"Mi tun mi madda."

Digital or visual media


Masumi, M. 2025. "Mi tun mi madda.".
CreatorsMasumi, M.
Description

This photo-based selfie mixed-media AI artwork captures that pivotal moment of transformation when we see our mothers in ourselves and ourselves in them. (Life Course Perspective Anthropology)

Wearing a synthetic wig, I visually honour that shift, that inheritance, that echo. Jamaican Patois (Patwa), a creole language born of resistance, colonial disruption, and survival, anchors our communication and bridges generations.

It’s how we speak our truth. It’s how we archive our lives.
This piece is part of my ongoing PhD research in visual ethnography, autoethnography and digital anthropology, exploring how Black British women use art, language, and memory to resist erasure, preserve identity, and redefine heritage across time, space, and technology.

Visual culture and lived experience
Creole linguistics, memory & resistance
AI + Selfie + Diaspora storytelling
Intersectional, age-aware feminist anthropology
Life course perspective anthropology
Disability Anthropology

We are the archives. We are the data. We are the designers.

Alt Text:

"Digital artwork of a Black woman wearing a synthetic wig, with striking editorial-style features and vibrant clothing. Her head is turned in reflection, embodying the phrase 'Mi tun mi madda' written beside her. This is a mixed-media, AI-enhanced self-portrait by Michi Masumi exploring Jamaican identity, language, and matriarchal lineage."

Art Processes:

Portrait Photography - Canon 90d and 50mm lens
Photoshop
Lightroom Classic and Lightroom
Rebelle 6
Midjourney - Blending
Canva - Text

KeywordsBlack British Women; Jamaican Patois; Creole language; Pigdins; Lingustics; Visual ethnography; Autoethnography; AI art; Digital art; Cultural preservation; Intersectional identity; Disability; Digital anthropology; Anthropology of race; Black Studies; Digital humanities; Black matriarchy; Oral histories; Life course perspective anthropology; Digital resistance; Storytelling ; Digital platforms; Social media
Date07 May 2025
Files
Image credit
Michi Masumi
Measurements
A2 portrait
Rights
Michi Masumi
Media type
Image
License
File Access Level
Open
References

This work builds upon
Intersectionality theory (Crenshaw, 1989)
Autoethnographic methods (Ellis, Adams, & Bochner, 2011)
Digital Anthropology (Miller & Horst, 2012)
Black Feminist Thought (Collins, 2000)
Creole linguistics (DeGraff, 2005)

Additional information

My research is grounded in digital art and digital platforms; for this reason, I have included the hashtags:

#visualethnography #autoethnography #blackbritishart #JamaicanPatois #creoleculture #digitalanthropology #linguistics #CulturalPreservation #artivism #diasporadialogues #afrofuturism #blackbritishwomen #creolelanguages #aiart #michimasumi #blackwomenartist #WeAreTheArchives #wearethedata #wearethedesigners #mixedmediaart #patoispower #creolecontinuum #decolonisethearchive #phdresearch #intergenerationalhealing #digitalculturalmemory #selfieart

Publication process dates
Deposited09 May 2025
Permalink -

https://repository.canterbury.ac.uk/item/9qz5z/-mi-tun-mi-madda

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Files
I have turnt into my Motha - Michi Masumi 07052025.jpg
License: CC BY-NC 4.0
File access level: Open

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