Precarious subjects: ethics of witnessing and responsibility in the plays of Debbie Tucker Green

Journal article


Fragkou, M. 2012. Precarious subjects: ethics of witnessing and responsibility in the plays of Debbie Tucker Green. Performing Ethos: An International Journal of Ethics in Theatre and Performance. 3 (1), pp. 23-39. https://doi.org/10.1386/peet.3.1.23_1
AuthorsFragkou, M.
Year2012
JournalPerforming Ethos: An International Journal of Ethics in Theatre and Performance
Journal citation3 (1), pp. 23-39
PublisherIntellect
ISSN1757-1979
Digital Object Identifier (DOI)https://doi.org/10.1386/peet.3.1.23_1
Related URLhttp://www.intellectbooks.co.uk/journals/view-Article,id=15860/
Publication dates
Print2012
Publication process dates
Deposited12 Sep 2013
Output statusPublished
Permalink -

https://repository.canterbury.ac.uk/item/86zqx/precarious-subjects-ethics-of-witnessing-and-responsibility-in-the-plays-of-debbie-tucker-green

  • 118
    total views
  • 0
    total downloads
  • 0
    views this month
  • 0
    downloads this month

Export as

Related outputs

Marco Galea and Szabolcs Musca, ed. Redefining Theatre Communities: International Perspectives on Community-Conscious Theatre-Making. Bristol and Chicago: Intellect, 2019, 262 pp., £76.00 (hardback).
Fragkou, Marissia 2021. Marco Galea and Szabolcs Musca, ed. Redefining Theatre Communities: International Perspectives on Community-Conscious Theatre-Making. Bristol and Chicago: Intellect, 2019, 262 pp., £76.00 (hardback). Journal of Contemporary Drama in English. 9 (2), pp. 349-353. https://doi.org/10.1515/jcde-2021-0032
‘“Feeling feminism”: politics of mischief in contemporary women’s theatre’
Fragkou, M. 2021. ‘“Feeling feminism”: politics of mischief in contemporary women’s theatre’. in: Aragay, M., Middeke, M. and Delgado-Garcia, C. (ed.) Speaking of Affect(s) in Twenty-First Century Theatre Palgrave.
Debbie tucker green and Alice Birch: 'Angry feminists' on the European stage
Fragkou, M. 2020. Debbie tucker green and Alice Birch: 'Angry feminists' on the European stage. in: Contemporary European Playwrights London Routledge, Taylor and Francis.
Dramaturgies of change: Greek theatre now
Fragkou, M. and Hager, P. 2017. Dramaturgies of change: Greek theatre now. Journal of Greek Media & Culture. 3 (2), pp. 139-144. https://doi.org/10.1386/jgmc.3.2.139_2
Ecologies of precarity in twenty-first century theatre: politics, affect, responsibility
Fragkou, M. 2018. Ecologies of precarity in twenty-first century theatre: politics, affect, responsibility. London Bloomsbury.
Strange homelands: encountering the migrant on the contemporary Greek stage
Fragkou, M. 2018. Strange homelands: encountering the migrant on the contemporary Greek stage. Modern Drama. 61 (3). https://doi.org/10.3138/md.s0919.3
'We are Athens' Precarious citizenships in Rimini Protokoll’s Prometheus in Athens (2010)
Fragkou, M. 2015. 'We are Athens' Precarious citizenships in Rimini Protokoll’s Prometheus in Athens (2010). in: Hager, P. and Zaroulia, M. (ed.) Performances of Capitalism, Crises and Resistance: Inside/Outside Europe Basingstoke Palgrave Macmillan.
Stan’s Cafe
Fragkou, M. 2015. Stan’s Cafe. in: Tomlin, L. (ed.) British Theatre Companies: 1995-2014 London Bloomsbury Methuen Drama.
Gender performativity, nomadic subjectivity and theatre: Phyllis Nagy’s Weldon Rising and The Strip
Fragkou, M. 2010. Gender performativity, nomadic subjectivity and theatre: Phyllis Nagy’s Weldon Rising and The Strip. in: Jones, R. (ed.) Debating the Difference: Gender Representation and Self­ Representation Dundee University of Dundee.
Intercultural encounters in Debbie Tucker Green’s random
Fragkou, M. 2010. Intercultural encounters in Debbie Tucker Green’s random. in: Huber, W., Rubik, M. and Novak, J. (ed.) Staging Interculturality Trier Wissenschaftlicher Verlag Trier.
Acting (in) action: staging human rights in Debbie Tucker Green’s Royal Court plays
Fragkou, M. and Goddard, L. 2013. Acting (in) action: staging human rights in Debbie Tucker Green’s Royal Court plays. in: Angelaki, V. (ed.) Contemporary British Theatre: Breaking New Ground Basingstoke Palgrave. pp. 145-166
Reinventing performance: style, innovation and politics in the work of Stan’s Cafe
Fragkou, M. 2014. Reinventing performance: style, innovation and politics in the work of Stan’s Cafe. in: Tomlin, E. (ed.) British Theatre Companies: From Fringe to Mainstream London Methuen.
“Other” stories: action, ethics, citizenship
Fragkou, M. 2011. “Other” stories: action, ethics, citizenship. Contemporary Theatre Review. 21 (3), pp. 371-373. https://doi.org/10.1080/10486801.2011.595213
Staging London: participation and citizenship on the way to the 2012 Olympic Games
Fragkou, M. and Hager, P. 2013. Staging London: participation and citizenship on the way to the 2012 Olympic Games. Contemporary Theatre Review: Special Issue on ‘The Cultural Politics of the Olympics: Performing Global Britishness'. 23 (4), pp. 532-541. https://doi.org/10.1080/10486801.2013.839172