Critical approaches to horror comic books: Red Ink in the Gutter, Fernando Gabriel, Pagnoni Berns and John Darowski (eds) (2022)
Journal article
Goodrum, M. 2023. Critical approaches to horror comic books: Red Ink in the Gutter, Fernando Gabriel, Pagnoni Berns and John Darowski (eds) (2022). Horror Studies. 14 (2), pp. 265-271. https://doi.org/10.1386/host_00074_5
Authors | Goodrum, M. |
---|---|
Abstract | Review of: Critical Approaches to Horror Comic Books: Red Ink in the Gutter, Fernando Gabriel, Pagnoni Berns and John Darowski (eds) (2022) London: Routledge, 251 pp., ISBN 978-1-03219-570-4, h/bk, £130 |
Keywords | Literature and literary theory; Music; Visual arts and performing arts; Horror ; Comic books |
Year | 2023 |
Journal | Horror Studies |
Journal citation | 14 (2), pp. 265-271 |
Publisher | Intellect |
ISSN | 2040-3275 |
2040-3283 | |
Digital Object Identifier (DOI) | https://doi.org/10.1386/host_00074_5 |
Official URL | https://intellectdiscover.com/content/journals/10.1386/host_00074_5 |
Publication dates | |
Online | 25 Sep 2023 |
01 Oct 2023 | |
Accepted author manuscript | License File Access Level Open |
Output status | Published |
References | Adams, R. (2001), Sideshow USA: Freaks and the American Cultural Imagination, Chicago, IL: University of Chicago Press. Barker, M. (1984), A Haunt of Fears: The Strange History of the British Horror Comics Campaign, London: Pluto. Brown, D. (1970), Bury My Heart at Wounded Knee: An Indian History of the American West, New York: Holt, Rinehart and Winston. De Blécourt, Willem (2015), Werewolf Histories, London: Palgrave. Flanagan, M., Livingstone, A. and McKenny, M. (2017), The Marvel Studios Phenomenon: Inside a Transmedia Universe, London: Bloomsbury. George, S. and Hughes, B. (eds) (2020), In the Company of Wolves: Werewolves, Wolves and Wild Children, Manchester: Manchester University Press. Gilbert, J. (1988), A Cycle of Outrage: America’s Reaction to the Juvenile Delinquent in the 1950s, Oxford: Oxford University Press. Goodrum, M. and Smith, P. (2021), Printing Terror: American Horror Comics as Cold War Commentary and Critique, Manchester: Manchester University Press. Johnson, D. K. (2006), The Lavender Scare: The Cold War Persecution of Gays and Lesbians in the Federal Government, Chicago, IL: University of Chicago Press. Kirk, T. (ed.) (2016), The Haunted Library: Classic Ghost Stories, London: British Library. Kiste Nyberg, A. (1998), Seal of Approval: The History of the Comics Code, Jackson, MS: University Press of Mississippi. Luckhurst, R. (2016), Zombies: A Cultural History, London: Reaktion Books. Mann, C. I. (2020), Phases of the Moon: A Cultural History of the Werewolf Film, Edinburgh: Edinburgh University Press. Reumann, M. G. (2005), American Sexual Character: Sex, Gender and National Identity in the Kinsey Reports, Los Angeles, CA: University of California Press. Shreve, Bradley G. (2012), Red Power Rising: The National Indian Youth Council and the Origins of Native Activism, Norman, OK: University of Oklahoma Press. Vester, K. (2015), A Taste of Power: Food and American Identities, Los Angeles, CA: University of California Press. Whitted, Q. (2019), EC Comics: Race, Shock, and Social Protest, New Brunswick, NJ: Rutgers University Press. Wright, B. (2002), Comic Book Nation: The Transformation of Youth Culture in America, Baltimore, MD: Johns Hopkins University Press. |
https://repository.canterbury.ac.uk/item/95z00/critical-approaches-to-horror-comic-books-red-ink-in-the-gutter-fernando-gabriel-pagnoni-berns-and-john-darowski-eds-2022
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Accepted author manuscript
HOST_14_2_rev_Goodrum_CE.pdf | ||
License: CC BY-NC-ND 4.0 | ||
File access level: Open |
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