Bourgeois self-representation: a methodological case-study in musical iconography
Price, C. 2016. Bourgeois self-representation: a methodological case-study in musical iconography.
The lithograph of 1826 shows the Canterbury Catch Club in its heyday. It is clearly intended to depict a gathering of sophisticated, culturally literate gentlemen enjoying a concert provided by professional musicians in convivial surroundings.
|Conference||“Images of Music-Making and Its Trans-Cultural Exchanges”; Fourteenth symposium of the ICTM Study Group for Iconography of the Performing Arts|
|Publication process dates|
|Deposited||13 Jan 2017|
|Completed||30 Sep 2016|
|Accepted author manuscript|
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