Spotlight on Polish Theatre

Digital or visual media

Lech, K. 2018. Spotlight on Polish Theatre.

Publication process dates
Creators	Lech, K.
Description	"Spotlight on Polish Theatre" for TheTheatreTimes.com: one of the largest English-language digital resources on contemporary Polish theatre. The project is under the patronage of Adam Mickiewicz Institute, and in collaboration with partners Biweekly.pl, East European Performing Arts Platform, Theatralia/Yorick, Cosmopolitan Review, Contexts.com.pl, BuenosAiresHerald.com, and Culture.pl.
Keywords	Digital project
Date	27 Mar 2018
Web address (URL)	https://thetheatretimes.com/latest/worldwide/europe/poland/
Related URL	https://thetheatretimes.com/
Funder	The Adam Mickiewicz Institute
Files	Media type Website File Access Level Open
Deposited	25 Feb 2021

Permalink -

https://repository.canterbury.ac.uk/item/8x2y2/spotlight-on-polish-theatre

51
total views
0
total downloads
1
views this month
0
downloads this month

Export as

Related outputs

Krytyczki as activists: On theatre criticism, affect, objectivism and #MeToo in Polish drama schools: Interview with Monika Kwaśniewska

Lech, K. 2021. Krytyczki as activists: On theatre criticism, affect, objectivism and #MeToo in Polish drama schools: Interview with Monika Kwaśniewska. Critical Stages/Scènes critiques. 23.

Dramaturgy of form performing verse in contemporary theatre

Lech, K. 2021. Dramaturgy of form performing verse in contemporary theatre. Routledge.

Book review: Kantor

Lech, Kasia 2020. Book review: Kantor. The Polish Review. 65 (3), pp. 95-97. https://doi.org/10.5406/polishreview.65.3.0095

Claiming their voice: foreign memories on the post-Brexit British stage

Lech, K. 2020. Claiming their voice: foreign memories on the post-Brexit British stage. in: Meerzon, Y., Dean, D. and McNeil, D. (ed.) Migration and stereotypes in performance and culture Palgrave Macmillan. pp. 215-234

Lockdown verses and anxieties of presence: How Polish theatre rhymed a case for its purpose on the pandemic stage?

Lech, K. 2020. Lockdown verses and anxieties of presence: How Polish theatre rhymed a case for its purpose on the pandemic stage? Critical Stages/Scènes critiques. 22, p. 2020.

“Roughening up of the utterance” or “It’s not all mountains and sheep and Emily Dickinson.”: How contemporary practitioners test boundaries of verse drama?

Lech, K. 2020. “Roughening up of the utterance” or “It’s not all mountains and sheep and Emily Dickinson.”: How contemporary practitioners test boundaries of verse drama? Coup de Théâtre. 34, pp. 161-179.

Performap.com

Lech, K., Romanska, M,, Chang, A. and Jarboe, K. 2019. Performap.com.

Acting as the act of translation: domesticating and foreignizing strategies as part of the actor’s performance in the Irish-Polish production of bubble revolution

Lech, K. 2019. Acting as the act of translation: domesticating and foreignizing strategies as part of the actor’s performance in the Irish-Polish production of bubble revolution. in: Meerzon, Y. and Pewny, K. (ed.) Routledge. pp. 39-50

Students as producers and active partners in enhancing equality and diversity: ‘culturosity’ at Canterbury Christ Church University

Lech, K., Hoople, L., Abiker, K., Mitchell, M. and Mooney, P. 2017. Students as producers and active partners in enhancing equality and diversity: ‘culturosity’ at Canterbury Christ Church University. Journal of Educational Innovation, Partnership and Change. 3 (2). https://doi.org/10.21100/jeipc.v3i2.533

Verse in contemporary Irish theatre

Lech, K. 2018. Verse in contemporary Irish theatre. in: Jordan, E. and Weitz, E. (ed.) The Palgrave handbook of contemporary Irish theatre and performance pp. 599-613

Pain, rain, and rhyme: the role of rhythm in Stefanie Preissner’s work

Lech, K. 2015. Pain, rain, and rhyme: the role of rhythm in Stefanie Preissner’s work. in: Radical Contemporary Theatre Practices by Women in Ireland Dublin Carysfort Press. pp. 151-166

Bubble revolution: performing translation

Lech, K. 2016. Bubble revolution: performing translation. Edinburgh 04 - 28 Aug 2016

Difficult encounter: Polish theatre on the Irish stage between 2004 and 2015

Lech, K. 2015. Difficult encounter: Polish theatre on the Irish stage between 2004 and 2015. Litteraria Pragensia. 25 (50), pp. 32-46.

Memory, Communism, and foreign words in Julia Holewińska’s Foreign Bodies: balancing foreignization and domesticating strategies in a production by Polish Theatre Ireland

Lech, K. 2014. Memory, Communism, and foreign words in Julia Holewińska’s Foreign Bodies: balancing foreignization and domesticating strategies in a production by Polish Theatre Ireland. Translation Ireland. 19 (2), pp. 37-48.