''But why write them down[?]'': Mary Cholmondeley's diaries and the violation of the female artist

Conference paper

Oulton, C. 2009. ''But why write them down[?]'': Mary Cholmondeley's diaries and the violation of the female artist.
AuthorsOulton, C.
TypeConference paper
Year2009
ConferenceVictorian Popular Novelists' Conference
Publication process dates
Deposited06 Jul 2011
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https://repository.canterbury.ac.uk/item/861xy/-but-why-write-them-down-mary-cholmondeley-s-diaries-and-the-violation-of-the-female-artist

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Oulton, C. 2010. Child sacrifice and the crisis of gender in Mary Cholmondeley's major fiction. English Literature in Transition, 1880-1920. 53 (2), pp. 204-218. https://doi.org/10.2487/elt.53.2(2010)0059
''The shadow which I call pain'': Mary Cholmondeley and the dilemma of bodily weakness
Oulton, C. 2009. ''The shadow which I call pain'': Mary Cholmondeley and the dilemma of bodily weakness. Life Writing. 6 (3), pp. 303-312. https://doi.org/10.1080/14484520903082926
“What a comrade she would make”: the limits of romantic friendship in Jude the Obscure
Oulton, C. 2007. “What a comrade she would make”: the limits of romantic friendship in Jude the Obscure. Thomas Hardy Journal. 23, pp. 117-125.
Left past the moon
Oulton, C. 2001. Left past the moon. NPF Publications.
''The bad women are better than the good ones'': the new woman and sexual fall in Cholmondeley's short fiction
Oulton, C. 2009. ''The bad women are better than the good ones'': the new woman and sexual fall in Cholmondeley's short fiction. in: Oulton, C. and Schatz, S. (ed.) Mary Cholmondeley Reconsidered London, UK Pickering & Chatto.