Jan Svankmajer: film as puppet theatre

Journal article

Frost, J. 2016. Jan Svankmajer: film as puppet theatre. Animation Studies. 11.
AuthorsFrost, J.
Abstract

Jan Švankmajer’s use of the puppet as a bridge between live action and stop-motion animation dominate his feature films and shorts. The confusions and interactions between reality, the controlled puppet and the animated object express the idea that animation is not merely a special effect but a tangible metaphor for manipulation. Švankmajer’s interest in the occult arts reveal the underlying philosophy of cinema as an ultimately magical event.

Year2016
JournalAnimation Studies
Journal citation11
PublisherSociety for Animation Studies
ISSN1930-1928
Official URLhttps://journal.animationstudies.org/james-frost-jan-svankmajer-film-as-puppet-theatre/
Publication dates
Online29 Dec 2016
Publication process dates
Deposited06 Jan 2017
Accepted27 Oct 2016
Accepted author manuscript
Output statusPublished
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https://repository.canterbury.ac.uk/item/8802x/jan-svankmajer-film-as-puppet-theatre

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