Multiplicity as a process of experimental music
PhD Thesis
Stone, S. 2020. Multiplicity as a process of experimental music. PhD Thesis Canterbury Christ Church University School of Creative Arts and Industries
Authors | Stone, S. |
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Type | PhD Thesis |
Qualification name | Doctor of Philosophy |
Abstract | This PhD explores my practice through six new compositions of experimental music: Far Infrared (2015/18/19), “As Sure as Time…” (2016-), Amalgamations (2016-), Continuum (2017-), ُ Realisations of the six new compositions have been documented through audio recordings, videos, photographs, and scores, and are analysed and reflected upon in the exegesis, which influenced future situations and compositions in an iterative, reflexive cycle. As well as new compositions of experimental music, this research offers new perspectives on the concept of multiplicity as a paradigm to understand experimental music, particularly through the compositional process, realisation and listening experience. The compositions of this project explore multiplicity in various ways, such as series, flexibility of score and situations, types and experiences of silences, sustained sounds, duration, and instrumentation. Despite these traditionally being considered as quantitative multiplicities, I argue that they are qualitative through Badiou’s ontology of multiplicity due to their subjectivity, simultaneous and interwoven experiences of past and present, and all experiences not being complete. By considering multiplicities in this way, it highlights the complexity of experimental music practice. |
Keywords | Multiplicity; Experimental music; Process |
Year | 2020 |
File | File Access Level Open |
Supplemental file | File Access Level Restricted |
Publication process dates | |
Deposited | 28 Feb 2022 |
https://repository.canterbury.ac.uk/item/90889/multiplicity-as-a-process-of-experimental-music
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Sophie Stone - Multiplicity as a Process of Experimental Music (with minor corrections).pdf | ||
File access level: Open |
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