School of Music and Performing Arts


Latest research outputs

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‘“Feeling feminism”: politics of mischief in contemporary women’s theatre’
Fragkou, M. 2021. ‘“Feeling feminism”: politics of mischief in contemporary women’s theatre’. in: Aragay, M., Middeke, M. and Delgado-Garcia, C. (ed.) Speaking of Affect(s) in Twenty-First Century Theatre Palgrave.

Book chapter

A Practice-Based Study into the Composition and Performance of Polytemporal Music
Inkpen, J. 2020. A Practice-Based Study into the Composition and Performance of Polytemporal Music . PhD Thesis Canterbury Christ Church University School of Music and Performing Arts

PhD Thesis

Of mathematics, marrow-bones and marriage: eighteenth-century convivial song
Price, C. 2020. Of mathematics, marrow-bones and marriage: eighteenth-century convivial song. in: The Edinburgh Companion to Literature and Music Edinburgh University Press.

Book chapter

Pattern, form and silence in “Amalgamations”, an extended duration work
Stone, S. 2019. Pattern, form and silence in “Amalgamations”, an extended duration work. New Sound: International Journal of Music. 53 (1), pp. 149-170.

Journal article

Catch and Glee Club prizes in the long nineteenth century: nurturing a 'national music'
Price, C. 2019. Catch and Glee Club prizes in the long nineteenth century: nurturing a 'national music'.

Conference paper

"The lyric repository": literate conviviality
Price, C. 2018. "The lyric repository": literate conviviality.

Conference paper

“Pictorially speaking, so ludicrous": George IV on the dance floor
Price, C. 2018. “Pictorially speaking, so ludicrous": George IV on the dance floor. Music in Art: International Journal for Music Iconography. XLIII (1-2), pp. 49-66.

Journal article

Active ageing with music: supporting wellbeing in the third and fourth ages
Creech, A., Hallam, S., Varvarigou, M. and McQueen, H. 2014. Active ageing with music: supporting wellbeing in the third and fourth ages. London Institute of Education Press.

Book

The vanishing stave?: considering the value of traditional notation skills in undergraduate popular music performance degrees
Dean, J. 2019. The vanishing stave?: considering the value of traditional notation skills in undergraduate popular music performance degrees. in: Moir, Z., Powell, B. and Dylan Smith, G. (ed.) The Bloomsbury Handbook of Popular Music Education Bloomsbury. pp. 73-80

Book chapter

The gestural body in performance: a practice-based study of the perceptions of physicality and meaning through the invisibly disabled body
Pietroni-Spenst, M. 2019. The gestural body in performance: a practice-based study of the perceptions of physicality and meaning through the invisibly disabled body. PhD Thesis Canterbury Christ Church University Faculty of Arts and Humanities

PhD Thesis

Puppetry and object manipulation workshop
Frost, J., Looping the Loop Festival and Theatre Network Thanet 2018. Puppetry and object manipulation workshop. FLEX Workshop Series. Archive, Ramsgate 30 Aug 2018

Conference item

Paula the polar bear puppetry
Frost, J., Turner Contemporary and Greenpeace 2018. Paula the polar bear puppetry. Turner Contemporary 26 Jul - 26 Aug 2018

Performance

The avant garde as exform
Redhead, L. 2018. The avant garde as exform. Tempo. 72 (286), pp. 7-16. https://doi.org/10.1017/S0040298218000311

Journal article

The Annual Balls of the Pensionsgesellschaft bildender Künstler, 1792–1832
Buurman, E. 2018. The Annual Balls of the Pensionsgesellschaft bildender Künstler, 1792–1832. in: Lodes, B., Reisinger, E. and Wilson, J. (ed.) Beethoven und andere Hofmusiker seiner Generation. Bericht über den internationalen musikwissenschaftlichen Kongress Bonn, 3 bis. 6. Dezember 2015 Bonn Beethoven-Haus. pp. 221-235

Book chapter

Group playing by ear in higher education: the processes that support imitation, invention and group improvisation
Varvarigou, M. 2017. Group playing by ear in higher education: the processes that support imitation, invention and group improvisation. British Journal of Music Education. 34 (3), pp. 291-304. https://doi.org/10.1017/S0265051717000109

Journal article

Network
Van Hove, I., Hall, L. and National Theatre 2018. Network. National Theatre, London

Performance

Dancing the "Waterloo waltz": commemorations of the hundred days - parallels in British social dance and song
Buurman, E. and Cox Jensen, O. 2018. Dancing the "Waterloo waltz": commemorations of the hundred days - parallels in British social dance and song. in: Astbury, K. and Philp, M. (ed.) Napoleon's Hundred Days and the Politics of Legitimacy:War, Culture and Society, 1750-1850 Palgrave Macmillan. pp. 209-232

Book chapter

Stravinsky’s opera in a postmodern age: an intermedial semiotic reading
McKay, N. 2018. Stravinsky’s opera in a postmodern age: an intermedial semiotic reading. in: Maeder, C. and Reybrouck, M. (ed.) Making Sense of Music: Studies in Musical Semiotics Leuven Leuven University Press. pp. 387-402

Book chapter

Dramaturgies of change: Greek theatre now
Fragkou, M. and Hager, P. 2017. Dramaturgies of change: Greek theatre now. Journal of Greek Media & Culture. 3 (2), pp. 139-144. https://doi.org/10.1386/jgmc.3.2.139_2

Journal article

Students as producers and active partners in enhancing equality and diversity: ‘culturosity’ at Canterbury Christ Church University
Lech, K., Hoople, L., Abiker, K., Mitchell, M. and Mooney, P. 2017. Students as producers and active partners in enhancing equality and diversity: ‘culturosity’ at Canterbury Christ Church University. Journal of Educational Innovation, Partnership and Change. 3 (2). https://doi.org/10.21100/jeipc.v3i2.533

Journal article

Stanislavsky in Nigeria: convergences and counterpoints in actor training and practice
Igweonu, K. 2017. Stanislavsky in Nigeria: convergences and counterpoints in actor training and practice. in: Pitches, J. and Aquilina, S. (ed.) Stanislavsky in the World: The System and its Transformations Across Continents London Bloomsbury Methuen. pp. 277-289

Book chapter

A ritual for survival: questions of identity and politics in one hundred year of Nigerian dance
Igweonu, K. 2015. A ritual for survival: questions of identity and politics in one hundred year of Nigerian dance. Dance Journal of Nigeria. 2 (1).

Journal article

Ecologies of precarity in twenty-first century theatre: politics, affect, responsibility
Fragkou, M. 2018. Ecologies of precarity in twenty-first century theatre: politics, affect, responsibility. London Bloomsbury.

Book

Oscillate
Compost and Height Stillman, R. (ed.) 2017. Oscillate. UK Compost and Height.

Book

"For the sake of fullness of music in the choir”—performance practice and the double bass at the Kroměříž Court
Rawson, R. 2018. "For the sake of fullness of music in the choir”—performance practice and the double bass at the Kroměříž Court. Historical Performance. 1 (1), pp. 119-147. https://doi.org/10.2979/histperf.1.1.06

Journal article

Intervention: what is it like to be an improviser?
Heyde, N., Redgate, C., Redgate, R. and Wright, M. 2018. Intervention: what is it like to be an improviser? in: Clarke, E. and Doffman, M. (ed.) Distributed Creativity: Collaboration and Improvisation in Contemporary Music Oxford University Press.

Book chapter

Où en est la théorie des topiques aujourd’hui
McKay, N. 2018. Où en est la théorie des topiques aujourd’hui. in: Grabocz, M. (ed.) Narratologie musicale. Topiques, théories et stratégies analytiques Editions des Archives Contemporaines.

Book chapter

Strange homelands: encountering the migrant on the contemporary Greek stage
Fragkou, M. 2018. Strange homelands: encountering the migrant on the contemporary Greek stage. Modern Drama. 61 (3). https://doi.org/10.3138/md.s0919.3

Journal article

Museum pieces? sixteenth-century sacred polyphony and the modern English tradition of A Cappella performance
Allinson, D. 2017. Museum pieces? sixteenth-century sacred polyphony and the modern English tradition of A Cappella performance. Early Music Performer. 41, pp. 3-9.

Journal article

Supporting analytical tables for: patterns, processes and performance in Chris Newman’s the reason why I am unable to live in my own country as a Composer is a political one (1983-4)
Redhead, L. 2017. Supporting analytical tables for: patterns, processes and performance in Chris Newman’s the reason why I am unable to live in my own country as a Composer is a political one (1983-4).

Dataset

ijereja and entoptic landscape: music as an iterative process
Redhead, L. 2017. ijereja and entoptic landscape: music as an iterative process. pan y rosas discos, Material Press (Berlin).

Other

The beautiful and the political
Redhead, L. 2015. The beautiful and the political. Contemporary Music Review. 34 (2), pp. 247-255. https://doi.org/10.1080/07494467.2015.1094222

Journal article

Sound and space: music for organ and electronics
Redhead, L. 2017. Sound and space: music for organ and electronics. sfz Music and Cambridge Scholars Press.

Artefact

“Useless in the choir”: the music and musicians of Canterbury Cathedral 1700-1760
Price, C. 2016. “Useless in the choir”: the music and musicians of Canterbury Cathedral 1700-1760.

Conference paper

The Canterbury Catch Club print – a performance of class
Price, C. 2017. The Canterbury Catch Club print – a performance of class. Music in Art. XLII (1-2).

Journal article

The English catch and glee – from drunken debauchery to civic respectability
Price, C. 2016. The English catch and glee – from drunken debauchery to civic respectability.

Lecture

Bourgeois self-representation: a methodological case-study in musical iconography
Price, C. 2016. Bourgeois self-representation: a methodological case-study in musical iconography.

Conference paper

Harmony and unanimity? – the bourgeois self-image of the Canterbury Catch Club
Price, C. 2016. Harmony and unanimity? – the bourgeois self-image of the Canterbury Catch Club.

Conference keynote

The Canterbury Catch Club: a performance of class
Price, C. 2016. The Canterbury Catch Club: a performance of class.

Conference paper

An evening with the Canterbury Catch Club
Price, C. 2015. An evening with the Canterbury Catch Club. Canterbury Cathedral Lodge 21 Oct 2015

Show or exhibition

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