Alternative processes & contemporary commissions at the Old Lookout Gallery

Lecture


Shepherdson, K. and Ball, R. 2015. Alternative processes & contemporary commissions at the Old Lookout Gallery.
AuthorsShepherdson, K. and Ball, R.
TypeLecture
Description

A joint paper by K.J.Shepherdson and Rob Ball examining how modest spaces can be transformed into significant and potent sites of alternative creative spaces and in doing so facilitate contemporary lens-based commissions. This paper takes as its case study the Old Lookout Gallery in Broadstairs and considers how this site-specific place contributes to lens-based practice and provides space - even sanctuary - for traditional or alternative processes. The paper also reflects upon how the Old Lookout' has contributed to our own practices and sense of place and space.

Year2015
ConferenceShadows Symposium: Traditional Photography Techniques in a Digital World
Official URLhttp://mooseontheloose.net/event/shadows-traditional-photography-techniques-in-a-digital-world/
Related URLhttp://mooseontheloose.net
Publication process dates
Deposited16 Jun 2015
Completed18 May 2015
Output statusUnpublished
Permalink -

https://repository.canterbury.ac.uk/item/875q7/alternative-processes-contemporary-commissions-at-the-old-lookout-gallery

  • 77
    total views
  • 0
    total downloads
  • 0
    views this month
  • 0
    downloads this month

Export as

Related outputs

Arcade carpets
Ball, R. 2023. Arcade carpets.
Funland
Ball, R. 2022. Funland. in: Jana, R (ed.) This Pleasant Land London Hoxton Mini Press. pp. 30
Silent coast
Ball, R. 2022. Silent coast. England Photo Editions.
The Itinerant
Ball, R. The Itinerant . Turner Contemporary 01 May 2019 - 31 Jan 2021
Dreamlands
Ball, R. 2021. Dreamlands. in: Don’t Press Print: De/Re-Constructing the collodion process The Royal Photographic Society / Centre for Fine Print Research, University of the West of England.
Funland
Ball, R. 2019. Funland. England Hoxton Mini Press.
Seaside photographed
Williams, V. and Shepherdson, K. 2019. Seaside photographed. Thames and Hudson.
Talk: Miniclick does summer holidays with Rob Ball and William Lakin, 11th july
Ball, R. 2017. Talk: Miniclick does summer holidays with Rob Ball and William Lakin, 11th july.
Shadows symposium, Camberwell College of Art, 2015
Ball, R. 2015. Shadows symposium, Camberwell College of Art, 2015.
The itinerant, Margate Festival 2017
Ball, R. 2017. The itinerant, Margate Festival 2017. Margate
Between the tides: The coastal communities of Walpole Bay
Shepherdson, K., Ball, R. and Vincent, S. 2017. Between the tides: The coastal communities of Walpole Bay.
Dreamlands
Ball, R. 2015. Dreamlands. Dewi Lewis.
Coney Island
Ball, R. 2017. Coney Island. Dewi Lewis.
As I lay dying
Shepherdson, K. 2017. As I lay dying. Photography & Culture. 10 (1), pp. 73-75. https://doi.org/10.1080/17514517.2017.1295712
Obsolete Studios (event): Turner Contemporary, Margate
Ball, R. 2013. Obsolete Studios (event): Turner Contemporary, Margate. Turner Contemporary 28 Jun 2013
Obsolete Studios (event) : Format Photography Festival 2015
Ball, R. 2015. Obsolete Studios (event) : Format Photography Festival 2015.
'Ways of looking' photography festival
Ball, R. 2011. 'Ways of looking' photography festival. Bradford Oct 2011
Paradigm lecture series: Rob Ball
Ball, R. 2015. Paradigm lecture series: Rob Ball.
The redemptive beauty of life after death
Ball, R. 2007. The redemptive beauty of life after death. Bonnington Gallery, Nottingham 12 Jan - 17 Feb 2007
Paper round
Ball, R. 2012. Paper round. The Royal Academy, London 2012
Dreamlands
Ball, R. 2015. Dreamlands. The Photographers' Gallery, London
Coney Island
Ball, R. 2017. Coney Island. England Dewi Lewis.
Dream Lands
Ball, R. 2017. Dream Lands. Photography & Culture. 11 (1), pp. 109-120. https://doi.org/10.1080/17514517.2017.1410323
Hostile waters: the beach photographer as endangered species
Shepherdson, K. 2015. Hostile waters: the beach photographer as endangered species.
Dreamlands
Ball, R. 2015. Dreamlands. London Dewi Lewis.
Seabathers: reflections & responses
Shepherdson, K. 2015. Seabathers: reflections & responses. Turner Contemporary (Foyle Rooms) & Walpole Bay Tidal Pool 24 May 2015
At the jetty: rumination on time and space
Shepherdson, K. and Ball, R. 2015. At the jetty: rumination on time and space. Old Lookout Gallery, Broadstairs 09 - 10 May 2015
Life on film
Jones, T. and Shepherdson, K. 2009. Life on film.
Picturing Aftermath - a visual response to the broken faces of the First World War
Shepherdson, K. 2015. Picturing Aftermath - a visual response to the broken faces of the First World War.
Seaside / Sexuality / Architecture
Shepherdson, K., Dermott, N. and Causer, S. 2015. Seaside / Sexuality / Architecture.
In conversation with Martin Parr
Shepherdson, K. 2014. In conversation with Martin Parr. Martin Parr at PhotoHastings Film Festival. Palace Theatre, Hastings 11 Dec 2014
Remembrance and (Re)membering: contrasting perspectives on the Sunbeam Photographic Collection
Shepherdson, K. 2014. Remembrance and (Re)membering: contrasting perspectives on the Sunbeam Photographic Collection.
Beyond the view: reframing early commercial seaside photography
Shepherdson, K. 2015. Beyond the view: reframing early commercial seaside photography. AHRC Website 2015
Aftermath I & II
Shepherdson, K. 2014. Aftermath I & II. Sidney Cooper Gallery, Canterbury 11 Nov - 17 Dec 2014
Walking to work
Shepherdson, K. 2014. Walking to work.
Beyond the view: new perspectives on seaside photography
Ball, R. and Shepherdson, K. Ball, R. and Shepherdson, K. (ed.) 2014. Beyond the view: new perspectives on seaside photography. EBS Italy Burton Press.
Beyond the view: reframing the Sunbeam Photographic Collection
Shepherdson, K. and Ball, R. 2014. Beyond the view: reframing the Sunbeam Photographic Collection. Sidney Cooper Gallery, Canterbury 11 Jul - 23 Aug 2014
From Smudger to Sunbeamer: informal professionalism in commercial seaside portraiture
Shepherdson, K. 2014. From Smudger to Sunbeamer: informal professionalism in commercial seaside portraiture.
Yurtworks...or pulling out the plug
Shepherdson, K. 2014. Yurtworks...or pulling out the plug.
Beyond the view: reframing the early commercial seaside photograph
Shepherdson, K. 2014. Beyond the view: reframing the early commercial seaside photograph.
Punctum
Shepherdson, K. 2011. Punctum.
Close to home
Shepherdson, K. 2013. Close to home. Burton Gallery, Broadstairs
The collected
Stone, H., Jones, S. and Shepherdson, K. 2013. The collected. Sidney Cooper Gallery 10 - 27 Apr 2013
Close to home
Shepherdson, K., Ball, R. and Minogue, S. 2013. Close to home. Broadstairs Burton Press.
Pastiche
Shepherdson, K. 2000. Pastiche. in: Pearson, R. and Simpson, P. (ed.) Critical Dictionary of Film and Television Theory London Routledge. pp. 127-128
Unremarkable stories
Ball, R. and Shepherdson, K. 2012. Unremarkable stories. Burton Press.
Public policy engagement with tourism
Bull, C., Church, A., Ball, R. and Tyler, D. 1999. Public policy engagement with tourism.
Public policy engagement with British tourism: the national, local and the European Union
Church, A., Ball, R., Bull, C. and Tyler, D. 2000. Public policy engagement with British tourism: the national, local and the European Union. Tourism Geographies. 2 (3). https://doi.org/10.1080/14616680050082544
Get a shot: New visions: Promoting Progression in Photography
Shepherdson, K. 2009. Get a shot: New visions: Promoting Progression in Photography. Creative Way.
Channel 4’s Dockers: a move beyond the rhetoric of participation?
Shepherdson, K. 2007. Channel 4’s Dockers: a move beyond the rhetoric of participation?
Firearms
Ball, R. 2010. Firearms. Margate, Kent Aug 2010
Wet Plate Collodion Works
Ball, R. 2010. Wet Plate Collodion Works. Broadstairs, Kent Jul 2010
#320390 from Pacemakers
Ball, R. 2009. #320390 from Pacemakers. in: Celii, A., Feinstein, J. and Willing, G. (ed.) The Collector's Guide to Emerging Art Photography New York, USA Humble Arts Foundation. pp. 18-18
Pragmatic radicalism: trans-atlantic experiences and influences in the work of Tony Garnett
Shepherdson, K. 2007. Pragmatic radicalism: trans-atlantic experiences and influences in the work of Tony Garnett. Critical Studies in Television: Scholarly Studies in Small Screen Fictions. 2 (2), pp. 113-125.