"An exacting public": Jerome K. Jerome and the new humour

Conference paper

Oulton, C. 2013. "An exacting public": Jerome K. Jerome and the new humour.
AuthorsOulton, C.
TypeConference paper
Description

Throughout the 1890s Jerome K. Jerome exploited his ambivalent position as the most successful of the ‘new humourists’; inviting readers of his journal To-day to see themselves as loyal members of a club, he used humour as both an agent of, and a weapon against, social disruption. Conflicted feelings about his own literary status haunt Jerome’s fin de siècle writing. But significantly the eponymous hero of Paul Kelver (1902), who is likened to David Copperfield and yet fails to be Dickens, is finally advised, ‘You are here to make us laugh. Get on with your work, you confounded young idiot!’

Year2013
ConferenceVictorian Comedy Conference
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Deposited04 Oct 2013
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https://repository.canterbury.ac.uk/item/87007/-an-exacting-public-jerome-k-jerome-and-the-new-humour

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Oulton, C. 2009. Let the flowers go: a life of Mary Cholmondeley. London Pickering & Chatto.
Child sacrifice and the crisis of gender in Mary Cholmondeley's major fiction
Oulton, C. 2010. Child sacrifice and the crisis of gender in Mary Cholmondeley's major fiction. English Literature in Transition, 1880-1920. 53 (2), pp. 204-218. https://doi.org/10.2487/elt.53.2(2010)0059
''The shadow which I call pain'': Mary Cholmondeley and the dilemma of bodily weakness
Oulton, C. 2009. ''The shadow which I call pain'': Mary Cholmondeley and the dilemma of bodily weakness. Life Writing. 6 (3), pp. 303-312. https://doi.org/10.1080/14484520903082926
“What a comrade she would make”: the limits of romantic friendship in Jude the Obscure
Oulton, C. 2007. “What a comrade she would make”: the limits of romantic friendship in Jude the Obscure. Thomas Hardy Journal. 23, pp. 117-125.
Left past the moon
Oulton, C. 2001. Left past the moon. NPF Publications.
''The bad women are better than the good ones'': the new woman and sexual fall in Cholmondeley's short fiction
Oulton, C. 2009. ''The bad women are better than the good ones'': the new woman and sexual fall in Cholmondeley's short fiction. in: Oulton, C. and Schatz, S. (ed.) Mary Cholmondeley Reconsidered London, UK Pickering & Chatto.