Coherence, Formenlehre and sonata deformation in the dodecaphonic works of Nikos Skalkottas

Conference paper

Mantzourani, E. 2007. Coherence, Formenlehre and sonata deformation in the dodecaphonic works of Nikos Skalkottas.
AuthorsMantzourani, E.
TypeConference paper
Year2007
Conference6th European Music Analysis Conference
Publication process dates
Deposited07 Jul 2011
Permalink -

https://repository.canterbury.ac.uk/item/8623w/coherence-formenlehre-and-sonata-deformation-in-the-dodecaphonic-works-of-nikos-skalkottas

  • 96
    total views
  • 0
    total downloads
  • 0
    views this month
  • 0
    downloads this month

Export as

Related outputs

Charles Gounod's Ave Maria: textual versus performance analyses
Mantzourani, E. 2008. Charles Gounod's Ave Maria: textual versus performance analyses.
The Return of Odysseus: Literary and musical approaches to exile, nostalgia and return in Nikos Skalkottas's life and work
Mantzourani, E. 2009. The Return of Odysseus: Literary and musical approaches to exile, nostalgia and return in Nikos Skalkottas's life and work.
An introduction to Skalkottas’s twelve-note compositional processes
Mantzourani, E. 2008. An introduction to Skalkottas’s twelve-note compositional processes. in: Vrontos, H. (ed.) Nikos Skalkottas: A Greek European Athens Benaki Museum.
All we need is geniuses
Mantzourani, E. 2005. All we need is geniuses. Annals of Aesthetics (Annales d’Esthétique). 43, pp. 109-120.
In the greater scheme of things: musical form in the twelve-note works of Nikos Skalkottas
Mantzourani, E. 2004. In the greater scheme of things: musical form in the twelve-note works of Nikos Skalkottas. in: Wanek, N. (ed.) Nikos Skalkottas (1904-1949): Zum 100. Geburtstags Vienna Der Osterreichischen Akademie der Wissenschaften. pp. 71-101
Nikos Skalkottas: sets and styles in the Octet
Mantzourani, E. 2004. Nikos Skalkottas: sets and styles in the Octet. The Musical Times. 145, pp. 73-86.
The disciple’s tale: the reception and assimilation of Schoenberg’s teachings on Grundgestalt, coherence and comprehensibility by his pupil, the composer Nikos Skalkottas
Mantzourani, E. 2001. The disciple’s tale: the reception and assimilation of Schoenberg’s teachings on Grundgestalt, coherence and comprehensibility by his pupil, the composer Nikos Skalkottas. The Journal of the Arnold Schoenberg Center. 3, pp. 227-238.