#BrickBowl – 36hr animation project

Journal article

Pallant, C. 2015. #BrickBowl – 36hr animation project. Animation Studies 2.0.
AuthorsPallant, C.
Year2015
JournalAnimation Studies 2.0
PublisherSociety for Animation Studies
Official URLhttp://blog.animationstudies.org/?p=1031
Related URLhttps://vimeo.com/118700756
http://blog.animationstudies.org
Publication dates
Print03 Feb 2015
Publication process dates
Deposited05 Nov 2015
AcceptedFeb 2015
Output statusPublished
Permalink -

https://repository.canterbury.ac.uk/item/878q0/-brickbowl-36hr-animation-project

  • 132
    total views
  • 0
    total downloads
  • 2
    views this month
  • 0
    downloads this month

Export as

Related outputs

Revisiting the production of Watership Down through the Arthur Humberstone Animation Archive
Pallant, C. 2023. Revisiting the production of Watership Down through the Arthur Humberstone Animation Archive. in: Lester, C. (ed.) Watership Down: Animals, Animation, and the Aesthetics of Violence Bloomsbury.
Beyond Bagpuss: A history of Smallfilms Animation Studio
Pallant, C. 2022. Beyond Bagpuss: A history of Smallfilms Animation Studio. London British Film Institute.
Dream worlds – dark ecologies of anime [invited roundtable participant]
Pallant, C. 2017. Dream worlds – dark ecologies of anime [invited roundtable participant].
Drawing to an end: storyboarding cinema, an elegy
Pallant, C. 2016. Drawing to an end: storyboarding cinema, an elegy.
Anifest insight talk – a history of storyboarding animation
Pallant, C. 2016. Anifest insight talk – a history of storyboarding animation.
A history of storyboarding animation: unpacking the archive [keynote speaker]
Pallant, C. 2017. A history of storyboarding animation: unpacking the archive [keynote speaker].
The future of the city in literature and media [invited roundtable participant]
Pallant, C. 2016. The future of the city in literature and media [invited roundtable participant].
Do you speak Clanger? – an introductory history of the Smallfilms studio
Pallant, C. 2017. Do you speak Clanger? – an introductory history of the Smallfilms studio.
Animation and genre: the Clangers reboot – a case study
Pallant, C. 2017. Animation and genre: the Clangers reboot – a case study.
Storyboarding bei Disney: entwicklungen, ambitionen, ordnungsmuster
Pallant, C. 2017. Storyboarding bei Disney: entwicklungen, ambitionen, ordnungsmuster. in: Häusler, A. and Henschen, J. (ed.) Storyboarding: Filmisches Entwerfen Marburg, Germany Schüren Verlag.
Animation and video games
Pallant, C. 2018. Animation and video games. in: Dobson, N., Honess Roe, A., Ratelle, A. and Ruddell, C. (ed.) Animation Studies: A Reader New York Bloomsbury.
APES 2015
Pallant, C. 2015. APES 2015. Animation Studies 2.0.
Animating class and contemporary British television
Pallant, C. and Newton, J. 2017. Animating class and contemporary British television. in: Forrest, D. and Johnson, B. (ed.) Social Class and Television Drama in Contemporary Britain London Palgrave.
Disney pluralism: beyond Disney-formalism
Pallant, C. 2019. Disney pluralism: beyond Disney-formalism. in: Davis, A. (ed.) Discussing Disney New Barnet John Libbey.
Animated performance – reflections on an interpretational framework
Pallant, C. 2013. Animated performance – reflections on an interpretational framework. Animation Studies 2.0.
Canterbury Anifest Awards 2013
Pallant, C. 2013. Canterbury Anifest Awards 2013. Animation Studies 2.0.
Re-make or re-take?
Pallant, C. 2006. Re-make or re-take?
Digesting Disney
Pallant, C. 2007. Digesting Disney.
Pixar: the hyphenation of Disney
Pallant, C. 2009. Pixar: the hyphenation of Disney.
The animated landscape
Pallant, C. 2010. The animated landscape.
Urbanimation: representing and reconfiguring New York City through animation
Pallant, C. 2011. Urbanimation: representing and reconfiguring New York City through animation.
Storyboarding American cinema: an incomplete history [Invited speaker]
Pallant, C. 2012. Storyboarding American cinema: an incomplete history [Invited speaker].
Red Dead Redemption (2010): animating game structure and game surface
Pallant, C. 2012. Red Dead Redemption (2010): animating game structure and game surface.
Animating America: Red Dead Redemption (2010) – game structure and game surface
Pallant, C. 2013. Animating America: Red Dead Redemption (2010) – game structure and game surface.
Storyboarding the ‘Spielberg-Lucas-Coppola cinema of effects' [Invited speaker]
Pallant, C. 2014. Storyboarding the ‘Spielberg-Lucas-Coppola cinema of effects' [Invited speaker].
Constructing entertainment: storyboarding the ‘Spielberg-Lucas-Coppola cinema of effects'
Pallant, C. 2014. Constructing entertainment: storyboarding the ‘Spielberg-Lucas-Coppola cinema of effects'.
Between frames: animating the storyboard
Pallant, C. 2014. Between frames: animating the storyboard.
Between frames: animating the storyboard
Pallant, C. 2015. Between frames: animating the storyboard.
Storyboarding in colour: (some) critical perspectives [Invited speaker]
Pallant, C. 2015. Storyboarding in colour: (some) critical perspectives [Invited speaker].
Research on boarders: storyboarding American cinema
Pallant, C. 2015. Research on boarders: storyboarding American cinema.
The animated storyboard: text and performance
Pallant, C. 2015. The animated storyboard: text and performance.
Demystifying Disney: from Mickey Mouse to media institution [Invited speaker]
Pallant, C. 2011. Demystifying Disney: from Mickey Mouse to media institution [Invited speaker].
The American Studies Summer Institute at NYU [Roundtable participant]
Pallant, C. 2013. The American Studies Summer Institute at NYU [Roundtable participant].
Nostalgias - visual longing [Invited respondent]
Pallant, C. 2013. Nostalgias - visual longing [Invited respondent].
Storyboard history: an incomplete history
Pallant, C. 2012. Storyboard history: an incomplete history.
Storyboarding the “Spielberg-Lucas-Coppola cinema of effects": history and scholarly practice
Pallant, C. 2014. Storyboarding the “Spielberg-Lucas-Coppola cinema of effects": history and scholarly practice.
Disney pluralism: beyond Disney-formalism [Keynote speaker]
Pallant, C. 2015. Disney pluralism: beyond Disney-formalism [Keynote speaker].
Storyboarding: frames of reference [Keynote speaker]
Pallant, C. 2015. Storyboarding: frames of reference [Keynote speaker].
The stop-motion landscape
Pallant, C. 2015. The stop-motion landscape. in: Pallant, C. (ed.) Animated Landscapes: History, Form and Function New York, USA Bloomsbury Academic. pp. 33-50
Introduction
Pallant, C. 2015. Introduction. in: Pallant, C. (ed.) Animated Landscapes: History, Form and Function New York, USA Bloomsbury Academic. pp. 1-12
Neo-Disney: recent developments in Disney feature animation
Pallant, C. 2010. Neo-Disney: recent developments in Disney feature animation. New Cinemas: Journal of Contemporary Film. 8 (2), pp. 103-117. https://doi.org/10.1386/ncin.8.2.103_1
New York: the animated city
Pallant, C. 2013. New York: the animated city. Comparative American Studies. 11 (4), pp. 349-360. https://doi.org/10.1179/1477570013Z.00000000056
Introduction: questioning E Pluribus Unum
Collins, M. and Pallant, C. 2013. Introduction: questioning E Pluribus Unum. Comparative American Studies. 11 (4), pp. 343-348. https://doi.org/10.1179/1477570013Z.00000000059
Storyboarding: a critical history
Pallant, C. and Price, S. 2015. Storyboarding: a critical history. London Palgrave.
Digital dimensions in actorly performance: the aesthetic potential of performance capture
Pallant, C. 2012. Digital dimensions in actorly performance: the aesthetic potential of performance capture. Film International. 10 (3), pp. 37-49. https://doi.org/10.1386/fiin.10.3.37_1
Disney-formalism: rethinking 'classic Disney'
Pallant, C. 2010. Disney-formalism: rethinking 'classic Disney'. Animation: an Interdisciplinary Journal. 5 (3), pp. 341-352. https://doi.org/10.1177/1746847710377567
Demystifying Disney: a history of Disney feature animation
Pallant, C. 2011. Demystifying Disney: a history of Disney feature animation. London Continuum.
Redefining the animated landscape
Pallant, C. 2013. Redefining the animated landscape.
Screenwriting and storyboarding
Pallant, C. and Price, S. 2013. Screenwriting and storyboarding.
"Now I know I'm a lowlife": controlling play in GTA: IV, Red Dead Redemption, and LA Noire
Pallant, C. 2013. "Now I know I'm a lowlife": controlling play in GTA: IV, Red Dead Redemption, and LA Noire. in: Wysocki, M. (ed.) Ctrl-Alt-Play: Essays on Control in Video Gaming Jefferson, NC McFarland & Co. pp. 133-145
The animated landscape
Pallant, C. 2013. The animated landscape. in: Harper, G. and Rayner, J. (ed.) Film Landscapes: Cinema, Environment and Visual Culture Cambridge Scholars Publishing. pp. 183-198
Pixar – inside the toy box: Dr. Chris Pallant in conversation with Pixar’s Dan McCoy
Pallant, C. 2012. Pixar – inside the toy box: Dr. Chris Pallant in conversation with Pixar’s Dan McCoy. Canterbury Anifest. Canterbury Christ Church University 05 - 06 Oct 2012
Developments in peplum filmaking: Disney's Hercules
Pallant, C. 2011. Developments in peplum filmaking: Disney's Hercules. in: Cornelius, M. (ed.) Of Muscles and Men: Essays on the Sword and Sandal Film Jefferson, NC McFarland & Co. pp. 175-186
Tarantino the cartoonist
Pallant, C. 2007. Tarantino the cartoonist. Animation: an Interdisciplinary Journal. 2 (2), pp. 171-186. https://doi.org/10.1177/1746847707074699