Art, activism, aesthetics & AI (SCANDI presentation) Includes short videos
Lecture
Masumi, M. 2025. Art, activism, aesthetics & AI (SCANDI presentation) Includes short videos.
Authors | Masumi, M. |
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Type | Lecture |
Description | My presentation offers a look at my practice-based research exploring Black British female identity through art, activism, and AI. The Anthro-Digital Narratives (ADN) framework and EthnoGo mobile app, both created and developed by me, are key components; they support a wider investigation into representation, intersectionality, and digital storytelling. My presentation includes autoethnographic reflection, visual ethnography, community-based work, and AI-driven creative practice. Showcasing practical tools and original methodologies for marginalised researchers and artists navigating both academic and cultural spaces, all while reclaiming narrative authority in tech, media, and art. |
Keywords | Black British identity ; Decolonial research ; Pratice-based methodology; Anthro-digital narratives ADN framework; Anthro-digital narratives ; ADN framework; ADN; EthnoGo app; Intersectionality ; Scandi ; Visual ethnography; Autoethnography; Michi Masumi; AI in research ; Digtial storytelling ; Community-led research ; Marginalised voices; Ethical AI ; Mobile-first ; Research ; Cultural representation; Creative practice; Inclusive technology; Academic Activism ; Student Activism; Activism; Artivism; Anthropology; Narrative reclamation |
Year | 2025 |
File | License |
References | Algorithmic Justice League (n.d.) Coded Bias Spotlight. Available at: https://www.ajl.org/spotlight-documentary-coded-bias (Accessed: 20 March 2025). Benjamin, R. (2019) Race After Technology: Abolitionist Tools for the New Jim Code. Cambridge: Polity. Boyce, S. (1996) ‘Reinventing Britain: A Forum’, Third Text, 10(35), pp. 9–18. Collins, P.H. (2000) Black Feminist Thought: Knowledge, Consciousness, and the Politics of Empowerment. 2nd edn. New York: Routledge. Crenshaw, K. (1989) ‘Demarginalizing the Intersection of Race and Sex: A Black Feminist Critique of Antidiscrimination Doctrine, Feminist Theory, and Antiracist Politics’, University of Chicago Legal Forum, 1989(1), pp. 139–167. Eddo-Lodge, R. (2017) Why I’m No Longer Talking to White People About Race. London: Bloomsbury. Hall, S. (1990) ‘Cultural Identity and Diaspora’, in Rutherford, J. (ed.) Identity: Community, Culture, Difference. London: Lawrence & Wishart, pp. 222–237. Hall, S. (1997) Representation: Cultural Representations and Signifying Practices. London: Sage. Himid, L. (2017) Lubaina Himid: Invisible Strategies. London: Modern Art Oxford. Hooks, B. (1992) Black Looks: Race and Representation. Boston: South End Press Jones, D. (2019) Financial Struggles of Black Art Organizations in the UK. London: Arts Council England. Noble, S.U. (2018) Algorithms of Oppression: How Search Engines Reinforce Racism. New York: NYU Press. Pink, S. (2015) Doing Visual Ethnography. 3rd edn. London: Sage. For the Cowrie Scholarship Foundation: Cowrie Scholarship Foundation (no date) About Us. Available at: https://cowriescholarshipfoundation.org.uk (Accessed: 31 March 2025) For the Office for Students and Research England collaboration: Office for Students (no date) Funding for Projects to Improve Access and Participation for BAME Students in Postgraduate Research. Available at: https://officeforstudents.org.uk (Accessed: 31 March 2025) |
Publication process dates | |
Deposited | 02 Apr 2025 |
https://repository.canterbury.ac.uk/item/9qv8y/art-activism-aesthetics-ai-scandi-presentation-includes-short-videos
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![]() | A.A.A.A BBF (Scandi Presentation) CCCU - Michi Masumi April 2025 [with videos].pptx | |
License: CC BY-NC-ND 4.0 |
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