School of Music and Performing Arts
| Type | School |
|---|---|
| Faculty | Faculty of Arts, Humanities and Education |
| Programme Director | Professor Robert Rawson |
Latest research outputs
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"For the sake of fullness of music in the choir”—performance practice and the double bass at the Kroměříž Court
Rawson, R. 2018. "For the sake of fullness of music in the choir”—performance practice and the double bass at the Kroměříž Court. Historical Performance. 1 (1), pp. 119-147. https://doi.org/10.2979/histperf.1.1.06Journal article
"New music‟ as patriarchal category
Redhead, L. 2015. "New music‟ as patriarchal category. in: Haworth, C. and Colton, L. (ed.) Gender, Age and Musical Creativity Farnham Ashgate. pp. 171-184Book chapter
"Not of heroic build": the literate glee
Price, C. 2015. "Not of heroic build": the literate glee.Conference paper
"The folly of the farce is done": death and grief in convivial song
Price, C. 2015. "The folly of the farce is done": death and grief in convivial song.Conference paper
"The lyric repository": literate conviviality
Price, C. 2018. "The lyric repository": literate conviviality.Conference paper
1700–1749
Rawson, R. and Paxman, J. 2014. 1700–1749. in: Paxman, J. (ed.) Classical Music 1600–2000: A Chronology London Omnibus Press.Book chapter
A practice-based investigation of the clarinet through free improvisation
Jackson, T. 2016. A practice-based investigation of the clarinet through free improvisation. PhD Thesis Canterbury Christ Church University Music and Performing ArtsPhD Thesis
A Practice-Based Study into the Composition and Performance of Polytemporal Music
Inkpen, J. 2020. A Practice-Based Study into the Composition and Performance of Polytemporal Music . PhD Thesis Canterbury Christ Church University School of Music and Performing ArtsPhD Thesis
A ritual for survival: questions of identity and politics in one hundred year of Nigerian dance
Igweonu, K. 2015. A ritual for survival: questions of identity and politics in one hundred year of Nigerian dance. Dance Journal of Nigeria. 2 (1).Journal article
Active ageing with music: supporting wellbeing in the third and fourth ages
Creech, A., Hallam, S., Varvarigou, M. and McQueen, H. 2014. Active ageing with music: supporting wellbeing in the third and fourth ages. London Institute of Education Press.Book
An evening with the Canterbury Catch Club
Price, C. 2015. An evening with the Canterbury Catch Club. Canterbury Cathedral Lodge 21 Oct 2015Show or exhibition
As Thomas was cudgell'd one day by his wife and other stories: music from the Canterbury Catch Club
Price, C. Price, C. (ed.) 2015. As Thomas was cudgell'd one day by his wife and other stories: music from the Canterbury Catch Club. Canterbury Christ Church University.Book
As Thomas Was Cudgell’d One Day By His Wife: rediscovering the music of the Canterbury Catch Club
Price, C. 2014. As Thomas Was Cudgell’d One Day By His Wife: rediscovering the music of the Canterbury Catch Club.Conference paper
Ballet body belief: perceptions of an ideal ballet body from young ballet dancers
Pickard, A. 2012. Ballet body belief: perceptions of an ideal ballet body from young ballet dancers. Research in Dance Education. 14 (1), pp. 3-19. https://doi.org/10.1080/14647893.2012.712106Journal article
Bourgeois self-representation: a methodological case-study in musical iconography
Price, C. 2016. Bourgeois self-representation: a methodological case-study in musical iconography.Conference paper
Bubble revolution: performing translation
Lech, K. 2016. Bubble revolution: performing translation. Edinburgh 04 - 28 Aug 2016Performance
Catch and Glee Club prizes in the long nineteenth century: nurturing a 'national music'
Price, C. 2019. Catch and Glee Club prizes in the long nineteenth century: nurturing a 'national music'.Conference paper
Chris Price & the Canterbury Catch Club: 3 short films
Price, C. 2016. Chris Price & the Canterbury Catch Club: 3 short films.Digital or visual media
Collaborative playful experimentation in higher education: a group ear playing study
Varvarigou, M. 2016. Collaborative playful experimentation in higher education: a group ear playing study. Arts and Humanities as Higher Education.Journal article
Composition and analysis as communication: outline for a compositional theory based on 'musical information'
Hawes, V. 2010. Composition and analysis as communication: outline for a compositional theory based on 'musical information'. in: Utz, C. (ed.) Musiktheorie als interdisziplinäres Fach/Music Theory and Interdisciplinarity Saarbruecken Pfau-Vlg.Book chapter
Concertos ‘upon the stage’ in Early Hanoverian London: the instrumental counterpart to opera seria
Rawson, R. 2017. Concertos ‘upon the stage’ in Early Hanoverian London: the instrumental counterpart to opera seria. in: DeSimone, A.C. and Gardner, M. (ed.) Music and the Benefit Performance in Eighteenth Century Britain Cambridge Cambridge University Press.Book chapter
Dancing the "Waterloo waltz": commemorations of the hundred days - parallels in British social dance and song
Buurman, E. and Cox Jensen, O. 2018. Dancing the "Waterloo waltz": commemorations of the hundred days - parallels in British social dance and song. in: Astbury, K. and Philp, M. (ed.) Napoleon's Hundred Days and the Politics of Legitimacy:War, Culture and Society, 1750-1850 Palgrave Macmillan. pp. 209-232Book chapter
Dialogising Stravinsky: a topic theory and gestural interpretation
McKay, N. 2014. Dialogising Stravinsky: a topic theory and gestural interpretation. in: Igor Stravinsky: Sounds and Gestures of Modernism Brepols.Book chapter
Difficult encounter: Polish theatre on the Irish stage between 2004 and 2015
Lech, K. 2015. Difficult encounter: Polish theatre on the Irish stage between 2004 and 2015. Litteraria Pragensia. 25 (50), pp. 32-46.Journal article
Dramaturgies of change: Greek theatre now
Fragkou, M. and Hager, P. 2017. Dramaturgies of change: Greek theatre now. Journal of Greek Media & Culture. 3 (2), pp. 139-144. https://doi.org/10.1386/jgmc.3.2.139_2Journal article
Ecologies of precarity in twenty-first century theatre: politics, affect, responsibility
Fragkou, M. 2018. Ecologies of precarity in twenty-first century theatre: politics, affect, responsibility. London Bloomsbury.Book
Etched
Hurst, A. and Vivas, J. 2014. Etched. Canterbury Christ Church University Anselm Studio 2 06 May 2014Show or exhibition
Exploration of the effectiveness and transferability of an English model of health promotion based on participation in singing groups for older adults (Silver Song Clubs) in Italy
Corvo, E. 2013. Exploration of the effectiveness and transferability of an English model of health promotion based on participation in singing groups for older adults (Silver Song Clubs) in Italy. PhD Thesis Canterbury Christ Church University School of HumanitiesPhD Thesis
False relationships: Nicola LeFanu, 'I am bread'
Redhead, L. 2014. False relationships: Nicola LeFanu, 'I am bread'. in: Seddon, L. (ed.) Sounding Food and Music Brighton Arts Council England. pp. 28-38Book chapter
Familiarity, information and musicological efficiency
Hawes, V. 2013. Familiarity, information and musicological efficiency. in: King, E. and Prior, H. (ed.) Music and Familiarity: Listening, Musicology and Performance Farnham Ashgate. pp. 157-173Book chapter
Free improvisation at Cafe Oto (London) performance featuring Jennifer Walshe, MC Schmidt (Matmos), Panos Ghikas and Vicky Bennett
Ghikas, P., Walshe, J., Schmidt, M. and Bennett, V. 2015. Free improvisation at Cafe Oto (London) performance featuring Jennifer Walshe, MC Schmidt (Matmos), Panos Ghikas and Vicky Bennett. London, UK 19 Nov 2015Performance
From page to the stage: a choreographic analysis of Felix Akinsipe’s Struggling to Die
Igweonu, K. 2015. From page to the stage: a choreographic analysis of Felix Akinsipe’s Struggling to Die. in: Akinsipe, F. (ed.) Dance Scripts for the Stage University of Ilorin.Book chapter
Group playing by ear in higher education: the processes that support imitation, invention and group improvisation
Varvarigou, M. 2017. Group playing by ear in higher education: the processes that support imitation, invention and group improvisation. British Journal of Music Education. 34 (3), pp. 291-304. https://doi.org/10.1017/S0265051717000109Journal article
Group playing by ear in higher education: the processes that support imitation, invention and group improvisation
Varvarigou, M. 2016. Group playing by ear in higher education: the processes that support imitation, invention and group improvisation.Lecture
Harmony and unanimity? – the bourgeois self-image of the Canterbury Catch Club
Price, C. 2016. Harmony and unanimity? – the bourgeois self-image of the Canterbury Catch Club.Conference keynote
Here and now
Dean, J. 2015. Here and now.Composition
Here and now - Pathway Records Festival
Dean, J. 2016. Here and now - Pathway Records Festival. Dwell Bar, Canterbury Christ Church University 09 - 10 Mar 2016Performance
Here and now - premier
Dean, J. 2015. Here and now - premier.Performance
Historical documents of the Irish avant garde
Ghikas, P., Walshe, J., Roth, N., Berndt, J., Ford, F., Gilgunn, P., Graham, S., Munro, M., O’Rahallaigh, R. and Schlepper-Connolly, B. Walshe, J. (ed.) 2015. Historical documents of the Irish avant garde. USA Aisteach Institute Ireland.Book
Historical documents of the Irish avant-garde
Ghikas, P., Walshe, J., Roth, N., Berndt, J., Ford, F., Gilgunn, P., Graham, S., Munro, M., O’Rahallaigh, R. and Schlepper-Connolly, B. 2015. Historical documents of the Irish avant-garde.Digital or visual media
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