Talawa theatre: a boundless leap into mainstream British theatre 1985-1994

Book chapter


Igweonu, K. 2014. Talawa theatre: a boundless leap into mainstream British theatre 1985-1994. in: Saunders, G. (ed.) British Theatre Companies 1980-1994 York Methuen Drama.
AuthorsIgweonu, K.
EditorsSaunders, G.
Abstract

In this chapter, I examine the first decade of Talawa’s existence as a black-led British theatre company, since it was founded in 1985 by the quartet of Yvonne Brewster, Carmen Munroe, Mona Hammond, and Inigo Espejel. Talawa, which was founded as a black-led theatre company, in response to what was then perceived as the lack of representation and creative opportunities has since cemented its place in mainstream Britain theatre and prides itself as Britain’s primary black-led theatre company. This chapter utilises a range of sources, including material from the company archives held at the Victoria and Albert Museum in London to construct a narrative of its development from 1985 to 1994—a period of phenomenal rise for the company that contrasts sharply with a decline in the number of black and ethnic minorities (BAME) theatre companies in Britain.

Year2014
Book titleBritish Theatre Companies 1980-1994
PublisherMethuen Drama
Output statusPublished
Place of publicationYork
ISBN9781408175484
Publication dates
Print2014
Publication process dates
Deposited03 Mar 2014
Related URLhttp://www.bloomsbury.com/uk/british-theatre-companies-1980-1994-9781408175484/
Journal citation2
Permalink -

https://repository.canterbury.ac.uk/item/8712q/talawa-theatre-a-boundless-leap-into-mainstream-british-theatre-1985-1994

  • 129
    total views
  • 0
    total downloads
  • 0
    views this month
  • 0
    downloads this month

Export as

Related outputs

Stanislavsky in Nigeria: convergences and counterpoints in actor training and practice
Igweonu, K. 2017. Stanislavsky in Nigeria: convergences and counterpoints in actor training and practice. in: Pitches, J. and Aquilina, S. (ed.) Stanislavsky in the World: The System and its Transformations Across Continents London Bloomsbury Methuen. pp. 277-289
A ritual for survival: questions of identity and politics in one hundred year of Nigerian dance
Igweonu, K. 2015. A ritual for survival: questions of identity and politics in one hundred year of Nigerian dance. Dance Journal of Nigeria. 2 (1).
‘The tree has four or five leaves’: Talawa, Britishness and the first all-Black production of Waiting for Godot in Britain
Igweonu, K. 2016. ‘The tree has four or five leaves’: Talawa, Britishness and the first all-Black production of Waiting for Godot in Britain. in: Tucker, D. and McTighe, T. (ed.) Staging Beckett in Great Britain London Bloomsbury Methuen Drama. pp. 141-151
Plays one
Igweonu, K. 2016. Plays one. Ibadan Kraft Books.
Zakes Mda
Igweonu, K. 2015. Zakes Mda. in: Middeke, M., Homman, G. and Schnierer, P. (ed.) The Methuen Drama Guide to Contemporary South African Theatre London Bloomsbury Methuen Drama. pp. 177-193
From page to the stage: a choreographic analysis of Felix Akinsipe’s Struggling to Die
Igweonu, K. 2015. From page to the stage: a choreographic analysis of Felix Akinsipe’s Struggling to Die. in: Akinsipe, F. (ed.) Dance Scripts for the Stage University of Ilorin.
Beyond the bid process: reflections on the ‘Feldenkrais Method in Performer Training’ project and its impact on departmental research, learning and teaching
Igweonu, K. 2012. Beyond the bid process: reflections on the ‘Feldenkrais Method in Performer Training’ project and its impact on departmental research, learning and teaching. in: Pearson, D. (ed.) A Celebration of Dance, Drama and Music in UK Higher Education: PALATINE Development Awards, 2001 – 2011 York Higher Education Academy. pp. 27-29
Training and... body parts
Woods, N., Binyon, C., Turner, J., Igweonu, K., Woodall, E., Walton, R. and Brayshaw, T. 2013. Training and... body parts. Theatre, Dance and Performance Training. 4 (1), pp. 124-125. https://doi.org/10.1080/19443927.2013.774815
Striding out: trends in twenty-first century African theatre and performance
Igweonu, K. 2011. Striding out: trends in twenty-first century African theatre and performance. in: Igweonu, K. (ed.) Trends in Twenty-first Century African Theatre and Performance Amsterdam & New York Rodopi.
African drama and the construction of an indigenous cultural identity: an examination of four major Nigerian plays
Igweonu, K. 2014. African drama and the construction of an indigenous cultural identity: an examination of four major Nigerian plays. in: Diala, I. (ed.) Syncretic Arenas: Essays on Postcolonial African Drama and Theatre for Esiaba Irobi Amsterdam and New York Rodopi.
Two plays: Ofotiriofo and The Siren
Igweonu, K. 2001. Two plays: Ofotiriofo and The Siren. Ilorin, Nigeria University of Ilorin.
Keeping it together: Talawa Theatre Company, Britishness, aesthetics of scale and mainstreaming the black-British experience
Igweonu, K. 2013. Keeping it together: Talawa Theatre Company, Britishness, aesthetics of scale and mainstreaming the black-British experience. in: Duggan, P. and Ukaegbu, V. (ed.) Reverberations: Britishness, Aesthetics and Small-Scale Theatres Bristol Intellect.
Practice, theory and reflection: an examination of writing in performance training and research
Igweonu, K. 2011. Practice, theory and reflection: an examination of writing in performance training and research. Journal of Writing in Creative Practice. 4 (2), pp. 141-151. https://doi.org/10.1386/jwcp.4.2.141_1
Interculturalism revisited: identity construction in African and African-Caribbean performance
Igweonu, K. 2011. Interculturalism revisited: identity construction in African and African-Caribbean performance. in: Igweonu, K. (ed.) Trends in Twenty-first Century African Theatre and Performance Amsterdam and New York Rodopi.
Feldenkrais Method in performer training: encouraging curiosity and experimentation
Igweonu, K. 2010. Feldenkrais Method in performer training: encouraging curiosity and experimentation. Swansea Centre for Innovative Performance Practice and Research. https://doi.org/9780956618504
Revealing the elusive obvious: making sense of creative practice through reflection and writing out
Igweonu, K., Fagence, B., Petch, M. and Davies, G. 2011. Revealing the elusive obvious: making sense of creative practice through reflection and writing out. Journal of Writing in Creative Practice. 4 (2), pp. 225-238. https://doi.org/10.1386/jwcp.4.2.225_1