TheTheatreTimes.com

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Lech, K. and Romanska, M. 2016. TheTheatreTimes.com. TheTheatreTimes.com.
CreatorsLech, K. and Romanska, M.
Description

TheTheatreTimes.com is a non-partisan, global theatre portal covering theatre in 90 countries and regions. TheTheatreTimes.com publishes daily from a variety of sources. Since its launch in November 2016, the portal has published over 4,200 articles. With 30 thematic sections, over 150 Regional Managing Editors, 60 media partners around the world, and 60,000+ followers on social media TheTheatreTimes.com has grown to be the most far-reaching and comprehensive global portal today.

KeywordsGlobal theatre; Transmedia; Dramaturgy; Archive
Year2016
PublisherTheTheatreTimes.com
Official URLhttps://thetheatretimes.com/
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Open
Output statusPublished
Publication process dates
Deposited25 Feb 2021
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Krytyczki as activists: On theatre criticism, affect, objectivism and #MeToo in Polish drama schools: Interview with Monika Kwaśniewska
Lech, K. 2021. Krytyczki as activists: On theatre criticism, affect, objectivism and #MeToo in Polish drama schools: Interview with Monika Kwaśniewska. Critical Stages/Scènes critiques. 23.
Dramaturgy of form performing verse in contemporary theatre
Lech, K. 2021. Dramaturgy of form performing verse in contemporary theatre. Routledge.
Book review: Kantor
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Claiming their voice: foreign memories on the post-Brexit British stage
Lech, K. 2020. Claiming their voice: foreign memories on the post-Brexit British stage. in: Meerzon, Y., Dean, D. and McNeil, D. (ed.) Migration and stereotypes in performance and culture Palgrave Macmillan. pp. 215-234
Lockdown verses and anxieties of presence: How Polish theatre rhymed a case for its purpose on the pandemic stage?
Lech, K. 2020. Lockdown verses and anxieties of presence: How Polish theatre rhymed a case for its purpose on the pandemic stage? Critical Stages/Scènes critiques. 22, p. 2020.
“Roughening up of the utterance” or “It’s not all mountains and sheep and Emily Dickinson.”: How contemporary practitioners test boundaries of verse drama?
Lech, K. 2020. “Roughening up of the utterance” or “It’s not all mountains and sheep and Emily Dickinson.”: How contemporary practitioners test boundaries of verse drama? Coup de Théâtre. 34, pp. 161-179.
Performap.com
Lech, K., Romanska, M,, Chang, A. and Jarboe, K. 2019. Performap.com.
Acting as the act of translation: domesticating and foreignizing strategies as part of the actor’s performance in the Irish-Polish production of bubble revolution
Lech, K. 2019. Acting as the act of translation: domesticating and foreignizing strategies as part of the actor’s performance in the Irish-Polish production of bubble revolution. in: Meerzon, Y. and Pewny, K. (ed.) Routledge. pp. 39-50
Spotlight on Polish Theatre
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Students as producers and active partners in enhancing equality and diversity: ‘culturosity’ at Canterbury Christ Church University
Lech, K., Hoople, L., Abiker, K., Mitchell, M. and Mooney, P. 2017. Students as producers and active partners in enhancing equality and diversity: ‘culturosity’ at Canterbury Christ Church University. Journal of Educational Innovation, Partnership and Change. 3 (2). https://doi.org/10.21100/jeipc.v3i2.533
Verse in contemporary Irish theatre
Lech, K. 2018. Verse in contemporary Irish theatre. in: Jordan, E. and Weitz, E. (ed.) The Palgrave handbook of contemporary Irish theatre and performance pp. 599-613
Pain, rain, and rhyme: the role of rhythm in Stefanie Preissner’s work
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Bubble revolution: performing translation
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Difficult encounter: Polish theatre on the Irish stage between 2004 and 2015
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Memory, Communism, and foreign words in Julia Holewińska’s Foreign Bodies: balancing foreignization and domesticating strategies in a production by Polish Theatre Ireland
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Puppets, dogs, and vegetarian angels: ecocriticism in Jakub Krofta’s Polish productions
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Metatheatre and the importance of Estrella in Calderón’s 'La vida es sueño' and its contemporary productions
Lech, K. 2014. Metatheatre and the importance of Estrella in Calderón’s 'La vida es sueño' and its contemporary productions. Bulletin of the Comediantes. 66 (2), pp. 175-193. https://doi.org/10.1353/boc.2014.0036