The Viennese forerunners of the “Diabelli Project”

Journal article

Buurman, E. 2014. The Viennese forerunners of the “Diabelli Project”. Arietta. 8, pp. 21-28.
AuthorsBuurman, E.
Abstract

Beethoven's 'Diabelli' variations, op. 120, were advertised in 1823 as a 'serious' work, even though variations tended to be considered a 'light' genre. The division between repertoire for Kenner and Liebhaber (for connoisseurs and amateurs) in 1800 Vienna is discussed and works that can be considered as forerunners of Beethoven's work are described, including 36 keyboard variations (1648) on a theme by Emperor Ferdinand III by Wolfgang Ebner, published in the series Museum für Klaviermusik by Sigmund Anton Steiner, between 1817 and 1826

Year2014
JournalArietta
Journal citation8, pp. 21-28
PublisherBeethoven Piano Society of Europe
ISSN1465-9387
Related URLhttps://bpse.org/journal/
Publication dates
Print2014
Publication process dates
Deposited20 Sep 2016
Output statusPublished
Permalink -

https://repository.canterbury.ac.uk/item/87wxw/the-viennese-forerunners-of-the-diabelli-project

  • 61
    total views
  • 0
    total downloads
  • 0
    views this month
  • 0
    downloads this month

Export as

Related outputs

The Annual Balls of the Pensionsgesellschaft bildender Künstler, 1792–1832
Buurman, E. 2018. The Annual Balls of the Pensionsgesellschaft bildender Künstler, 1792–1832. in: Lodes, B., Reisinger, E. and Wilson, J. (ed.) Beethoven und andere Hofmusiker seiner Generation. Bericht über den internationalen musikwissenschaftlichen Kongress Bonn, 3 bis. 6. Dezember 2015 Bonn Beethoven-Haus. pp. 221-235
Three symphonies in one year? Beethoven’s sketches of 1812
Buurman, E. 2018. Three symphonies in one year? Beethoven’s sketches of 1812. Ad Parnassum. 16 (31), p. 128.
Dancing the "Waterloo waltz": commemorations of the hundred days - parallels in British social dance and song
Buurman, E. and Cox Jensen, O. 2018. Dancing the "Waterloo waltz": commemorations of the hundred days - parallels in British social dance and song. in: Astbury, K. and Philp, M. (ed.) Napoleon's Hundred Days and the Politics of Legitimacy:War, Culture and Society, 1750-1850 Palgrave Macmillan. pp. 209-232
The influence of Wolfgang Ebner's Ferdinand variations on Bach, Beethoven and others
Cooper, B. and Buurman, E. 2012. The influence of Wolfgang Ebner's Ferdinand variations on Bach, Beethoven and others. The Musical Times. 153 (1921), pp. 17-28.
New evidence in an old argument: Beethoven's metronome mark for the Trio of the Ninth Symphony
Buurman, E. 2011. New evidence in an old argument: Beethoven's metronome mark for the Trio of the Ninth Symphony. The Musical Times. 152 (1917), pp. 15-30.