The beautiful and the political

Journal article


Redhead, L. 2015. The beautiful and the political. Contemporary Music Review. 34 (2), pp. 247-255. https://doi.org/10.1080/07494467.2015.1094222
AuthorsRedhead, L.
Abstract

Competing and polarised positions related to the possible political nature of material in contemporary music are exemplified by the work of postmodern composers and of post-war modernist composers. Whilst the former argue for the political nature of their compositions by the inclusion of contemporary issues and imagery, the latter argue for the political nature of their manipulation of otherwise politically neutral musical material. This opposition can be understood as a dialectic between content and form, and is expressed by Adorno as the opposition between representational and ‘committed’ work. This paper examines one example of each type of work—Luigi Nono’s Il Canto Sospeso (1955-56) and Johannes Kreidler’s Audioguide—and their relationship to a conception of the ‘beautiful’ in music. These expressions of the ‘political’ offer a framework through which the musically beautiful can be interrogated in the opposition of committed and autonomous artworks, and understood as an experience of alienation. Eco's exploration of Entfremdung and Kristeva's concept of abjection can both be employed to argue that the ‘political’ dimension of autonomous works offers the potential for a radical experience of beauty as a transcendence derived from present conditions, whilst committed works negate beauty as a condition of re-presenting the present.

Year2015
JournalContemporary Music Review
Journal citation34 (2), pp. 247-255
PublisherTaylor & Francis
ISSN0749-4467
Digital Object Identifier (DOI)https://doi.org/10.1080/07494467.2015.1094222
Publication dates
Online28 Oct 2015
Publication process dates
Deposited02 Feb 2017
Accepted10 Aug 2015
Accepted author manuscript
Output statusPublished
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https://repository.canterbury.ac.uk/item/880xw/the-beautiful-and-the-political

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