'Evil thought is a dangerous pet.' Jerome K. Jerome and the dark side of passion

Conference paper


Oulton, C. 2012. 'Evil thought is a dangerous pet.' Jerome K. Jerome and the dark side of passion.
AuthorsOulton, C.
TypeConference paper
Description

Jerome K. Jerome’s fiction and journalism of the 1890s reveals a troubled preoccupation with sexual frailty and the sexual double standard. Notably while his editorials in To-day from this period suggest both hostility and anxiety in relation to the demands of the New Woman, it is male sexuality that he most frequently charts as obsessive and dangerous through pieces published in his monthly journal The Idler. The dream sequence of Novel Notes, serialised in The Idler in 1893, is suggestive of Mary Cholmondeley’s ‘Geoffrey’s Wife’ (1885) in its conflation of the ideal woman and the prostitute. Meanwhile ‘The Woman of the Saeter’, also published in The Idler during this year, references sexual obsession through supernatural imagery.

These depictions of sexual corruption are relegated to dream or foreign landscapes, but they can be productively read against both Jerome’s denial of female passion in To-Day and his depiction of male corruption in the virtually unknown novella Weeds, published in 1892. In its veiled attack on the Victorian insistence that girls should remain ignorant before marriage, Jerome ironically comes close to the position of such New Woman writers as George Egerton. While he persistently depicts sexual desire as threatening, even damaging, he was ultimately wary of value judgements, insisting that ‘Truth is the only thing worth fighting for.’ As he put it in 1896, ‘Of what value is a man’s life to the world if the truth is never to be spoken?’

Year2012
ConferenceBritish Association of Victorian Studies Conference 2012: Victorian Value: Ethics, Economics, Aesthetics
Publication process dates
Deposited09 Oct 2012
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Oulton, C. 2010. 'Which he never meant to be published on any account': the hidden archive in David Copperfield and Paul Kelver.
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Oulton, C. 2010. 'I am not by nature domestic': Mary Cholmondeley and the politics of home.
'My undisciplined heart': romantic friendship in David Copperfield
Oulton, C. 2004. 'My undisciplined heart': romantic friendship in David Copperfield. Dickens Quarterly. 21 (3), pp. 157-169.
''Never be divided again'': Armadale and the threat to romantic friendship
Oulton, C. 2005. ''Never be divided again'': Armadale and the threat to romantic friendship. Wilkie Collins Society Journal. 7, pp. 31-40.
Let the flowers go: a life of Mary Cholmondeley
Oulton, C. 2009. Let the flowers go: a life of Mary Cholmondeley. London Pickering & Chatto.
Child sacrifice and the crisis of gender in Mary Cholmondeley's major fiction
Oulton, C. 2010. Child sacrifice and the crisis of gender in Mary Cholmondeley's major fiction. English Literature in Transition, 1880-1920. 53 (2), pp. 204-218. https://doi.org/10.2487/elt.53.2(2010)0059
''The shadow which I call pain'': Mary Cholmondeley and the dilemma of bodily weakness
Oulton, C. 2009. ''The shadow which I call pain'': Mary Cholmondeley and the dilemma of bodily weakness. Life Writing. 6 (3), pp. 303-312. https://doi.org/10.1080/14484520903082926
“What a comrade she would make”: the limits of romantic friendship in Jude the Obscure
Oulton, C. 2007. “What a comrade she would make”: the limits of romantic friendship in Jude the Obscure. Thomas Hardy Journal. 23, pp. 117-125.
Left past the moon
Oulton, C. 2001. Left past the moon. NPF Publications.
''The bad women are better than the good ones'': the new woman and sexual fall in Cholmondeley's short fiction
Oulton, C. 2009. ''The bad women are better than the good ones'': the new woman and sexual fall in Cholmondeley's short fiction. in: Oulton, C. and Schatz, S. (ed.) Mary Cholmondeley Reconsidered London, UK Pickering & Chatto.