Motion comics: modes of adaptation and the issue of authenticity
Journal article
Smith, C. 2012. Motion comics: modes of adaptation and the issue of authenticity. Animation Practice, Process & Production. 1 (2), pp. 357-378. https://doi.org/10.1386/ap3.1.2.357_1
Authors | Smith, C. |
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Abstract | Motion comics can be considered as an emerging form of digital animation that typically appropriates and remediates an existing comic book narrative and artwork into a screen-based animated narrative. One such example of motion comic adaptation is The Watchmen, which was released on DVD and is also available on the iTunes online store as a digital download. This article argues that this new hybrid media raises unique considerations in terms of adaptation, and therefore provides a brief summary of key debates in adaptation studies, with a particular emphasis on the issue of authenticity. This is followed by a study of conventional adaptation practices from a comic book source and the emerging digital post-production approaches of animators and creative practitioners in the motion comic field, including a discussion on the importance of sound. |
Year | 2012 |
Journal | Animation Practice, Process & Production |
Journal citation | 1 (2), pp. 357-378 |
Publisher | Intellect |
ISSN | 2042-7875 |
Digital Object Identifier (DOI) | https://doi.org/10.1386/ap3.1.2.357_1 |
Publication dates | |
Jun 2012 | |
Publication process dates | |
Deposited | 21 May 2015 |
Accepted | 2011 |
Output status | Published |
Additional information | Images contained within this document are used for nonprofit educational purpose and are copyright of DC Comics and Dark Horse Comics. |
File | License |
https://repository.canterbury.ac.uk/item/8751q/motion-comics-modes-of-adaptation-and-the-issue-of-authenticity
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