The mummy and the vengeful undead

Book chapter


Goodrum, M. The mummy and the vengeful undead. in: Bacon, S. (ed.) The Palgrave Handbook of the Zombie Cham Palgrave.
AuthorsGoodrum, M.
EditorsBacon, S.
Abstract

This chapter charts the history of mummy narratives from the fiction of the nineteenth century into the films produced from the 1930s to the 1950s. It considers similarities between mummy and zombie narratives and situates them within the historical context that animated them. In the process, it addresses key themes around consumption, production, desire, and imperial anxiety.

KeywordsImperial Gothic; Production; Curse; Romance; Race
Book titleThe Palgrave Handbook of the Zombie
PublisherPalgrave
Output statusIn press
File
File Access Level
Restricted
Place of publicationCham
ISBN9783031247347
Publication process dates
Deposited12 Mar 2025
Related URLhttps://link.springer.com/referencework/10.1007/978-3-031-24734-7#bibliographic-information
References

Arata, Stephen D., ‘The Occidental Tourist: Dracula and the Anxiety of Reverse Colonisation’, Victorian Studies 33.4 (1990).

Benson, EF, Night Terrors: The Ghost Stories of EF Benson (Ware: Wordsworth Editions, 2012).

Briefel, Aviva, ‘Hands of Beauty, Hands of Horror: Fear & Egyptian Art at the Fin de Siecle’, Victorian Studies 50.2 (2008).

Bulfin, Ailise, ‘The Fiction of Gothic Egypt and British Imperial Paranoia: The Curse of the Suez Canal’, English Literature in Translation, 1880-1920 54.4 (2011).

Daly, Nicholas, ‘That Obscure Object of Desire: Victorian Commodity Culture & Fictions of the Mummy’, NOVEL: A Forum on Fiction 28.1 (1994).

Dante, Joe, ‘Dante’s Inferno’, Famous Monsters of Filmland 4.3 (1962).

Doyle, Arthur Conan, ‘The Ring of Thoth’ in Darryl Jones (ed.), Gothic Tales (Oxford: Oxford University Press, 2018).

Doyle, Arthur Conan, ‘The Surgeon of Gaster Fell’, as retrieved from https://www.arthur-conan-doyle.com/index.php/The_Surgeon_of_Gaster_F... last accessed 19 July 2024.

Freeman, Richard, ‘The Mummy in Context’, European Journal of American Studies 4.1 (2009).

Gautier, Théophile, ‘The Mummy’s Foot’, as retrieved from https://gutenberg.org/cache/epub/22662/pg22662-images.html last accessed 18 July 2024.

Goodrum, Michael, and Philip Smith, Printing Terror: American Horror Comics as Cold War Commentary and Critique (Manchester: Manchester University Press, 2021).

Howard, Robert E., ‘Pigeons From Hell’, Weird Tales (May 1938), as retrieved from https://gutenberg.net.au/ebooks06/0600721h.html last accessed 27 August 2024.

Jones, Darryl (ed.), Arthur Conan Doyle: Gothic Tales (Oxford: Oxford University Press, 2018).

Luckhurst, Roger (ed.), Late Victorian Gothic Tales (Oxford: Oxford University Press, 2009).

Luckhurst, Roger, The Mummy’s Curse: The True History of a Dark Fantasy (Oxford: Oxford University Press, 2014).

Seabrook, William B., The Magic Island (New York: Dover Publications, 2016).

Smith, Andrew (ed.), Lost In A Pyramid & Other Classic Mummy Stories (London: British Library , 2016).

Stienne, Angela, Mummified: The Stories Behind Egyptian Mummies in Museums (Manchester: Manchester University Press, 2022).

Stoker, Bram, The Jewel of Seven Stars (London: Penguin, 2008).

Weaver, Tom, Michael Brunas & John Brunas, Universal Horrors (McFarland, 2007).

Worland, Rick, ‘OWI Meets the Monsters: Hollywood Horror Films and War Propaganda, 1942 to 1945’, Cinema Journal 37.1 (1997).

Films & Television

Abbott & Costello Meet The Mummy (1955), dir. Charles Lamont.

A Ghost Story For Christmas: Lot No. 249 (2023), dir. Mark Gatiss.

Blood From The Mummy’s Tomb (1971), dir. Seth Holt and Michael Carreras.

Cat People (1942), dir. Jacques Tourneur.

Dracula (1931), dir. Tod Browning.

Dracula’s Daughter (1936), dir. Lambert Hillyer.

Frankenstein (1931), dir. James Whale.

Green Hell (1940), dir. James Whale.

House of Dracula (1945), dir. Erle C. Kenton.

House of Frankenstein (1944), dir. Erle C. Kenton.

I Walked With A Zombie (1943), dir. Jacques Tourneur.

King of the Zombies (1941), dir. Jean Yarbrough.

Revenge of the Zombies (1943), dir. Steve Sekely.

Son of Dracula (1943), dir. Robert Siodmak.

The Awakening (1980), dir. Mike Newell.

The Mummy (1911), produced by the Thanhouser Company.

The Mummy (1932), dir. Karl Freund.

The Mummy (1959), dir. Terence Fisher.

The Mummy (1999), dir. Stephen Sommers.

The Mummy (2017), dir. Alex Kurtzman.

The Mummy’s Curse (1944), dir. Leslie Goodwins.

The Mummy’s Ghost (1944), dir. Reginald Le Borg.

The Mummy’s Hand (1940), dir. Christy Cabanne.

The Mummy’s Tomb (1942), dir. Harold Young.

Permalink -

https://repository.canterbury.ac.uk/item/99x51/the-mummy-and-the-vengeful-undead

  • 1
    total views
  • 0
    total downloads
  • 1
    views this month
  • 0
    downloads this month

Export as

Related outputs

“If she had kept going down that way, she would’ve gone straight to that castle!”: Labyrinth, the Gothic body of David Bowie, and the education of desire
Goodrum, M. 2025. “If she had kept going down that way, she would’ve gone straight to that castle!”: Labyrinth, the Gothic body of David Bowie, and the education of desire. European Journal of American Culture. 44 (1).
I Walked With a Zombie (1943): Tourneur and otherness
Goodrum, M. 2025. I Walked With a Zombie (1943): Tourneur and otherness. in: Bacon, S. (ed.) The Palgrave Handbook of the Zombie Cham Palgrave. pp. 1-15
Boardwalk vampire: Staking a claim to the edges of the American nightmare
Goodrum, M. 2025. Boardwalk vampire: Staking a claim to the edges of the American nightmare. in: Bacon, S. (ed.) Vampires and the Making of the United States in the Twenty-First Century London Routledge.
‘Delicate ironies quite imperceptible on its surface’: Henry S. Whitehead's weird tales and American empire in the Caribbean
Goodrum, M. 2023. ‘Delicate ironies quite imperceptible on its surface’: Henry S. Whitehead's weird tales and American empire in the Caribbean. Literature Compass. 21 (1-3). https://doi.org/10.1111/lic3.12751
Maryanne A. Rhett, Representations of Islam in United States Comics, 1880–1922 (London: Bloomsbury, 2020, $135.00 cloth, $40.95 paper). Pp. 137. ISBN 978 1 3500 7324 1, 978 1 3501 9627 8.
Goodrum, M. 2023. Maryanne A. Rhett, Representations of Islam in United States Comics, 1880–1922 (London: Bloomsbury, 2020, $135.00 cloth, $40.95 paper). Pp. 137. ISBN 978 1 3500 7324 1, 978 1 3501 9627 8. Journal of American Studies. 57 (3), pp. 451-3. https://doi.org/10.1017/S0021875823000178
Critical approaches to horror comic books: Red Ink in the Gutter, Fernando Gabriel, Pagnoni Berns and John Darowski (eds) (2022)
Goodrum, M. 2023. Critical approaches to horror comic books: Red Ink in the Gutter, Fernando Gabriel, Pagnoni Berns and John Darowski (eds) (2022). Horror Studies. 14 (2), pp. 265-271. https://doi.org/10.1386/host_00074_5
‘This is the end of the road for science’: The mad doctor in Cold War horror comics
Goodrum, M. and Smith, P. 2023. ‘This is the end of the road for science’: The mad doctor in Cold War horror comics. Horror Studies. 14 (1), pp. 61-85. https://doi.org/10.1386/host_00062_1
Avengers Assemble! Critical Perspectives on the Marvel Cinematic Universe, Terence McSweeney (2018)
Goodrum, M. 2022. Avengers Assemble! Critical Perspectives on the Marvel Cinematic Universe, Terence McSweeney (2018). European Journal of American Culture. 41 (1), pp. 89-92. https://doi.org/10.1386/ejac_00063_5
How to study comics & graphic novels: A graphic introduction to comics studies
Goodrum, M. 2021. How to study comics & graphic novels: A graphic introduction to comics studies. Oxford The Oxford Research Centre in the Humanities.
Printing terror: American horror comics as cold war commentary and critique
Goodrum, M. and Smith, P 2021. Printing terror: American horror comics as cold war commentary and critique. Manchester Manchester University Press.
The past that will not die: trauma, race and zombie empire in horror comics of the 1950s
Goodrum, M. 2020. The past that will not die: trauma, race and zombie empire in horror comics of the 1950s. in: Documenting Trauma in Comics: Traumatic Pasts, Embodied Histories, and Graphic Reportage London Palgrave.
‘Like a cinema when the last of the audience has gone and only the staff remain’: Biggles and (post )imperial heroism
Goodrum, M. 2019. ‘Like a cinema when the last of the audience has gone and only the staff remain’: Biggles and (post )imperial heroism. in: Korte, B., Wendt, S. and Falkenhayner, N. (ed.) Heroism As A Global Phenomenon in Contemporary Culture Routledge.
Ghostland: An American History in Haunted Places. By Colin Dickey. Penguin. 2016. 320pp. £9.99.
Goodrum, M. 2019. Ghostland: An American History in Haunted Places. By Colin Dickey. Penguin. 2016. 320pp. £9.99. History. 104 (362), pp. 797-798. https://doi.org/10.1111/1468-229x.12863
Review of working class comic book heroes: class conflict and populist politics in comics edited by Marc DiPaolo Jackson, MS: University Press of Mississippi, April 2018, 240 pages, 45 b&w illustrations, $30 (paperback), ISBN 9781496818188
Goodrum, Michael 2019. Review of working class comic book heroes: class conflict and populist politics in comics edited by Marc DiPaolo Jackson, MS: University Press of Mississippi, April 2018, 240 pages, 45 b&w illustrations, $30 (paperback), ISBN 9781496818188. Journal of Graphic Novels and Comics. 11 (5-6), pp. 587-596. https://doi.org/10.1080/21504857.2019.1699842
‘Superman believes that a wife’s place is in the home’: Superman’s girl friend, Lois Lane and the representation of women
Goodrum, M. 2018. ‘Superman believes that a wife’s place is in the home’: Superman’s girl friend, Lois Lane and the representation of women. Gender & History. 30 (2). https://doi.org/10.1111/1468-0424.12361
Superhero films and American national identity
Goodrum, M. 2018. Superhero films and American national identity. in: Edwards, S., Sayer, F. and Dolski, M. (ed.) Histories on Screen: The Past and Present in Anglo-American Cinema and Television London Bloomsbury. pp. 235-252
“Corpses … coast to coast!” Trauma, gender, and race in 1950s horror comics
Smith, P. and Goodrum, M. 2017. “Corpses … coast to coast!” Trauma, gender, and race in 1950s horror comics. Literature Compass. 14 (9), pp. 1-15. https://doi.org/10.1111/lic3.12404
‘Powers of a squirrel, and also a girl’: Squirrel Girl and alternatives for women in superhero comic-books – an interview with Ryan North
Goodrum, M. 2016. ‘Powers of a squirrel, and also a girl’: Squirrel Girl and alternatives for women in superhero comic-books – an interview with Ryan North. Studies in Comics. 7 (1), pp. 161-168. https://doi.org/10.1386/stic.7.1.161_7
Superheroes and American self image: from war to Watergate
Goodrum, M. 2016. Superheroes and American self image: from war to Watergate. London Ashgate.
Antonio Lopez De Santa Anna, 1794-1876
Goodrum, M. 2016. Antonio Lopez De Santa Anna, 1794-1876. in: America in the World, 1776 to the Present: A Supplement to the Dictionary of American History Charles Scribner's Sons. pp. 929-930
Spanish-American War
Goodrum, M. 2016. Spanish-American War. in: Blum, E., Burnidge, C., Conroy-Krutz, E. and Kinkela, D. (ed.) America in the World, 1776 to the Present: A Supplement to the Dictionary of American History Charles Scribner's Sons. pp. 965-969
“It must have been cold there in my shadow”: everyday heroism in superhero narratives
Goodrum, M. 2016. “It must have been cold there in my shadow”: everyday heroism in superhero narratives. in: Wendt, S. (ed.) Extraordinary Ordinariness: Everyday Heroism in the United States, Germany, and Britain, 1800-2015 Frankfurt Campus. pp. 249-270
‘Oh c’mon, those stories can’t count in continuity!’ Squirrel Girl and the problem of female power
Goodrum, M. 2014. ‘Oh c’mon, those stories can’t count in continuity!’ Squirrel Girl and the problem of female power. Studies in Comics. 5 (1), pp. 97-115. https://doi.org/10.1386/stic.5.1.97_1
'You complete me': The Joker as symptom
Goodrum, M. 2015. 'You complete me': The Joker as symptom. in: Peaslee, R. and Weiner, R. (ed.) The Joker: A Serious Study of the Clown Prince of Crime Jackson, USA University Press of Mississippi.