School of Music and Performing Arts
| Type | School |
|---|---|
| Faculty | Faculty of Arts, Humanities and Education |
| Programme Director | Professor Robert Rawson |
Latest research outputs
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Chris Price & the Canterbury Catch Club: 3 short films
Price, C. 2016. Chris Price & the Canterbury Catch Club: 3 short films.Digital or visual media
Unsung singers: the musicians of Canterbury 1770-1865
Price, C. 2015. Unsung singers: the musicians of Canterbury 1770-1865.Conference paper
The Serpentine River is coming upstairs: rediscovering the music of the Canterbury Catch Club
Price, C. 2014. The Serpentine River is coming upstairs: rediscovering the music of the Canterbury Catch Club.Digital or visual media
The Serpentine River is Coming Upstairs: rediscovering the music of the Canterbury Catch Club
Price, C. 2014. The Serpentine River is Coming Upstairs: rediscovering the music of the Canterbury Catch Club.Lecture
As Thomas Was Cudgell’d One Day By His Wife: rediscovering the music of the Canterbury Catch Club
Price, C. 2014. As Thomas Was Cudgell’d One Day By His Wife: rediscovering the music of the Canterbury Catch Club.Conference paper
Nerve scales, a musical and multimedia performance
Long, T. and Kakinoko, M. 2012. Nerve scales, a musical and multimedia performance. Canterbury, Kent 06 Nov 2014Performance
Night visit
Ghikas, P. 2012. Night visit.Composition
Unreal-time improv - Open Cycle collaborations
Ghikas, P. 2016. Unreal-time improv - Open Cycle collaborations.Composition
Migro Records
Ghikas, P. 2010. Migro Records. UK Migro Records.Other
"Not of heroic build": the literate glee
Price, C. 2015. "Not of heroic build": the literate glee.Conference paper
"The folly of the farce is done": death and grief in convivial song
Price, C. 2015. "The folly of the farce is done": death and grief in convivial song.Conference paper
‘The tree has four or five leaves’: Talawa, Britishness and the first all-Black production of Waiting for Godot in Britain
Igweonu, K. 2016. ‘The tree has four or five leaves’: Talawa, Britishness and the first all-Black production of Waiting for Godot in Britain. in: Tucker, D. and McTighe, T. (ed.) Staging Beckett in Great Britain London Bloomsbury Methuen Drama. pp. 141-151Book chapter
Review: Maureen A. Carr, After the Rite: Stravinsky’s Path to Neoclassicism (1914–1925) (Oxford and New York: Oxford University Press, 2014). xxiv + 328 pp. $58/£37.49. ISBN 978-0-19-974293-6 (hb).
McKay, N. 2016. Review: Maureen A. Carr, After the Rite: Stravinsky’s Path to Neoclassicism (1914–1925) (Oxford and New York: Oxford University Press, 2014). xxiv + 328 pp. $58/£37.49. ISBN 978-0-19-974293-6 (hb). Music Analysis. 35 (1), pp. 119-126. https://doi.org/10.1111/musa.12065Journal article
Review: Danuta Mirka (ed.), The Oxford Handbook of Topic Theory
McKay, N. 2016. Review: Danuta Mirka (ed.), The Oxford Handbook of Topic Theory. Eighteenth-Century Music. 13 (1), pp. 110-113. https://doi.org/10.1017/S1478570615000470Journal article
Introversive and extroversive processes: rethinking Stravinsky's music as dialogue between formalist and expressive paradigms
McKay, N. 2016. Introversive and extroversive processes: rethinking Stravinsky's music as dialogue between formalist and expressive paradigms. in: Hawes, V. and Redhead, L. (ed.) Music and/as Process Cambridge Scholars Publishing. pp. 10-33Book chapter
Pain, rain, and rhyme: the role of rhythm in Stefanie Preissner’s work
Lech, K. 2015. Pain, rain, and rhyme: the role of rhythm in Stefanie Preissner’s work. in: Radical Contemporary Theatre Practices by Women in Ireland Dublin Carysfort Press. pp. 151-166Book chapter
Bubble revolution: performing translation
Lech, K. 2016. Bubble revolution: performing translation. Edinburgh 04 - 28 Aug 2016Performance
Plays one
Igweonu, K. 2016. Plays one. Ibadan Kraft Books.Book
Promoting collaborative playful experimentation through group playing by ear in higher education
Varvarigou, M. 2017. Promoting collaborative playful experimentation through group playing by ear in higher education. Research Studies in Music Education. 39 (2), pp. 161-176. https://doi.org/10.1177/1321103X17704000Journal article
Concertos ‘upon the stage’ in Early Hanoverian London: the instrumental counterpart to opera seria
Rawson, R. 2017. Concertos ‘upon the stage’ in Early Hanoverian London: the instrumental counterpart to opera seria. in: DeSimone, A.C. and Gardner, M. (ed.) Music and the Benefit Performance in Eighteenth Century Britain Cambridge Cambridge University Press.Book chapter
Performing temporal processes
Redhead, L., Zaldua, A., Stone, S. and Gisby, S. 2017. Performing temporal processes. New Sound. 50.Journal article
Difficult encounter: Polish theatre on the Irish stage between 2004 and 2015
Lech, K. 2015. Difficult encounter: Polish theatre on the Irish stage between 2004 and 2015. Litteraria Pragensia. 25 (50), pp. 32-46.Journal article
Memory, Communism, and foreign words in Julia Holewińska’s Foreign Bodies: balancing foreignization and domesticating strategies in a production by Polish Theatre Ireland
Lech, K. 2014. Memory, Communism, and foreign words in Julia Holewińska’s Foreign Bodies: balancing foreignization and domesticating strategies in a production by Polish Theatre Ireland. Translation Ireland. 19 (2), pp. 37-48.Journal article
Puppets, dogs, and vegetarian angels: ecocriticism in Jakub Krofta’s Polish productions
Lech, K. 2015. Puppets, dogs, and vegetarian angels: ecocriticism in Jakub Krofta’s Polish productions. Theatralia. 18 (2), pp. 277-302. https://doi.org/10.5817/TY2015-2-7Journal article
The Stanford legacy
Outram, M., Rolton, J. and Nimbus Records 2016. The Stanford legacy.Digital or visual media
Here and now - Pathway Records Festival
Dean, J. 2016. Here and now - Pathway Records Festival. Dwell Bar, Canterbury Christ Church University 09 - 10 Mar 2016Performance
Here and now - premier
Dean, J. 2015. Here and now - premier.Performance
Pat Metheny's finger routes: the role of muscle memory in guitar improvisations - research seminar at Surrey University
Dean, J. 2016. Pat Metheny's finger routes: the role of muscle memory in guitar improvisations - research seminar at Surrey University.Lecture
Here and now
Dean, J. 2015. Here and now.Composition
Pat Metheny's Finger Routes: the role of muscle memory in guitar Improvisation
Dean, J. 2014. Pat Metheny's Finger Routes: the role of muscle memory in guitar Improvisation. Jazz Perspectives. 8 (1), pp. 45-71. https://doi.org/10.1080/17494060.2014.960070Journal article
1700–1749
Rawson, R. and Paxman, J. 2014. 1700–1749. in: Paxman, J. (ed.) Classical Music 1600–2000: A Chronology London Omnibus Press.Book chapter
Schooling the dancer: the evolution of an identity as a ballet dancer
Pickard, A. 2012. Schooling the dancer: the evolution of an identity as a ballet dancer. Research in Dance Education. 13 (1), pp. 25-46. https://doi.org/10.1080/14647893.2011.651119Journal article
Metatheatre and the importance of Estrella in Calderón’s 'La vida es sueño' and its contemporary productions
Lech, K. 2014. Metatheatre and the importance of Estrella in Calderón’s 'La vida es sueño' and its contemporary productions. Bulletin of the Comediantes. 66 (2), pp. 175-193. https://doi.org/10.1353/boc.2014.0036Journal article
Reflection: complete music for viola and piano by Frank Bridge and Benjamin Britten
Outram, M., Rolton, J. and Nimbus Records 2014. Reflection: complete music for viola and piano by Frank Bridge and Benjamin Britten.Digital or visual media
As Thomas was cudgell'd one day by his wife and other stories: music from the Canterbury Catch Club
Price, C. Price, C. (ed.) 2015. As Thomas was cudgell'd one day by his wife and other stories: music from the Canterbury Catch Club. Canterbury Christ Church University.Book
WhatPriceMusic - a longitudinal research
Self, P. 2015. WhatPriceMusic - a longitudinal research. Innovation in Music. Anglia Ruskin University, Cambridge 07 - 09 Jun 2015Conference item
Etched
Hurst, A. and Vivas, J. 2014. Etched. Canterbury Christ Church University Anselm Studio 2 06 May 2014Show or exhibition
On slow violence
Hurst, A. 2016. On slow violence. University of Kent Jarman Studio 2 18 - 19 Mar 2016Show or exhibition
"New music‟ as patriarchal category
Redhead, L. 2015. "New music‟ as patriarchal category. in: Haworth, C. and Colton, L. (ed.) Gender, Age and Musical Creativity Farnham Ashgate. pp. 171-184Book chapter
Quotation and psychogeographic experience as repetition in the music of Bernhard Lang and Chico Mello
Redhead, L. 2014. Quotation and psychogeographic experience as repetition in the music of Bernhard Lang and Chico Mello. Contemporary Music Review. 33 (4), pp. 148-166. https://doi.org/10.1080/07494467.2014.959274Journal article
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