Seaside photographed

Book


Williams, V. and Shepherdson, K. 2019. Seaside photographed. Thames and Hudson.
AuthorsWilliams, V. and Shepherdson, K.
Abstract

How has the seaside been photographed? From the roaring waves of the nineteenth century through the reportage of the 1960s and the critical documentary of the 80s and 90s, to what is perhaps the more intimate work of the last ten years. No-one can tell it exactly the way it is. We all have a vision of the seaside which is uniquely our own.

Memories, false and real, are aided and abetted by photography, a unique, fascinating, but in the end unreliable source of evidence. And time changes everything. What remains are a set of substantial fragments, thoughts along the way, obsessions, records, constructions, journeys. Ours for the taking.

KeywordsPhotography; Seaside
Year2019
PublisherThames and Hudson
Output statusPublished
Publication dates
Print23 May 2019
Publication process dates
Deposited17 Jul 2019
ISBN9780500022061
Permalink -

https://repository.canterbury.ac.uk/item/89057/seaside-photographed

  • 106
    total views
  • 0
    total downloads
  • 2
    views this month
  • 0
    downloads this month

Export as

Related outputs

Between the tides: The coastal communities of Walpole Bay
Shepherdson, K., Ball, R. and Vincent, S. 2017. Between the tides: The coastal communities of Walpole Bay.
As I lay dying
Shepherdson, K. 2017. As I lay dying. Photography & Culture. 10 (1), pp. 73-75. https://doi.org/10.1080/17514517.2017.1295712
Hostile waters: the beach photographer as endangered species
Shepherdson, K. 2015. Hostile waters: the beach photographer as endangered species.
Seabathers: reflections & responses
Shepherdson, K. 2015. Seabathers: reflections & responses. Turner Contemporary (Foyle Rooms) & Walpole Bay Tidal Pool 24 May 2015
At the jetty: rumination on time and space
Shepherdson, K. and Ball, R. 2015. At the jetty: rumination on time and space. Old Lookout Gallery, Broadstairs 09 - 10 May 2015
Alternative processes & contemporary commissions at the Old Lookout Gallery
Shepherdson, K. and Ball, R. 2015. Alternative processes & contemporary commissions at the Old Lookout Gallery.
Life on film
Jones, T. and Shepherdson, K. 2009. Life on film.
Picturing Aftermath - a visual response to the broken faces of the First World War
Shepherdson, K. 2015. Picturing Aftermath - a visual response to the broken faces of the First World War.
Seaside / Sexuality / Architecture
Shepherdson, K., Dermott, N. and Causer, S. 2015. Seaside / Sexuality / Architecture.
In conversation with Martin Parr
Shepherdson, K. 2014. In conversation with Martin Parr. Martin Parr at PhotoHastings Film Festival. Palace Theatre, Hastings 11 Dec 2014
Remembrance and (Re)membering: contrasting perspectives on the Sunbeam Photographic Collection
Shepherdson, K. 2014. Remembrance and (Re)membering: contrasting perspectives on the Sunbeam Photographic Collection.
Beyond the view: reframing early commercial seaside photography
Shepherdson, K. 2015. Beyond the view: reframing early commercial seaside photography. AHRC Website 2015
Aftermath I & II
Shepherdson, K. 2014. Aftermath I & II. Sidney Cooper Gallery, Canterbury 11 Nov - 17 Dec 2014
Walking to work
Shepherdson, K. 2014. Walking to work.
Beyond the view: new perspectives on seaside photography
Ball, R. and Shepherdson, K. Ball, R. and Shepherdson, K. (ed.) 2014. Beyond the view: new perspectives on seaside photography. EBS Italy Burton Press.
Beyond the view: reframing the Sunbeam Photographic Collection
Shepherdson, K. and Ball, R. 2014. Beyond the view: reframing the Sunbeam Photographic Collection. Sidney Cooper Gallery, Canterbury 11 Jul - 23 Aug 2014
From Smudger to Sunbeamer: informal professionalism in commercial seaside portraiture
Shepherdson, K. 2014. From Smudger to Sunbeamer: informal professionalism in commercial seaside portraiture.
Yurtworks...or pulling out the plug
Shepherdson, K. 2014. Yurtworks...or pulling out the plug.
Beyond the view: reframing the early commercial seaside photograph
Shepherdson, K. 2014. Beyond the view: reframing the early commercial seaside photograph.
Punctum
Shepherdson, K. 2011. Punctum.
Close to home
Shepherdson, K. 2013. Close to home. Burton Gallery, Broadstairs
The collected
Stone, H., Jones, S. and Shepherdson, K. 2013. The collected. Sidney Cooper Gallery 10 - 27 Apr 2013
Close to home
Shepherdson, K., Ball, R. and Minogue, S. 2013. Close to home. Broadstairs Burton Press.
Pastiche
Shepherdson, K. 2000. Pastiche. in: Pearson, R. and Simpson, P. (ed.) Critical Dictionary of Film and Television Theory London Routledge. pp. 127-128
Unremarkable stories
Ball, R. and Shepherdson, K. 2012. Unremarkable stories. Burton Press.
Get a shot: New visions: Promoting Progression in Photography
Shepherdson, K. 2009. Get a shot: New visions: Promoting Progression in Photography. Creative Way.
Channel 4’s Dockers: a move beyond the rhetoric of participation?
Shepherdson, K. 2007. Channel 4’s Dockers: a move beyond the rhetoric of participation?
Pragmatic radicalism: trans-atlantic experiences and influences in the work of Tony Garnett
Shepherdson, K. 2007. Pragmatic radicalism: trans-atlantic experiences and influences in the work of Tony Garnett. Critical Studies in Television: Scholarly Studies in Small Screen Fictions. 2 (2), pp. 113-125.