The English catch and glee – from drunken debauchery to civic respectability

Lecture


Price, C. 2016. The English catch and glee – from drunken debauchery to civic respectability.
AuthorsPrice, C.
TypeLecture
Description

This lecture puts the Canterbury Catch Club in context and proceeds to discuss some of the repertoire of the club, emphasising the way in which the music reflects the aspirational gentrification of the Club in the context of early- to mid-19th-c. Britain.

Year2016
ConferenceInvited Lecture
Publication process dates
Deposited13 Jan 2017
Completed04 Nov 2016
Accepted author manuscript
Permalink -

https://repository.canterbury.ac.uk/item/88078/the-english-catch-and-glee-from-drunken-debauchery-to-civic-respectability

Download files


Accepted author manuscript
  • 71
    total views
  • 57
    total downloads
  • 1
    views this month
  • 1
    downloads this month

Export as

Related outputs

Of mathematics, marrow-bones and marriage: eighteenth-century convivial song
Price, C. 2020. Of mathematics, marrow-bones and marriage: eighteenth-century convivial song. in: The Edinburgh Companion to Literature and Music Edinburgh University Press.
Catch and Glee Club prizes in the long nineteenth century: nurturing a 'national music'
Price, C. 2019. Catch and Glee Club prizes in the long nineteenth century: nurturing a 'national music'.
"The lyric repository": literate conviviality
Price, C. 2018. "The lyric repository": literate conviviality.
“Pictorially speaking, so ludicrous": George IV on the dance floor
Price, C. 2018. “Pictorially speaking, so ludicrous": George IV on the dance floor. Music in Art: International Journal for Music Iconography. XLIII (1-2), pp. 49-66.
“Useless in the choir”: the music and musicians of Canterbury Cathedral 1700-1760
Price, C. 2016. “Useless in the choir”: the music and musicians of Canterbury Cathedral 1700-1760.
The Canterbury Catch Club print – a performance of class
Price, C. 2017. The Canterbury Catch Club print – a performance of class. Music in Art. XLII (1-2).
Bourgeois self-representation: a methodological case-study in musical iconography
Price, C. 2016. Bourgeois self-representation: a methodological case-study in musical iconography.
Harmony and unanimity? – the bourgeois self-image of the Canterbury Catch Club
Price, C. 2016. Harmony and unanimity? – the bourgeois self-image of the Canterbury Catch Club.
The Canterbury Catch Club: a performance of class
Price, C. 2016. The Canterbury Catch Club: a performance of class.
An evening with the Canterbury Catch Club
Price, C. 2015. An evening with the Canterbury Catch Club. Canterbury Cathedral Lodge 21 Oct 2015
Chris Price & the Canterbury Catch Club: 3 short films
Price, C. 2016. Chris Price & the Canterbury Catch Club: 3 short films.
Unsung singers: the musicians of Canterbury 1770-1865
Price, C. 2015. Unsung singers: the musicians of Canterbury 1770-1865.
The Serpentine River is coming upstairs: rediscovering the music of the Canterbury Catch Club
Price, C. 2014. The Serpentine River is coming upstairs: rediscovering the music of the Canterbury Catch Club.
The Serpentine River is Coming Upstairs: rediscovering the music of the Canterbury Catch Club
Price, C. 2014. The Serpentine River is Coming Upstairs: rediscovering the music of the Canterbury Catch Club.
As Thomas Was Cudgell’d One Day By His Wife: rediscovering the music of the Canterbury Catch Club
Price, C. 2014. As Thomas Was Cudgell’d One Day By His Wife: rediscovering the music of the Canterbury Catch Club.
"Not of heroic build": the literate glee
Price, C. 2015. "Not of heroic build": the literate glee.
"The folly of the farce is done": death and grief in convivial song
Price, C. 2015. "The folly of the farce is done": death and grief in convivial song.
As Thomas was cudgell'd one day by his wife and other stories: music from the Canterbury Catch Club
Price, C. Price, C. (ed.) 2015. As Thomas was cudgell'd one day by his wife and other stories: music from the Canterbury Catch Club. Canterbury Christ Church University.