Dr Marissia Fragkou


NameDr Marissia Fragkou
Job titleSenior Lecturer

Research outputs

‘“Feeling feminism”: politics of mischief in contemporary women’s theatre’

Fragkou, M. 2021. ‘“Feeling feminism”: politics of mischief in contemporary women’s theatre’. in: Aragay, M., Middeke, M. and Delgado-Garcia, C. (ed.) Speaking of Affect(s) in Twenty-First Century Theatre Palgrave.

Debbie tucker green and Alice Birch: 'Angry feminists' on the European stage

Fragkou, M. 2020. Debbie tucker green and Alice Birch: 'Angry feminists' on the European stage. in: Contemporary European Playwrights London Routledge, Taylor and Francis.

Ecologies of precarity in twenty-first century theatre: politics, affect, responsibility

Fragkou, M. 2018. Ecologies of precarity in twenty-first century theatre: politics, affect, responsibility. London Bloomsbury.

Strange homelands: encountering the migrant on the contemporary Greek stage

Fragkou, M. 2018. Strange homelands: encountering the migrant on the contemporary Greek stage. Modern Drama. 61 (3). https://doi.org/10.3138/md.s0919.3

Dramaturgies of change: Greek theatre now

Fragkou, M. and Hager, P. 2017. Dramaturgies of change: Greek theatre now. Journal of Greek Media & Culture. 3 (2), pp. 139-144. https://doi.org/10.1386/jgmc.3.2.139_2

'We are Athens' Precarious citizenships in Rimini Protokoll’s Prometheus in Athens (2010)

Fragkou, M. 2015. 'We are Athens' Precarious citizenships in Rimini Protokoll’s Prometheus in Athens (2010). in: Hager, P. and Zaroulia, M. (ed.) Performances of Capitalism, Crises and Resistance: Inside/Outside Europe Basingstoke Palgrave Macmillan.

Stan’s Cafe

Fragkou, M. 2015. Stan’s Cafe. in: Tomlin, L. (ed.) British Theatre Companies: 1995-2014 London Bloomsbury Methuen Drama.

Reinventing performance: style, innovation and politics in the work of Stan’s Cafe

Fragkou, M. 2014. Reinventing performance: style, innovation and politics in the work of Stan’s Cafe. in: Tomlin, E. (ed.) British Theatre Companies: From Fringe to Mainstream London Methuen.

Staging London: participation and citizenship on the way to the 2012 Olympic Games

Fragkou, M. and Hager, P. 2013. Staging London: participation and citizenship on the way to the 2012 Olympic Games. Contemporary Theatre Review: Special Issue on ‘The Cultural Politics of the Olympics: Performing Global Britishness'. 23 (4), pp. 532-541. https://doi.org/10.1080/10486801.2013.839172

Acting (in) action: staging human rights in Debbie Tucker Green’s Royal Court plays

Fragkou, M. and Goddard, L. 2013. Acting (in) action: staging human rights in Debbie Tucker Green’s Royal Court plays. in: Angelaki, V. (ed.) Contemporary British Theatre: Breaking New Ground Basingstoke Palgrave. pp. 145-166

Precarious subjects: ethics of witnessing and responsibility in the plays of Debbie Tucker Green

Fragkou, M. 2012. Precarious subjects: ethics of witnessing and responsibility in the plays of Debbie Tucker Green. Performing Ethos: An International Journal of Ethics in Theatre and Performance. 3 (1), pp. 23-39. https://doi.org/10.1386/peet.3.1.23_1

“Other” stories: action, ethics, citizenship

Fragkou, M. 2011. “Other” stories: action, ethics, citizenship. Contemporary Theatre Review. 21 (3), pp. 371-373. https://doi.org/10.1080/10486801.2011.595213

Gender performativity, nomadic subjectivity and theatre: Phyllis Nagy’s Weldon Rising and The Strip

Fragkou, M. 2010. Gender performativity, nomadic subjectivity and theatre: Phyllis Nagy’s Weldon Rising and The Strip. in: Jones, R. (ed.) Debating the Difference: Gender Representation and Self­ Representation Dundee University of Dundee.

Intercultural encounters in Debbie Tucker Green’s random

Fragkou, M. 2010. Intercultural encounters in Debbie Tucker Green’s random. in: Huber, W., Rubik, M. and Novak, J. (ed.) Staging Interculturality Trier Wissenschaftlicher Verlag Trier.
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