Writing women of the fin de siècle: authors of change

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Gavin, A. and Oulton, C. Gavin, A. and Oulton, C. (ed.) 2011. Writing women of the fin de siècle: authors of change. Basingstoke Palgrave Macmillan.
AuthorsGavin, A. and Oulton, C.
EditorsGavin, A. and Oulton, C.
Year2011
PublisherPalgrave Macmillan
Output statusPublished
Publication dates
PrintNov 2011
Publication process dates
Deposited09 Oct 2012
Place of publicationBasingstoke
ISBN9780230343429
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Oulton, C. 2012. Below the fairy city: a life of Jerome K. Jerome. Brighton Victorian Secrets.
Mary Cholmondeley website
Oulton, C. and Canterbury Christ Church University web team 2013. Mary Cholmondeley website. Canterbury Christ Church University.
A child, a death and the making of the fairy tale woman
Oulton, C. 2011. A child, a death and the making of the fairy tale woman. Langley, Canada BeWrite Books.
'Trained to perfection in the lax morals and prurient literature of my day': the metafictional New Woman and her readers
Oulton, C. 2011. 'Trained to perfection in the lax morals and prurient literature of my day': the metafictional New Woman and her readers. The Latchkey. 2 (2).
“ain’t goin’ to have any beastly Erickin'”: the problem of male friendship in Stalky & Co
Oulton, C. 2008. “ain’t goin’ to have any beastly Erickin'”: the problem of male friendship in Stalky & Co. The Kipling Journal. 82, pp. 56-61.
'The Good Angel of Our Lives': subversive religion in The Woman in White
Oulton, C. 2001. 'The Good Angel of Our Lives': subversive religion in The Woman in White. Dickens Studies Annual: Essays on Victorian Fiction. 30, pp. 309-320.
A vindication of religion: Wilkie Collins, Dickens and The Frozen Deep
Oulton, C. 2001. A vindication of religion: Wilkie Collins, Dickens and The Frozen Deep. The Dickensian. 97 (2), pp. 154-158.
Wilkie Collins: an interpretation of Christian belief
Oulton, C. 1998. Wilkie Collins: an interpretation of Christian belief. Wilkie Collins Society Journal. 1, pp. 29-43.
Literature and religion in mid-Victorian England: from Dickens to Eliot
Oulton, C. 2003. Literature and religion in mid-Victorian England: from Dickens to Eliot. Basingstoke Palgrave Macmillan.
I could not complain, nor make known my wants
Gavin, A. 2000. I could not complain, nor make known my wants.
Straight from the horse’s mouth: first person narrative in Anna Sewell’s Black Beauty
Gavin, A. 2000. Straight from the horse’s mouth: first person narrative in Anna Sewell’s Black Beauty.
Victorian women writing: the Black Beauty circle
Gavin, A. 2008. Victorian women writing: the Black Beauty circle.
‘ain’t goin’ to have any beastly Erickin’: the problem of male friendship in Stalky & Co
Oulton, C. 2007. ‘ain’t goin’ to have any beastly Erickin’: the problem of male friendship in Stalky & Co.
Legal wrongdoer or social transgressor? Judging the Victorian female criminal
Gavin, A. 2007. Legal wrongdoer or social transgressor? Judging the Victorian female criminal.
Supernatural realism and secular faith in Margaret Mahy's young adult fiction
Gavin, A. 2007. Supernatural realism and secular faith in Margaret Mahy's young adult fiction.
'Neither borne nor lost': Kipling's 'They' and the Edwardian cult of childhood
Gavin, A. 2007. 'Neither borne nor lost': Kipling's 'They' and the Edwardian cult of childhood.
''But why write them down[?]'': Mary Cholmondeley's diaries and the violation of the female artist
Oulton, C. 2009. ''But why write them down[?]'': Mary Cholmondeley's diaries and the violation of the female artist.
''Murderous impulse'': Children as victims of violance in Mary Cholmondeley's major fiction
Oulton, C. 2009. ''Murderous impulse'': Children as victims of violance in Mary Cholmondeley's major fiction.
Unadulterated childhood and the Edwardian bestseller: Henry de Vere Stacpoole's ''The Blue Lagoon''
Gavin, A. 2009. Unadulterated childhood and the Edwardian bestseller: Henry de Vere Stacpoole's ''The Blue Lagoon''.
Reality writing: The historical equine context of Black Beauty
Gavin, A. 2009. Reality writing: The historical equine context of Black Beauty.
Boston, Chicago, or an Equine Grail?: Early American editions of Black Beauty and the Quest for a pre-1890 publication
Gavin, A. 2009. Boston, Chicago, or an Equine Grail?: Early American editions of Black Beauty and the Quest for a pre-1890 publication.
Dark horses: The lives of Anna Sewell and Black Beauty
Gavin, A. 2009. Dark horses: The lives of Anna Sewell and Black Beauty.
Miriam's mirror: reflections on the labelling of Miriam Leivers
Gavin, A. 1992. Miriam's mirror: reflections on the labelling of Miriam Leivers. The D. H. Lawrence Review. 24 (1), pp. 27-41.
Language among the amazons: conjuring and creativity in Cranford
Gavin, A. 1994. Language among the amazons: conjuring and creativity in Cranford. Dickens Studies Annual. 23, pp. 205-225.
The autobiography of a horse?: Reading Anna Sewell's Black Beauty as autobiography
Gavin, A. 1999. The autobiography of a horse?: Reading Anna Sewell's Black Beauty as autobiography. in: Hewitt, M. (ed.) Representing Victorian Lives Leeds Trinity and All Saints, Leeds Centre for Victorian Studies. pp. 51-62
Transport and technological mobility D.H. Lawrence's ''The White Peacock''
Gavin, A. 2005. Transport and technological mobility D.H. Lawrence's ''The White Peacock''.
''I used to think seein' and hearin' was the only regulation aids to ascertainin' facts'': The relationship between technology and the supernatural in Kipling's ''Traffics and Discoveries''
Gavin, A. 2007. ''I used to think seein' and hearin' was the only regulation aids to ascertainin' facts'': The relationship between technology and the supernatural in Kipling's ''Traffics and Discoveries''.
'Seen and not heard': The dissentient child in early Twentieth Century British fiction
Gavin, A. 2009. 'Seen and not heard': The dissentient child in early Twentieth Century British fiction.
The child in its time
Gavin, A. and Gavin, A. 2009. The child in its time.
Separated lives and discordant homes: the otherness of childhood in D.H. Lawrence's Edwardian fiction
Gavin, A. 2008. Separated lives and discordant homes: the otherness of childhood in D.H. Lawrence's Edwardian fiction. in: Gavin, A. and Gavin, A. (ed.) Childhood in Edwardian Fiction: Worlds Enough and Time Basingstoke, UK Palgrave Macmillan. pp. 103-124
Anna Sewell: a consideration
Gavin, A. 1997. Anna Sewell: a consideration. Studii de Limbi Si Literaturi Moderne.
'Which he never meant to be published on any account': the hidden archive in David Copperfield and Paul Kelver
Oulton, C. 2010. 'Which he never meant to be published on any account': the hidden archive in David Copperfield and Paul Kelver.
'I am not by nature domestic': Mary Cholmondeley and the politics of home
Oulton, C. 2010. 'I am not by nature domestic': Mary Cholmondeley and the politics of home.
"That remarkable and eminently disagreeable fiction": Caroline Clive's Paul Ferroll
Gavin, A. 2010. "That remarkable and eminently disagreeable fiction": Caroline Clive's Paul Ferroll.
Women's crime writing at the fin de siècle: C. L. Pirkis's 'The experiences of Loveday Brooke, lady detective'
Gavin, A. 2010. Women's crime writing at the fin de siècle: C. L. Pirkis's 'The experiences of Loveday Brooke, lady detective'.
Feminist crime fiction and female sleuths
Gavin, A. 2010. Feminist crime fiction and female sleuths. in: Rzepka, C. and Horsley, L. (ed.) A Companion to Crime Fiction Wiley. pp. 258-269
Living in a world of make-believe: fantasy, female identity, and modern short stories by women in the British tradition
Gavin, A. 2003. Living in a world of make-believe: fantasy, female identity, and modern short stories by women in the British tradition. in: Iftekharrudin, F., Boyden, J., Longo, J. and Rohrberger, M. (ed.) Postmodern Approaches to the Short Story Westport, Connecticut Praeger.
The past reimagined: history and literary creation in British children’s novels after World War Two
Gavin, A. 2003. The past reimagined: history and literary creation in British children’s novels after World War Two. in: Lawson Lucas, A. (ed.) The Presence of the Past in Children’s Literature Westport, Connecticut Praeger.
Enigma's variation: the puzzling mysteries of Avi, Ellen Raskin, Diana Wynne Jones, and Chris Van Allsburg
Gavin, A. 2001. Enigma's variation: the puzzling mysteries of Avi, Ellen Raskin, Diana Wynne Jones, and Chris Van Allsburg. in: Gavin, A. and Routledge, C. (ed.) Mystery in Children's Literature from the Rational to the Supernatural Basingstoke Palgrave Macmillan. pp. 210-218
Apparition and apprehension: supernatural mystery and emergent womanhood in Jane Eyre, Wuthering Heights and novels by Margaret Mahy
Gavin, A. 2001. Apparition and apprehension: supernatural mystery and emergent womanhood in Jane Eyre, Wuthering Heights and novels by Margaret Mahy. in: Gavin, A. and Routledge, C. (ed.) Mystery in Children's Literature from the Rational to the Supernatural Basingstoke Palgrave Macmillan. pp. 131-148
Mystery in children's literature from the rational to the supernatural: an introduction
Gavin, A. and Routledge, C. 2001. Mystery in children's literature from the rational to the supernatural: an introduction. in: Gavin, A. and Routledge, C. (ed.) Mystery in Children's Literature from the Rational to the Supernatural Basingstoke Palgrave Macmillan. pp. 1-13
'My undisciplined heart': romantic friendship in David Copperfield
Oulton, C. 2004. 'My undisciplined heart': romantic friendship in David Copperfield. Dickens Quarterly. 21 (3), pp. 157-169.
''Never be divided again'': Armadale and the threat to romantic friendship
Oulton, C. 2005. ''Never be divided again'': Armadale and the threat to romantic friendship. Wilkie Collins Society Journal. 7, pp. 31-40.
Black Beauty: pacifist novel?
Gavin, A. 2004. Black Beauty: pacifist novel? The Journal of Children's Literature Studies. 1 (2), pp. 1-13.
Let the flowers go: a life of Mary Cholmondeley
Oulton, C. 2009. Let the flowers go: a life of Mary Cholmondeley. London Pickering & Chatto.
The clew of her story: female myth-making in Margaret Mahy’s The Tricksters
Gavin, A. 2008. The clew of her story: female myth-making in Margaret Mahy’s The Tricksters. in: Bray, S., Gavin, A. and Merchant, P. (ed.) Re-Embroidering the Robe: Faith, Myth and Literary Creation since 1850 Newcastle Cambridge Scholars Publishing. pp. 48-62
Worlds enough and time: the cult of childhood in Edwardian fiction
Gavin, A. and Gavin, A. 2008. Worlds enough and time: the cult of childhood in Edwardian fiction. in: Gavin, A. and Gavin, A. (ed.) Childhood in Edwardian Fiction: Worlds Enough and Time Basingstoke, Hampshire Palgrave Macmillan. pp. 1-22
Intangible children: longing, loss and the Edwardian dream child in J.M. Barrie's 'The Little White Bird' and Rudyard Kipling's ''They''
Gavin, A. 2008. Intangible children: longing, loss and the Edwardian dream child in J.M. Barrie's 'The Little White Bird' and Rudyard Kipling's ''They''. in: Gavin, A. and Gavin, A. (ed.) Childhood in Edwardian Fiction: Worlds Enough and Time Basingstoke, Hampshire Palgrave Macmillan. pp. 53-74
Child sacrifice and the crisis of gender in Mary Cholmondeley's major fiction
Oulton, C. 2010. Child sacrifice and the crisis of gender in Mary Cholmondeley's major fiction. English Literature in Transition, 1880-1920. 53 (2), pp. 204-218. https://doi.org/10.2487/elt.53.2(2010)0059
''The shadow which I call pain'': Mary Cholmondeley and the dilemma of bodily weakness
Oulton, C. 2009. ''The shadow which I call pain'': Mary Cholmondeley and the dilemma of bodily weakness. Life Writing. 6 (3), pp. 303-312. https://doi.org/10.1080/14484520903082926
Deepen[ing] the power and horror of the original: Caroline Clive’s Paul Ferroll as descendant of Jane Eyre
Gavin, A. 2009. Deepen[ing] the power and horror of the original: Caroline Clive’s Paul Ferroll as descendant of Jane Eyre. Revue LISA / LISA e-Journal: Littératures, Histoire des Idées, Images, Sociétés du Monde Anglophone. 7 (4), pp. 64-86.
“What a comrade she would make”: the limits of romantic friendship in Jude the Obscure
Oulton, C. 2007. “What a comrade she would make”: the limits of romantic friendship in Jude the Obscure. Thomas Hardy Journal. 23, pp. 117-125.
Left past the moon
Oulton, C. 2001. Left past the moon. NPF Publications.
''The bad women are better than the good ones'': the new woman and sexual fall in Cholmondeley's short fiction
Oulton, C. 2009. ''The bad women are better than the good ones'': the new woman and sexual fall in Cholmondeley's short fiction. in: Oulton, C. and Schatz, S. (ed.) Mary Cholmondeley Reconsidered London, UK Pickering & Chatto.
Childhood in Edwardian fiction: worlds enough and time
Gavin, A. Gavin, A. (ed.) 2008. Childhood in Edwardian fiction: worlds enough and time. Basingstoke, Hampshire Palgrave Macmillan.
Painting it black: art, crime and resolution in Carol Swain's graphic short story 'Come Down Town'
Gavin, A. 2007. Painting it black: art, crime and resolution in Carol Swain's graphic short story 'Come Down Town'. in: Ibáñez, J., Fernández, J. and Bretones, C. (ed.) Contemporary Debates on the Short Story Oxford Peter Lang. pp. 185-206
Spirits of the age: ghosts in the Victorian novel
Gavin, A. 1998. Spirits of the age: ghosts in the Victorian novel. in: Routledge, C., Mills, B. and Palmer, A. (ed.) Critical Mass: Papers from the English Graduate Colloquium 1996-97 Canterbury Canterbury Christ Church University College.