Portrait of an artist as collaborator: an interpretative phenomenological analysis of an artist
Journal article
Hocking, I. 2019. Portrait of an artist as collaborator: an interpretative phenomenological analysis of an artist. Frontiers in Psychology. 10 (251), pp. 1-10. https://doi.org/10.3389/fpsyg.2019.00251
| Authors | Hocking, I. |
|---|---|
| Abstract | The subjective experience of being an artist was examined using interpretative phenomenological analysis (IPA), focusing on the perspective of the artist but interpreted by me, a psychologist, from my perspective as an artistic collaborator. Building upon a literature that has hitherto focused on clinical, elderly, or vulnerable participants, I interpreted superordinate themes of Process (Constraint, Playfulness, Movement) and Identity (The Ill-Defined Artist, Becoming, Mixing Identities, Choosing an Identity, Calling, Collaboration, and Outsider). These themes are broadly similar to the existing literature, but emphasise identity while de-emphasising self reflection and the need to become an “insider.” |
| Year | 2019 |
| Journal | Frontiers in Psychology |
| Journal citation | 10 (251), pp. 1-10 |
| Publisher | Frontiers |
| Digital Object Identifier (DOI) | https://doi.org/10.3389/fpsyg.2019.00251 |
| Publication dates | |
| 12 Feb 2019 | |
| Publication process dates | |
| Deposited | 15 Feb 2019 |
| Accepted | 25 Jan 2019 |
| Publisher's version | |
| Output status | Published |
| Additional information | This is an open-access article distributed under the terms of the Creative Commons Attribution 4.0 International (CC BY 4.0) |
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