British women’s writing from Brontë to Bloomsbury, 1840-1940. Volume 2: 1860s and 1870s

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Oulton, C. Oulton, C. and Gavin, A. (ed.) 2020. British women’s writing from Brontë to Bloomsbury, 1840-1940. Volume 2: 1860s and 1870s. Springer.
AuthorsOulton, C.
EditorsOulton, C. and Gavin, A.
Year2020
PublisherSpringer
Output statusIn press
Publication process dates
Deposited06 Jun 2018
AcceptedJan 2018
ISBN9783030385279
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https://repository.canterbury.ac.uk/item/88v26/british-women-s-writing-from-bront-to-bloomsbury-1840-1940-volume-2-1860s-and-1870s

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Oulton, C. 2010. Child sacrifice and the crisis of gender in Mary Cholmondeley's major fiction. English Literature in Transition, 1880-1920. 53 (2), pp. 204-218. https://doi.org/10.2487/elt.53.2(2010)0059
''The shadow which I call pain'': Mary Cholmondeley and the dilemma of bodily weakness
Oulton, C. 2009. ''The shadow which I call pain'': Mary Cholmondeley and the dilemma of bodily weakness. Life Writing. 6 (3), pp. 303-312. https://doi.org/10.1080/14484520903082926
“What a comrade she would make”: the limits of romantic friendship in Jude the Obscure
Oulton, C. 2007. “What a comrade she would make”: the limits of romantic friendship in Jude the Obscure. Thomas Hardy Journal. 23, pp. 117-125.
Left past the moon
Oulton, C. 2001. Left past the moon. NPF Publications.
''The bad women are better than the good ones'': the new woman and sexual fall in Cholmondeley's short fiction
Oulton, C. 2009. ''The bad women are better than the good ones'': the new woman and sexual fall in Cholmondeley's short fiction. in: Oulton, C. and Schatz, S. (ed.) Mary Cholmondeley Reconsidered London, UK Pickering & Chatto.