Dr Andrew Palmer
| Name | Dr Andrew Palmer |
|---|---|
| Job title | Principal Lecturer |
| Research institute | School of Humanities and Education Studies |
Research outputs
The remembered dead: poetry, memory and the First World War
Minogue, S. and Palmer, A. 2018. The remembered dead: poetry, memory and the First World War. Cambridge Cambridge University Press.Modernism and First World War poetry: alternative lines
Palmer, A. and Minogue, S. 2015. Modernism and First World War poetry: alternative lines. in: Davis, A. and Jenkins, L. (ed.) A History of Modernist Poetry Cambridge Cambridge University Press. pp. 227-251‘“Friend with the musing eye”: persuasion and dissonance in “call to arms” poems of the First World War’
Palmer, A. 2016. ‘“Friend with the musing eye”: persuasion and dissonance in “call to arms” poems of the First World War’. in: Owen, D. and Pividori, C. (ed.) Writings of Persuasion and Dissonance in the Great War: That Better Whiles May Follow Worse. Amsterdam Brill. pp. 138-151'In the shade of a ghost gum’: Bruce Chatwin and the rhetoric of the desert
Palmer, A. 2008. 'In the shade of a ghost gum’: Bruce Chatwin and the rhetoric of the desert.Confronting the abject: women and dead babies in modern English fiction
Minogue, S. and Palmer, A. 2006. Confronting the abject: women and dead babies in modern English fiction. Journal of Modern Literature. 29 (3), pp. 103-125.‘“In a land that I love”: working-class identity and the end of empire in Ray Davies’ Arthur or the Decline and Fall of the British Empire
Palmer, A. 2013. ‘“In a land that I love”: working-class identity and the end of empire in Ray Davies’ Arthur or the Decline and Fall of the British Empire. Popular Music & Society. 36 (4). https://doi.org/10.1080/03007766.2012.753705'Horrors here smile': the poem, the photograph and the punctum
Minogue, S. and Palmer, A. 2013. 'Horrors here smile': the poem, the photograph and the punctum. Word & Image. 29 (2), pp. 203-211. https://doi.org/10.1080/02666286.2012.707004Helter skelter, topsy-turvy and ‘loonycolour’: carnivalesque realism in 'Saturday Night and Sunday Morning'
Minogue, S. and Palmer, A. 2002. Helter skelter, topsy-turvy and ‘loonycolour’: carnivalesque realism in 'Saturday Night and Sunday Morning'. English: The Journal of the English Association. 51, pp. 127-143.’In the shade of a ghost gum’: Bruce Chatwin and the rhetoric of the desert
Palmer, A. 2011. ’In the shade of a ghost gum’: Bruce Chatwin and the rhetoric of the desert. English: The Journal of the English Association. 60 (231), pp. 311-335. https://doi.org/10.1093/english/efr033Memorial poems and the poetics of memorializing
Palmer, A. and Minogue, S. 2010. Memorial poems and the poetics of memorializing. Journal of Modern Literature. 34 (1), pp. 162-181. https://doi.org/10.2979/JML.2010.34.1.162Wanderers and settlers: Bruce Chatwin and the “Jewish element"
Palmer, A. 1999. Wanderers and settlers: Bruce Chatwin and the “Jewish element". The Jewish Quarterly.George Orwell and British antisemitism
Palmer, A. 1998. George Orwell and British antisemitism. Jewish Quarterly. 172, pp. 41-45.Isaac, My Brother
Palmer, A. 2001. Isaac, My Brother. The Jewish Quarterly. 184, pp. 7-14.(Re)-visiting Der Heim: the amazing return to the place you've never been which isn’t there
Palmer, A. 2002. (Re)-visiting Der Heim: the amazing return to the place you've never been which isn’t there. in: Siegel, K. (ed.) Issues in Travel Writing: Empire, Spectacle, and Displacement Peter Lang. pp. 245-251Animal Farm
Palmer, A. Palmer, A. (ed.) 2021. Animal Farm. Wordsworth.“Very slowly into my own tongue”: Virginia Woolf’s rethinking of the politician.
Palmer, A. 2020. “Very slowly into my own tongue”: Virginia Woolf’s rethinking of the politician. in: Virginia Woolf, Europe and Peace: Transnational Circulations. Clemson, South Carolina, USA Clemson University Press. pp. 101-1151908
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