 2010. Buxtehude's Membra Jesu Nostri. Oslo, Norway Mar 2010
Tickle-Fiddle Gentlemen
Rawson, R. 2010. Tickle-Fiddle Gentlemen. St Peter's Methodist Church, Canterbury, Kent, UK Feb 2010
The complete music for Solo Viola da Gamba by Gottfried Finger
Rawson, R. and Wagner, P. 2009. The complete music for Solo Viola da Gamba by Gottfried Finger. Teddington, UK Fretwork.
Clangor tubarum: A response to Peter Downey
Rawson, R. 2007. Clangor tubarum: A response to Peter Downey. Early Music. 35 (1), p. 165. https://doi.org/10.1093/em/cal105
Poglietti's Ricercare: open-score keyboard music and the implications for ensemble performance
Rawson, R. 2007. Poglietti's Ricercare: open-score keyboard music and the implications for ensemble performance. Early Music Performer. 20, pp. 10-15.