Johann Christoph Pepusch, Venus and Adonis (masque in two acts), 1715, Ramée 1502, 2016

Digital or visual media


Rawson, R., Outhere Music and Ramée 2016. Johann Christoph Pepusch, Venus and Adonis (masque in two acts), 1715, Ramée 1502, 2016.
CreatorsRawson, R., Outhere Music and Ramée
Description

A world premiere recording of Pepusch's largest and most successful masque, composed for the Theatre Royal in Drury Lane in 1715. The recording was made possible after several years of detailed archival work to reconstruct the original 1715 version.

KeywordsOpera, baroque, HIP, period-instrument, drama, performance-practice, recitative, masque, English
Date2016
Web address (URL)https://www.outhere-music.com/en/albums/pepusch-venus-and-adonis-ram-1502
https://soundcloud.com/outhere-music/venus-and-adonis-first
FunderThe Handel Institute
Canterbury Christ Church University
Outhere Music
Additional information

Complete sample aria:

https://soundcloud.com/outhere-music/venus-and-adonis-first

Publication process dates
Deposited06 Oct 2016
Output statusPublished
Publication dates
Print09 Sep 2016
File
Permalink -

https://repository.canterbury.ac.uk/item/87x6v/johann-christoph-pepusch-venus-and-adonis-masque-in-two-acts-1715-ram-e-1502-2016

Download files

  • 68
    total views
  • 29
    total downloads
  • 0
    views this month
  • 0
    downloads this month

Export as

Related outputs

‘As unknown to me as a Bohemian village’: a retrospective of Czech Baroque music in recordings
Rawson, R. 2023. ‘As unknown to me as a Bohemian village’: a retrospective of Czech Baroque music in recordings. Early Music. 51 (1), p. 126–134. https://doi.org/10.1093/em/caac075
‘After the Italian manner’—Finger, Pepusch and the first concertos in England
Rawson, R. 2020. ‘After the Italian manner’—Finger, Pepusch and the first concertos in England. in: Cunningham, H. and White, B. (ed.) Musical Exchanges Between Britain and the Continent, c.1500-1800: Essays in Honour of Peter Holden Woodbridge Boydell and Brewer. pp. 108–136
"For the sake of fullness of music in the choir”—performance practice and the double bass at the Kroměříž Court
Rawson, R. 2018. "For the sake of fullness of music in the choir”—performance practice and the double bass at the Kroměříž Court. Historical Performance. 1 (1), pp. 119-147. https://doi.org/10.2979/histperf.1.1.06
Concertos ‘upon the stage’ in Early Hanoverian London: the instrumental counterpart to opera seria
Rawson, R. 2017. Concertos ‘upon the stage’ in Early Hanoverian London: the instrumental counterpart to opera seria. in: DeSimone, A.C. and Gardner, M. (ed.) Music and the Benefit Performance in Eighteenth Century Britain Cambridge Cambridge University Press.