Art, artists and artistry in Ouida’s Italy, 1873-1877

Conference paper

King, A. 2008. Art, artists and artistry in Ouida’s Italy, 1873-1877.
AuthorsKing, A.
TypeConference paper
Year2008
ConferenceArtistry and Industry: Representations of Creative Labour in Literature and the Visual Arts c. 1830-1900
Publication process dates
Deposited20 Jul 2011
Permalink -

https://repository.canterbury.ac.uk/item/864qv/art-artists-and-artistry-in-ouida-s-italy-1873-1877

  • 80
    total views
  • 0
    total downloads
  • 1
    views this month
  • 0
    downloads this month

Export as

Related outputs

The sympathetic individualist: Ouida's late work and politics
King, A. 2011. The sympathetic individualist: Ouida's late work and politics. Victorian Literature and Culture. 39 (2), pp. 563-579. https://doi.org/10.1017/S1060150311000143
The character of "Ouida": signature, oeuvre; periodical, text
King, A. 2008. The character of "Ouida": signature, oeuvre; periodical, text.
Defiance and persistence: Ouida’s radical conservatism
King, A. 2008. Defiance and persistence: Ouida’s radical conservatism.
The VPFA interview
King, A. 2011. The VPFA interview. Victorian Popular Fiction Newsletter. 1 (1), pp. 2-6.
The state of the professions/professional states 1850-1900
King, A. 2009. The state of the professions/professional states 1850-1900.
''Why not indeed?'': Ouida's The Massarenes (1897) and the Lure of Modernity
King, A. 2009. ''Why not indeed?'': Ouida's The Massarenes (1897) and the Lure of Modernity.
'The Stanfield Hall Murders' and family romance
King, A. 2007. 'The Stanfield Hall Murders' and family romance.
Lulu and the Copula: Angels and Demons
King, A. 2010. Lulu and the Copula: Angels and Demons.
To the bitter end: Ouida's massarenes and the problem of history
King, A. 2010. To the bitter end: Ouida's massarenes and the problem of history.
Fiction or audience? The Family Herald Supplements
King, A. 2010. Fiction or audience? The Family Herald Supplements.
Advertising agents as formal drivers: the 1870s
King, A. 2010. Advertising agents as formal drivers: the 1870s.
Ouida, Pascarèl and the Aesthetics of the Risorgimento
King, A. 2010. Ouida, Pascarèl and the Aesthetics of the Risorgimento. Anglistica Pisana. VI (1/2), pp. 77-85.
The Illustrated London News and Advertising
King, A. 2010. The Illustrated London News and Advertising. in: Illustrated London News Hampshire, UK Gale Cengage.
Ouida The Massarenes (1897)
King, A. 2011. Ouida The Massarenes (1897). in: King, A., March-Russell, P. and Oulton, C. (ed.) New Woman Fiction, 1881–1899 London Pickering & Chatto.
Introduction
King, A. and Plunkett, J. 2004. Introduction. in: King, A. and Plunkett, J. (ed.) Popular Print Media 1820-1900 Routledge.
The London Journal 1845-1883: Periodicals, Production and Gender
King, A. 2004. The London Journal 1845-1883: Periodicals, Production and Gender. Ashgate.
Sympathy as subversion? Reading Lady Audley's Secret in the Kitchen
King, A. 2002. Sympathy as subversion? Reading Lady Audley's Secret in the Kitchen. Journal of Victorian Culture. 7 (1), pp. 60-85.