Robert Altman’s Kansas City (1996) and the spaces of jazz

Conference paper

Fox, K. and Birtwistle, A. 2008. Robert Altman’s Kansas City (1996) and the spaces of jazz.
AuthorsFox, K. and Birtwistle, A.
TypeConference paper
Year2008
ConferenceScreen Studies Conference
Publication process dates
Deposited05 Apr 2011
Publication dates
Print05 Jul 2008
Permalink -

https://repository.canterbury.ac.uk/item/8552x/robert-altman-s-kansas-city-1996-and-the-spaces-of-jazz

  • 97
    total views
  • 0
    total downloads
  • 1
    views this month
  • 0
    downloads this month

Export as

Related outputs

Going to the pictures: The influence of cinema going on creative artists in the border regions of Ireland
Fox, K. 2023. Going to the pictures: The influence of cinema going on creative artists in the border regions of Ireland. Australasian Journal of Irish Studies. 23, pp. 52-74.
We need to talk about Albert: sustainability is employability
Fox, K. 2023. We need to talk about Albert: sustainability is employability. in: The SAGE Handbook of Graduate Employability London SAGE. pp. 171-187
Always the desert: creating affective landscapes in Breaking Bad
Lovell, J. and Fox, K. 2023. Always the desert: creating affective landscapes in Breaking Bad. in: Champion, E., Lee, C., Stadler, J. and Peaslee, R. M. (ed.) Screen Tourism and Affective Landscapes: The Real, the Virtual and the Cinematic Abingdon Routledge. pp. 121-135
Ensemble and otherness: The jazz musician in Robert Altman’s Kansas City (1996)
Birtwistle, A. and Fox, K. 2022. Ensemble and otherness: The jazz musician in Robert Altman’s Kansas City (1996). Savoirs en prisme. (16 (part 2)), pp. 59-74. https://doi.org/10.34929/sep.vi16.257
Beyond beauty: Taiwan from above (2013)
Andy Birtwistle 2022. Beyond beauty: Taiwan from above (2013). in: Emilie Yueh-yu Yeh, Darrell William Davis and Wenchi Lin (ed.) 32 New Takes on Taiwan Cinema University of Michigan Press.
Paddy the Cope, Michael Powell and the story of the unmade film
Fox, K. 2022. Paddy the Cope, Michael Powell and the story of the unmade film.
Sustainability is employability
Fox, K. 2022. Sustainability is employability.
We need to talk about Albert: Sustainability is employability
Fox, K. 2022. We need to talk about Albert: Sustainability is employability.
Jack Ellitt as director: Documentary films of the 1940s
Birtwistle, A. 2021. Jack Ellitt as director: Documentary films of the 1940s. Journal of British Cinema and Television. 18 (3), pp. 329-359. https://doi.org/10.3366/jbctv.2021.0577
Start here: Sounding the materiality of the compact audio cassette
Birtwistle, A. 2021. Start here: Sounding the materiality of the compact audio cassette. Resonance: The Journal of Sound and Culture. 2 (2), pp. 192-217. https://doi.org/10.1525/res.2021.2.2.192
Material resistance: towards a politics of listening
Birtwistle, A. 2020. Material resistance: towards a politics of listening. Echo. (1).
Le Moulin: audiovisual non-synchronization and the making of a historical documentary
Birtwistle, A. 2020. Le Moulin: audiovisual non-synchronization and the making of a historical documentary. in: Pickowicz, P.G. and Zhang, Y. (ed.) Locating Taiwan Cinema in the Twenty-First Century Amherst, New York Cambria Press. pp. 153-171
The authenticity paradox and the western
Fox, K. 2020. The authenticity paradox and the western. in: Lovell, J. and Hitchmough, S. (ed.) Authenticity in North America: Place, Tourism, Heritage, Culture and the Popular Imagination Routledge. pp. 112-122
Reclaiming the Irish border in contemporary cinema
Fox, K. 2020. Reclaiming the Irish border in contemporary cinema. Australasian Journal of Irish Studies. 20.
Paddy the Cope, Michael Powell and the story of the unmade film
Fox, K. 2019. Paddy the Cope, Michael Powell and the story of the unmade film. Donegal Annual: Journal of the Donegal Historical Society.
Big Paul: The death of video and the return of the repressed
Birtwistle, A. 2019. Big Paul: The death of video and the return of the repressed. in: Lissel, E., Jutz, G. and Jukić, N. (ed.) Reset the Apparatus! A Survey of the Photographic and the Filmic in Contemporary Art Berlin/Boston De Gruyter. pp. 91-104
“Always the desert …”: a content analysis of the key role of the desert in the narrative seriality and visual storytelling of Breaking Bad (AMC, 2008-2013). Speakers: Dr Jane Lovell (CCCU) and Dr Ken Fox (CCCU)
Lovell, J. and Fox, K. 2017. “Always the desert …”: a content analysis of the key role of the desert in the narrative seriality and visual storytelling of Breaking Bad (AMC, 2008-2013). Speakers: Dr Jane Lovell (CCCU) and Dr Ken Fox (CCCU).
Start Here - the art of the audio cassette
Birtwistle, A. 2017. Start Here - the art of the audio cassette. Canterbury Start Here.
Meaning and musicality: sound-image relations in the films of John Smith
Birtwistle, A. 2017. Meaning and musicality: sound-image relations in the films of John Smith. in: Rogers, H. and Barham, J. (ed.) The Music and Sound of Experimental Film New York Oxford University Press. pp. 167-183
'The Fighting Prince of Donegal': the cinematic landscape
Fox, K. 2016. 'The Fighting Prince of Donegal': the cinematic landscape.
Robbing romance to pay history or robbing history to pay romance: an analysis of 'Talk of Angels' (Hamm, 1998) and 'Land and Freedom' (Loach, 1995)
Fox, K. 2016. Robbing romance to pay history or robbing history to pay romance: an analysis of 'Talk of Angels' (Hamm, 1998) and 'Land and Freedom' (Loach, 1995).
Developing alumni relations to enhance employability
Fox, K. 2016. Developing alumni relations to enhance employability.
Teaching hard things
Fox, K. 2016. Teaching hard things.
Alumni relations and enhancing employability
Fox, K. 2016. Alumni relations and enhancing employability.
Creative industries graduate survival
Fox, K. 2015. Creative industries graduate survival.
Pedagogy, practice, research
Fox, K. 2015. Pedagogy, practice, research.
The role of the desert in Breaking Bad
Fox, K. and Lovell, J. 2015. The role of the desert in Breaking Bad.
Independent learning is the new employability
Fox, K. 2014. Independent learning is the new employability. CCCU Learning and Teaching Conference. Canterbury Christ Church University Jul 2014
Employability according to Propp’s Morphology
Fox, K. 2014. Employability according to Propp’s Morphology.
House
Birtwistle, A. 2014. House. The Holy Underground, Baltimore, USA 11 Jul 2014
House
Birtwistle, A. 2014. House. Spectacle, 124 South 3rd St, Brooklyn, NY, 11249 05 - 21 Jun 2014
House
Birtwistle, A. 2013. House.
Review: Sync: Stylistics of Hieroglyphic Time James Tobias, Sync: Stylistics of Hieroglyphic Time. Philadelphia, PA: Temple University Press, 2010, 304 pp.
Birtwistle, A. 2011. Review: Sync: Stylistics of Hieroglyphic Time James Tobias, Sync: Stylistics of Hieroglyphic Time. Philadelphia, PA: Temple University Press, 2010, 304 pp. Screen. 52 (4), pp. 528-531. https://doi.org/10.1093/screen/hjr049
Listen
Birtwistle, A. and Sidney Cooper Gallery, Canterbury 2013. Listen. in: Stone, H. (ed.) John Smith Canterbury Sidney Cooper Gallery.
Electroacoustic composition and the British documentary tradition
Birtwistle, A. 2016. Electroacoustic composition and the British documentary tradition. in: Greene, L. and Kulezic-Wilson, D. (ed.) Palgrave Handbook of Sound Design and Music in Screen Media: Integrated Soundtracks Basingstoke Palgrave Macmillan. pp. 387-402
Noise, agency, and the sound of obsolete technology
Birtwistle, A. 2017. Noise, agency, and the sound of obsolete technology. FKW // Zeitschrift für Geschlechterforschung und visuelle Kultur. 61.
Photographic sound art and the silent modernity of Walter Ruttmann's 'Weekend' (1930).
Birtwistle, A. 2016. Photographic sound art and the silent modernity of Walter Ruttmann's 'Weekend' (1930). New Soundtrack. 6 (2), pp. 109-127. https://doi.org/10.3366/sound.2016.0086
House
Birtwistle, A. 2014. House. Osnabrueck, Germany 20 - 24 Apr 2014
House
Birtwistle, A. 2014. House. New York Jun 2014
Radical conformity: Len Lye and the theorisation of film practice
Birtwistle, A. 2015. Radical conformity: Len Lye and the theorisation of film practice.
Heavy weather: Michelangelo Antonioni, Tsai Ming-liang, and the poetics of environmental sound
Birtwistle, A. 2014. Heavy weather: Michelangelo Antonioni, Tsai Ming-liang, and the poetics of environmental sound. Quarterly Review of Film and Video. 32 (1), pp. 72-90. https://doi.org/10.1080/10509208.2012.757529
Storytelling through free social media with mermology.com
Fox, K. and Moore, P. 2013. Storytelling through free social media with mermology.com.
Going to the pictures: the influence of home town cinema on cultural agents in the border regions of Ireland: methodology and analysis
Fox, K. 2013. Going to the pictures: the influence of home town cinema on cultural agents in the border regions of Ireland: methodology and analysis.
Going to the pictures: the influence of home town cinema on cultural agents in the border regions of Ireland
Fox, K. 2013. Going to the pictures: the influence of home town cinema on cultural agents in the border regions of Ireland.
White noise: the representation of modernity in the films of Pai Ching-jui
Birtwistle, A. 2012. White noise: the representation of modernity in the films of Pai Ching-jui. in: Chang, B. and Klöter, H. (ed.) Imaging and Imagining Taiwan: Identity representation and cultural politics Wiesbaden Harrassowitz Verlag.
In praise of the inauthentic: the cinematic landscape of The Fighting Prince of Donegal
Fox, K. 2013. In praise of the inauthentic: the cinematic landscape of The Fighting Prince of Donegal. in: Harper, G. and Rayner, J. (ed.) Film Landscapes: Cinema, Environment and Visual Culture Cambridge Scholars Publishing. pp. 10-15
Douglas Gordon and cinematic audiovisuality in the age of television: experiencing the experience of cinema
Birtwistle, A. 2012. Douglas Gordon and cinematic audiovisuality in the age of television: experiencing the experience of cinema. Visual Culture in Britain. 13 (1), pp. 101-113. https://doi.org/10.1080/14714787.2012.641780
Film and pedagogy: learning about teaching at the movies
Fox, K. and Lambirth, A. 2012. Film and pedagogy: learning about teaching at the movies. in: Bahloul, M. and Graham, C. (ed.) Lights! Camera! Action and the Brain: The Use of Film in Education Cambridge Scholars Publishing. pp. 61-81
Mi Vida Loca: Identifying Community Through Style
Fox, K. 1999. Mi Vida Loca: Identifying Community Through Style.
The Turner Prize: lead monkey of democracy
Birtwistle, A. 2000. The Turner Prize: lead monkey of democracy.
Film and pedagogy: learning about teaching at the movies
Lambirth, A. and Fox, K. 2008. Film and pedagogy: learning about teaching at the movies.
Noise, memory, monotony and drones: the sound of film technology
Birtwistle, A. 2008. Noise, memory, monotony and drones: the sound of film technology.
What happens when nothing occurs in the films of Terence Malick
Fox, K. 2009. What happens when nothing occurs in the films of Terence Malick.
Noise, memory, monotony and drones: The sound of film technology
Birtwistle, A. 2009. Noise, memory, monotony and drones: The sound of film technology.
White Noise: The representation of Modernity in the films of Bai Jing-rui
Birtwistle, A. 2009. White Noise: The representation of Modernity in the films of Bai Jing-rui.
White Noise: The representation of Modernity in the films of Bai Jing-rui
Birtwistle, A. 2009. White Noise: The representation of Modernity in the films of Bai Jing-rui.
White Noise: The representation of Modernity in the films of Bai Jing-rui
Birtwistle, A. 2009. White Noise: The representation of Modernity in the films of Bai Jing-rui.
Disorganising organised sound: The silent modernity of Walter Ruttman's Weekend
Birtwistle, A. 2009. Disorganising organised sound: The silent modernity of Walter Ruttman's Weekend.
Media education - a rich life in the margins
Fox, K. 1996. Media education - a rich life in the margins. in: Webb, R. (ed.) Cross-Curricular Primary Practice: Taking a Leadership Role London Falmer Press.
Cinesonica: sounding film and video
Birtwistle, A. 2010. Cinesonica: sounding film and video. Manchester Manchester University Press.
L'Adventurra (The Adventure)
Birtwistle, A. 1997. L'Adventurra (The Adventure).
Angels and demons in a border landscape
Fox, K. 2010. Angels and demons in a border landscape.
In praise of the inauthentic: the cinematic landscape of The Fighting Prince of Donegal (O'Herlihy, 1966)
Fox, K. 2010. In praise of the inauthentic: the cinematic landscape of The Fighting Prince of Donegal (O'Herlihy, 1966).
Queering the system: Baltimore, dissent, abnormality and subversion in The Wire
Choat, A. and Fox, K. 2009. Queering the system: Baltimore, dissent, abnormality and subversion in The Wire.
The Three Spatialities of Latino/a Cinema
Fox, K. 2008. The Three Spatialities of Latino/a Cinema.
Queering the system: Baltimore, dissent, abnormality and subversion in The Wire
Choat, A. and Fox, K. 2010. Queering the system: Baltimore, dissent, abnormality and subversion in The Wire. in: Scherer, B. (ed.) Queering Paradigms Oxfordshire Peter Lang.
Real-time
Birtwistle, A. 2000. Real-time. in: Pearson, R. and Simpson, P. (ed.) Critical Dictionary of Film and Television Theory London Routledge.
Text
Birtwistle, A. 2000. Text. in: Pearson, R. and Simpson, P. (ed.) Critical Dictionary of Film and Television Theory London Routledge.
Mode of production
Birtwistle, A. 2000. Mode of production. in: Pearson, R. and Simpson, P. (ed.) Critical Dictionary of Film and Television Theory London Routledge.
Independent cinema
Birtwistle, A. 2000. Independent cinema. in: Pearson, R. and Simpson, P. (ed.) Critical Dictionary of Film and Television Theory London Routledge.
The three spatialities of Los Angeles Latino/a cinema
Fox, K. 2008. The three spatialities of Los Angeles Latino/a cinema. in: Hallam, J., Koeck, R., Kronenburg, R. and Roberts, L. (ed.) Cities in Film: Architecture, Urban Space and the Moving Image Liverpool University of Liverpool. pp. 65-69
Stories of the Eye - Harbouring History
Birtwistle, A. 2007. Stories of the Eye - Harbouring History. Vertigo. 3 (5), p. 31.
Marking time and sounding difference: Brubeck, temporality and modernity
Birtwistle, A. 2010. Marking time and sounding difference: Brubeck, temporality and modernity. Popular Music. 29 (3), pp. 351-371. https://doi.org/10.1017/S0261143010000243