World War One poetry and the demotic

Journal article

Minogue, S. 1999. World War One poetry and the demotic. Colloquium on Politics and the Vernacular in Modern and Contemporary Poetry.
AuthorsMinogue, S.
Year1999
JournalColloquium on Politics and the Vernacular in Modern and Contemporary Poetry
Publication process dates
Deposited22 Jul 2011
Output statusPublished
Permalink -

https://repository.canterbury.ac.uk/item/864z2/world-war-one-poetry-and-the-demotic

  • 103
    total views
  • 0
    total downloads
  • 4
    views this month
  • 0
    downloads this month

Export as

Related outputs

Modernism and First World War poetry: alternative lines
Palmer, A. and Minogue, S. 2015. Modernism and First World War poetry: alternative lines. in: Davis, A. and Jenkins, L. (ed.) A History of Modernist Poetry Cambridge Cambridge University Press. pp. 227-251
The remembered dead: poetry, memory and the First World War
Minogue, S. and Palmer, A. 2018. The remembered dead: poetry, memory and the First World War. Cambridge Cambridge University Press.
Confronting the abject: women and dead babies in modern English fiction
Minogue, S. and Palmer, A. 2006. Confronting the abject: women and dead babies in modern English fiction. Journal of Modern Literature. 29 (3), pp. 103-125.
Close to home
Shepherdson, K., Ball, R. and Minogue, S. 2013. Close to home. Broadstairs Burton Press.
'Horrors here smile': the poem, the photograph and the punctum
Minogue, S. and Palmer, A. 2013. 'Horrors here smile': the poem, the photograph and the punctum. Word & Image. 29 (2), pp. 203-211. https://doi.org/10.1080/02666286.2012.707004
Memorial poems and the poetics of memorializing
Palmer, A. and Minogue, S. 2010. Memorial poems and the poetics of memorializing. Journal of Modern Literature. 34 (1), pp. 162-181. https://doi.org/10.2979/JML.2010.34.1.162
Displaced poet: location and dislocation in Ivor Gurney’s poetry
Minogue, S. 1999. Displaced poet: location and dislocation in Ivor Gurney’s poetry. The Critical Review. 39, pp. 29-45.
Living pictures of the dead
Minogue, S. 1998. Living pictures of the dead. PN Review. 24 (4), pp. 31-35.
Was it a vision? Structuring emptiness in 'To the Lighthouse'
Minogue, S. 1998. Was it a vision? Structuring emptiness in 'To the Lighthouse'. Journal of Modern Literature. 21 (2), pp. 281-294.
Helter skelter, topsy-turvy and ‘loonycolour’: carnivalesque realism in 'Saturday Night and Sunday Morning'
Minogue, S. and Palmer, A. 2002. Helter skelter, topsy-turvy and ‘loonycolour’: carnivalesque realism in 'Saturday Night and Sunday Morning'. English: The Journal of the English Association. 51, pp. 127-143.
Introduction to Jane Eyre (including bibliography and notes)
Minogue, S. 1999. Introduction to Jane Eyre (including bibliography and notes). in: Jane Eyre Ware Wordsworth.
Introduction to Villette
Minogue, S. 1999. Introduction to Villette. in: Villette Ware Wordsworth.