2.4 Learning languages of sound: Case study of improvisation in the performing arts

Book chapter


Sayers, E. 2026. 2.4 Learning languages of sound: Case study of improvisation in the performing arts. in: Cobb, W. (ed.) Unlocking the Linguistic Potential of Teachers Insights from International Teacher Education Programmes Routledge.
AuthorsSayers, E.
EditorsCobb, W.
Abstract

This chapter explores how music, movement and imagery contribute to the development of linguistic and pedagogical skills, drawing on North Indian Classical music as a case study of oral transmission. It highlights how metaphors, physical gestures, and visual representations shape the teaching and learning of music and across disciplines. Through a discussion of tālīm (oral transmission), the chapter examines how improvisation skills are developed through listening, repetition and embodied practice. It considers how rāgamala paintings serve as mnemonic tools, bridging sound and visual representation. The chapter also presents language-based challenges and pedagogical examples that illustrate the key role played by improvisation in developing communicative competences in the performing arts. By situating these ideas within broader educational contexts, the chapter reflects on how teachers from all subject specialisms engage with multiple modes of communication. It argues that effective teaching is inherently multilingual, incorporating verbal, visual and embodied forms of expression. The chapter concludes by considering the implications for educators working with diverse learners, emphasising the role of the arts in fostering inclusion, creativity and interdisciplinary learning.

KeywordsMultimodality; Embodiment; Orality; Interdisciplinarity; Creativity; Inclusion
Year2026
Book titleUnlocking the Linguistic Potential of Teachers Insights from International Teacher Education Programmes
PublisherRoutledge
Output statusIn press
File
File Access Level
Restricted
Edition1st
ISBN9781041022077
Publication dates
Print30 Mar 2026
Publication process dates
Deposited30 Oct 2025
Official URLhttps://www.routledge.com/Unlocking-the-Linguistic-Potential-of-Teachers-Insights-from-International-Teacher-Education-Programmes/Cobb/p/book/9781041022077#:~:text=Description,knowledge%20needed%20to%20teach%20inclusively.
References

Alaghband-Zadeh, C. (2017) ‘Listening to North Indian Classical Music: How Embodied Ways of Listening Perform Imagined Histories and Social Class’, Ethnomusicology, 61(2), pp. 207–233.
Borgohain, J. et al. (2023) ‘Visual Mental Imagery Evoked in Indian Classical Music: A Listener-Oriented Study’, Music & Science, 6, p. 20592043231206255. Available at: https://doi.org/10.1177/20592043231206255. (Accessed: 08.08.2025)
Capwell, C. (2002) ‘A Rāgamālā for the Empress’, Ethnomusicology, 46(2), pp. 197–225. Available at: https://doi.org/10.2307/852779. (Accessed: 08.08.2025)
Clayton, M. (2000) Time in Indian music: rhythm, metre, and form in North Indian rāg performance. Oxford : Oxford University Press,.
Clayton, M. and Leante, L. (2015) ‘Role, Status and Hierarchy in the Performance of North Indian Classical Music’, Ethnomusicology Forum, 24(3), pp. 414–442.
Department for Education (2013) National curriculum in England: music programmes of study, GOV.UK. Available at: https://www.gov.uk/government/publications/national-curriculum-in-en... (Accessed: 27.02.2025).
Deshpande, V.H. (1989) Between two tanpuras /. London : Sangam Books Ltd.,.
Kuppuswamy, G. and Hariharan, M. (1980) Teaching of music. 2nd edn. New Delhi: Sterling Publishers Pvt. Ltd.
Leante, L. (2013) ‘Imagery, Movement and Listeners’ construction of meaning in North Indian Classical Music’, in Experience and Meaning in Music Performance. Oxford University Press, USA.
Magriel, N. (1999) ‘Paltas: Maps of Tonal Space.pdf’, in Proceedings of the XV European Seminar in Ethnomusicology 1999.
Magriel, N.F. (2002) Sarangi style in North Indian art music. PhD thesis. University of London.
McNeil, A. (2017) ‘Seed ideas and creativity in Hindustani raga music: beyond the composition–improvisation dialectic’, Ethnomusicology Forum, 26(1), pp. 116–132.
Neuman, D. (2012) ‘Pedagogy, Practice, and Embodied Creativity in Hindustani Music’, Ethnomusicology, 56(3), p. 426.
Pande, A. (2016) ‘Rāgiṇī Bhairavī: A Case Study of Select rāgacitras from the Miniature Paintings of Mewar (16th–17th Century C.E.)’, Art of the Orient, 5, pp. 177–188. Available at: https://doi.org/10.11588/ao.2016.0.8770. (Accessed: 08.08.2025)
Pearson, L. (2016) Gesture in Karnatak Music: Pedagogy and Musical Structure in South India. PhD thesis. Durham University.
Rahaim, M. (2012) Musicking bodies: Gesture and voice in hindustani music. Wesleyan University Press.
Raja, D.S. (2021) Hindustani Music Today. DK Printworld.
Ranade, A. (1992) ‘Ragamala paintings: a musicological perspective’, Sangeet Natak, 103, pp. 3–11.
Sayers, E. (2025) ‘Pedagogical strategies for the development of improvisation and composition in North Indian Classical Music’, Frontiers in Psychology, 16. Available at: https://doi.org/10.3389/fpsyg.2025.1460158. (Accessed: 08.08.2025)
Sudnow, D. (2002) Ways of the Hand: A Rewritten Account. Revised edition. Cambridge: MIT Press.
Widdess, R. (2015) ‘North India’, in The other classical musics: fifteen great traditions. Woodbridge: The Boydell Press.
Wong, P.C.M., Roy, A.K. and Margulis, E.H. (2009) ‘Bimusicalism: The Implicit Dual Enculturation of Cognitive and Affective Systems’, Music Perception, 27(2), pp. 81–88.

Permalink -

https://repository.canterbury.ac.uk/item/9w6yz/2-4-learning-languages-of-sound-case-study-of-improvisation-in-the-performing-arts

  • 132
    total views
  • 1
    total downloads
  • 8
    views this month
  • 0
    downloads this month

Export as

Related outputs

Teacher-teacher dialogue on sustainability and climate change education: Crossing traditional disciplinary boundaries in Wales
Sayers, E. and Woolley, M. 2025. Teacher-teacher dialogue on sustainability and climate change education: Crossing traditional disciplinary boundaries in Wales .
The oral transmission of a classical style. What can the impact of colonialism on music pedagogy in North India tell us about current debates on curriculum music in England?
Sayers, E. 2025. The oral transmission of a classical style. What can the impact of colonialism on music pedagogy in North India tell us about current debates on curriculum music in England?
Using duoethnography to explore pathfinding as ECRs in education
Holdstock, S. and Sayers, E. 2025. Using duoethnography to explore pathfinding as ECRs in education.
Pedagogical strategies for the development of improvisation and composition in North Indian classical music
Sayers, E. 2025. Pedagogical strategies for the development of improvisation and composition in North Indian classical music. Frontiers in Psychology. 16 (1460158). https://doi.org/10.3389/fpsyg.2025.1460158