An evening with the Canterbury Catch Club
Show or exhibition
Price, C. 2015. An evening with the Canterbury Catch Club. Canterbury Cathedral Lodge 21 Oct 2015
| Creators | Price, C. |
|---|---|
| Description | The programme for a concert given as part of the Canterbury Festival 2015, marking the centenary of the donation, to the city library, of the archive material formerly belonging to the Canterbury Catch Club: music, portraits, club records, a lithograph of 1826, and various artefacts. The evening recreated a club meeting, though in contemporary style: a mixture of vocal and orchestral items from a variety of sources were interspersed with some vocal pieces demanding audience participation - including the "Charter Glee" composed for the Club by its then Musical Director, Thomas Goodban. |
| Date | 2015 |
| Exhibition title | An Evening with the Canterbury Catch Club |
| Publication process dates | |
| Deposited | 11 Jan 2017 |
| Completed | 21 Oct 2015 |
| File |
Permalink -
https://repository.canterbury.ac.uk/item/8806y/an-evening-with-the-canterbury-catch-club
Download files
68
total views38
total downloads3
views this month1
downloads this month
Export as
Related outputs
Of mathematics, marrow-bones and marriage: eighteenth-century convivial song
Price, C. 2020. Of mathematics, marrow-bones and marriage: eighteenth-century convivial song. in: The Edinburgh Companion to Literature and Music Edinburgh University Press.Catch and Glee Club prizes in the long nineteenth century: nurturing a 'national music'
Price, C. 2019. Catch and Glee Club prizes in the long nineteenth century: nurturing a 'national music'."The lyric repository": literate conviviality
Price, C. 2018. "The lyric repository": literate conviviality.“Pictorially speaking, so ludicrous": George IV on the dance floor
Price, C. 2018. “Pictorially speaking, so ludicrous": George IV on the dance floor. Music in Art: International Journal for Music Iconography. XLIII (1-2), pp. 49-66.“Useless in the choir”: the music and musicians of Canterbury Cathedral 1700-1760
Price, C. 2016. “Useless in the choir”: the music and musicians of Canterbury Cathedral 1700-1760.The Canterbury Catch Club print – a performance of class
Price, C. 2017. The Canterbury Catch Club print – a performance of class. Music in Art. XLII (1-2).The English catch and glee – from drunken debauchery to civic respectability
Price, C. 2016. The English catch and glee – from drunken debauchery to civic respectability.Bourgeois self-representation: a methodological case-study in musical iconography
Price, C. 2016. Bourgeois self-representation: a methodological case-study in musical iconography.Harmony and unanimity? – the bourgeois self-image of the Canterbury Catch Club
Price, C. 2016. Harmony and unanimity? – the bourgeois self-image of the Canterbury Catch Club.The Canterbury Catch Club: a performance of class
Price, C. 2016. The Canterbury Catch Club: a performance of class.
Chris Price & the Canterbury Catch Club: 3 short films
Price, C. 2016. Chris Price & the Canterbury Catch Club: 3 short films.Unsung singers: the musicians of Canterbury 1770-1865
Price, C. 2015. Unsung singers: the musicians of Canterbury 1770-1865.The Serpentine River is coming upstairs: rediscovering the music of the Canterbury Catch Club
Price, C. 2014. The Serpentine River is coming upstairs: rediscovering the music of the Canterbury Catch Club.
The Serpentine River is Coming Upstairs: rediscovering the music of the Canterbury Catch Club
Price, C. 2014. The Serpentine River is Coming Upstairs: rediscovering the music of the Canterbury Catch Club.